青岛，一座旖旎如画的海滨之城，建置虽然只有100多年，但其油画的发展历史亦有上百年。青岛油画的进程与这个城市的发展自然而紧密的契合在一起，与山海一起见证着时代的变迁。
蹒跚起步
油画最早是作为艺术陈列品在19世纪末传入青岛，“19世纪末20世纪初，一些在青岛居住的德国人从欧洲带来油画，主要用于自己家庭悬挂装饰”，1902年弗兰西斯科修道院女子学校开办英式教育，设有绘画和雕塑课程。但真正在青岛普及油画的是后来的俄国人，20世纪20-30年代，经常有俄国人在广西路、馆陶路、热河路举办美术沙龙和油画展，开展欣赏观摩交流活动并教授油画，同时德国和白俄的油画家来青岛进行写生，如巴客洛夫、比列格、毕古列维奇、卡尔·伍德克等。
抗战爆发后，被迫从京华美术学院和北平国立艺专回到青岛的赵仲玉、吕品、万里等人于1938年11月共同创办了一个美术机构“琴岛画会”，赵仲玉任会长、吕品任副会长。画会建立初期，基本上以战前在北平京华美院和北平国立艺专学习的同学赵仲玉、吕品、万里、叶又新等为骨干。画会以公开合法的方式进行艺术活动，同时开办美术班，招收学员，举办画展，同日本随军画家的活动相抗衡。当时作为画会的主要负责人赵仲玉，是新中国成立前青岛党的地下工作者，“琴岛画会”因此以战斗姿态出现在青岛海滨，成为文化战线上“抗日”的一支文艺尖兵，在文艺战线上与敌人斗争和争夺青年的重要文艺阵地。十年来画会培养了一批美术人才，如母振元（青岛市文联干部）、徐介城（解放军艺术学院教授）、班兆天（空军政治部创作员）、曹楚汉（原北京军区后勤部创作员）、张贻来（中国美协干部）、宋守宏（青岛工艺美术学校校长）、田郁文（人民美术出版社副总编）、张重庆（中央戏剧学院教授）、王文彬（中央美术学院教授）等。经过他们指导和培养过的青年学生大都具有进步倾向，不少人在新中国成立前就参加了革命工作。
琴岛画会成立后即在河南路“蓬莱阁”举办了首次画展，画会成员当时都是学油画的，展览作品以油画为主。作为画会的首次公开亮相，虽然规模不大，却获得了广泛的关注。这次展览全是油画原作，水平之高，寓意之深，是青岛历次画展所没有的。展览中最受关注的有两幅油画，一幅是赵仲玉的《太平角之晨》，另一幅是吕品的《酒徒》。琴岛画会随着影响力的扩大，许多画家陆续参加进来，其中就有郭梦家（郭牧，毕业于上海美专）、陈大羽（毕业于上海美专）、于希宁（毕业于上海新华美专）以及赫保真、杜宗甫、王关石、孙沾群等。
1936年8月，刘海粟先生在太平路29号举办个人画展。陈列展示了刘海粟先生的油画作品，同时还陈列着他主编的《世界名画集》。在油画作品中，除一部分在异地所创作的外，如《向日葵》《矛家埠之秋》《北极阁之雪》等，还有一些作品是来青岛后游览崂山时写生创作的，有《明霞散绮》《柳树台烟雨》《九水晚瀑》等。
1940年琴岛画会正式开办美术班，分中西两部分公开招生。西画班由赵仲玉、吕品、郭梦家任教。抗战期间，伪政权以收回大学路房屋为借口迫使琴岛画会终止它的公开活动。《琴岛画会》从未声明解散，它采取“化整为零”的方式，进行以吕品为中心的艺术交流，特别是教学活动，大大推动了青岛油画的发展，为青岛美术事业发展留下宝贵财富。
1948年，琴岛画会成立十周年，画会举办了“八人画展”，他们是赵仲玉、吕品、郭梦家、王关石、陈大羽、叶又新、刘尚铭、母振元，这次画展成为琴岛画会的最后一次告别展出。
1945年从烟台来青的王珏在李村路开办良友画社。同时来青的贾青青，在甘肃路开办“寿英美术班”，那时的青岛美术教育几乎是空白，所以，“寿英美术班”一开业，报名者就纷至沓来。青岛比较有成就的画家，很多都曾受教于贾青青。
1947年，高密人宫滨汀发起创办了青岛市第一所美术学校“青岛中国美术业余学校”并担任校长，学校地址在湖北路7号，后期搬迁至广西路14号中正文化馆内。当时该校设有西画组，主任张鹤云，教师有徐咏青、陶天恩、吕品等。
长足发展
新中国成立后，借鉴苏联的模式，全国展开全面的社会主义建设。在此背景下，当时的美术教育也借用了苏联的模式——现实主义美术教学体系。青岛的现实主义题材写实油画逐步发展起来，创作队伍日渐形成，创作亦趋向专业化。50年代初，有8幅油画作品分别参加山东省青年美术作品展、山东省美展、第一届全国青年美展、全国首届职工美术作品展览等，其中晏文正油画作品《校足球队员》获1957年山东省美展银奖；油画作品《评理》获山东省美展二等奖，王庆平油画作品《小小运动会》获第一届全国青年美展铜奖，王文彬的油画作品《夯歌》、谭国信的油画作品《向阳花开》入选1964年第四届全国美展等，另有多幅油画作品分别参加全国美术展览、全军美术展览、山东省美术展览。
1949年青岛解放，青岛市军事管制委员会为了充分发挥“琴岛画会”等进步艺术家的作用，决定成立青岛市美术专科学校，以培养新一代国家需要的美术人才，并委托吕品、叶又新负责美校的筹备工作。聘任原“琴岛画会”成员作为专业老师，校址沿用吕品私宅及画室。青岛市美术专科学校成为新中国最早开办的美术专科学校。1949年9月，“私立青岛美术专科学校”经山东省文教厅批准，完成注册备案，由青岛市文教局代管，文教局副局长王桂浑分管美专工作。校董会由王统照、陆侃如、王哲、郭梦家、范澄川、吕品等多人组成，校长为吕品，教务长为叶又新，学校的办学宗旨为培养美术干部。1952年学校撤销，并入山东师范学院（现山东师范大学）。1958年青岛艺术学校成立，副校长冯凭（兼任市群众艺术馆馆长）驻校主持工作。教师有纪虹、石可、隋成林、杜耕田、宋守宏等。至1964年，学校几经改建为青岛市工艺美术学校。
1949年，贾青青将招远路16号开办的“寿英美术班”更名为“青青美术社”，并开设油画班，这是新中国成立后青岛第一期油画学习班，之后学习班迁址德县路47号。1958年“青青美术社”合并到青岛美术设计公司，贾青青任业务经理。
1949年6月，青岛市人民政府邀请郭士奇、吕品、赵仲玉等人成立青岛市美术工作者协会筹备委员会（青岛市美术家协会前身）；1951年，举办第一届青岛市职工美术作品展（至1964年共举办了9届）；1953年1月，青岛市文联筹委会成立了美术创作组，由石可出任组长，吕品任副组长。1956年，青岛市工人文化宫成立“青岛市职工美术创作组”。1957年，青岛市文联“彩画研究会”成立，青岛有了第一个官方组织的以西画为研究对象的学术组织。1959年，青岛教师进修学院开设美术专科。这几所学校和美术研究创作组织为新中国成立后青岛美术发展打下了良好的基础。
20世纪50年代末，青岛市举办了第一次“美术作品展”，这个时期青岛的油画创作是建立在统一的艺术思想和艺术风格基础之上，通俗的写实表现成为主流追求的目标。那个时期知名的油画家有晏文正、陶田恩、李正、张作舟、贾青青、王珏等。
1960年代，由于青岛美术学习场所的缺乏，青岛市工人文化宫成为集结美术爱好者的主要场所。由当时文艺组的姜宝星负责全市工人业余美术工作，开设“职工画室”，有计划地进行美术训练和创作，同时坚持油画创作。由于油画的写实表现形式和气氛渲染效果的突出，能够将对象表现得更加真实，更加具有宣传效果，使得油画成为这一时期美术创作主流。1960年，姜宝星被保送入中央美术学院吴作人工作室进修油画。姜宝星创作的油画作品《海阳民兵》《盐田之晨》《腊月》《警惕的眼睛》入选“全国美展”。
1962年青岛市台西文化馆成立美术活动小组，徐立忠、吴文家、盛显棣、张纲、王敬成为美术组的活动骨干，9月美术组改名为“台西画室”。据徐立忠回忆：成立当年，为迎接国庆，台西画室和文化馆于10月1日联合举办了“台西画室风景画展”，有100多幅作品参加了展出。展览组织者向青岛美术学校、工人文化宫美术组、各文化馆、俱乐部及参展者的画友，发出了免费参观的邀请。画展只持续了3天，却引发了轰动。青岛美术界一多半的人赶来参观，美校的学生甚至停课来看。
1968年青岛市组织“毛泽东思想胜利万岁大型图片展”的美术创作活动，筹展历时一年，油画创作组成人员选调青岛市军队与地方优秀油画家组成，成员有姜宝星、高泉、崔开玺、金步松、王笃正、杨克山、朱贻德。分成四个创作组，分别确定题材进行大幅油画创作。
1970年代初，市文联、市群众文化馆、市工人文化宫联合由姜宝星负责牵头组织成立了一个大型业余美术创作班子，从全市各基层单位选调一批业余作者，集中办班培训，选拔出专业素质高的作者组成创作班子，集中在上海路6号文化宫小剧场里搞创作。当时的成员大都不满30岁，其中成员有杨克山、于普杰、汪稼华、宋守宏、沈嘉荣、窦世魁、项维仁等。
1972年青岛市举办了“纪念毛主席<在延安文艺座谈会上的讲话>发表三十周年青岛市美术作品展”，并出版《青岛市美术作品展览汇集》，展览汇集收录了王笃正、于普杰等青岛当时众多油画家的作品。
1973年由山东人民出版社出版的《山东美术作品选》，其中刊登了王廷臣、谭国信、戴保华、崔开玺等青岛油画家的作品。
蓬勃进取
改革开放以后，青岛作为沿海开放城市，对外交流日益增多，城市的发展，经济的繁荣，政治、学术的宽松自由，使得青岛油画进入了一个快速发展时期。
1970-80年代，工人美术活动成为油画发展的主力军，如工人文化宫姜宝星组织的“青岛市职工彩画研究会”成为当时青岛美术活动最活跃的部分。经“85美术新潮”后，受全国油画发展的影响，整个油画界关注到苏联七十年代现实主义“开放体系”的新风格，绘画的个性问题和风格问题受到普遍的关注和提倡，青岛的油画创作格局逐渐打开，油画家的注意力从简单的模仿转向了独立创新。
1979年，青岛市工人文化宫在姜宝星主持下成立了“青岛市职工彩画研究会”，这一时期，姜宝星经常邀请着名画家学者来青岛办展览、讲学，其中有中央美院教授彦涵，中央工艺美院教授祝大年、袁运甫，美学家王朝闻、中央民族学院教授刘秉江、周菱，画家妥木斯、许勇等。大大开拓了青岛美术作者的视野，提升了青岛美术的整体水平。1980年姜宝星与山东的部分年轻油画家一起创办了“山东油画壁画研究会”，姜宝星被推选为会长。1989年，姜宝星在黄岛开发区创建了全国第一个油画创作院——青岛油画院。
自20世纪70年代末80年代初开始，各类美术组织如雨后春笋般纷纷成立，如青岛画院、青岛市美术馆、青岛市美协油画艺委会、青岛市油画学会、青岛画廊协会等。上百家民间油画组织、美术馆、画廊也建立起来。这些组织举办的各类专业展览、交流活动不断地进入人们的视野，在不断探索和提升油画创作水平的同时，也为油画艺术的普及教育，促进青岛油画的繁荣提供了广阔的空间。
1977年由青岛市美术摄影展览办公室编辑的《青岛市美术作品选》，刊登了李晶心、于志源、张乐光、尚友宋、王臣祥、申忠村、逄国源、于普杰等画家的作品。
1978年青岛市革命委员会文化局在山东美术馆举办“青岛市美术作品展”，共展出美术作品196幅，其中油画展出26幅。
1979年青岛市举办“青岛新貌风景画展”，1980年人民美术出版社从这次展览中选出部分作品出版了《青岛风景画》专辑。
1983年10月由青岛市工人文化宫和《工人日报》共同举办了首届“青岛美画展”进京展，画展包括油画、水彩、水粉，有61位青岛画家参加。
1985年赵德伟和青岛理工大学建筑系学生梁克刚等人主办“露天画展”，以“达达主义”的气质，成为这一时期“青岛85美术新潮”的标志。
至90年代，青岛的油画创作主要方向转向现实主义的个人探索，他们更关注的是走自己的路，与别人拉开距离，而不是向别人看齐，有的画家追求新的综合，有的义无反顾投身抽象绘画语言实验，有的不断尝试融入民族、民间艺术元素等等，呈现出色彩斑斓的油画创作局面。个人艺术探索的兴起从而带来历史性、主题性题材创作日益萎缩，成为那个时期的一个现象。
随着高校美术教育的兴起，青岛的油画教育事业迈向新的台阶，各类高校相继建立、整合美术学院、艺术学院，并开设油画专业，培养了一大批美术新生力量，青岛的油画队伍不断壮大。一批优秀的中青年油画人才的引进及本土艺术人才外地求学的回归，使得油画创作面貌焕然一新。如王笃正、张伯仁、谭国信等。在创作观念、表现手法方面借鉴和吸纳西方传统，尤其是现代和后现代艺术经验，是油画发展的重要探索途径，在20世纪80年代迸发出强大的能量，通过古典、表现、抽象、超级写实等不同的表现手法、风格推动了青岛油画不断提升表现水准，丰富表现式样。青岛大学美术学院成立于2001年，绘画专业设立水彩、油画专业研究方向。专业教师有王笃正、张伯仁、谭国信、赵文华、李前、王学东、徐青峰、李伟松等。2002年青岛职业技术学院美术学院成立，2010年更名为青岛职业技术学院艺术学院。历任院长有：姚铭，庞玉生。2006年青岛科技大学艺术学院设立绘画本科专业，开始油画本科教育，油画教师有刘书声、林建业、吕建国、崔建军等。青岛理工大学艺术与设计学院，虽然没有油画专业，但美术系基础课中油画教师有管君章、王伟业、李鑫、吕冰等，团队成员中油画专业齐备。
随着青岛油画创作队伍进一步扩大，油画创作水平长足进步，青岛有近百幅作品入选全国、全军以及省级以上展览并获奖。1979年“第五届全国美展”中，张洪祥、王笃正、赵玉琢油画作品《斗霸》获二等奖，1994年“第八届全国美展”中，徐青峰油画作品《我静静的喘息》获优秀奖，1999年“第九届全国美展”中，于普杰油画作品《海唱》，谭国信、谭大珂油画作品《龙声阵阵》，赵文华油画作品《九月·风》分别获得第九届全国美术作品展览优秀奖。2004年“第十届全国美展”中，李前油画作品《渤海湾》获铜奖，徐青峰油画作品《天空》获优秀奖。2014年“第十二届全国美展”中，徐青巍油画作品《幽谷听泉》，才树新油画作品《祈愿》，李伟松油画作品《国家记忆》，宋晓阳油画作品《整装待发》，于桂元、王勃生油画作品《青春乐章》分别获提名奖。其他入选全国美展及油画单项展并获奖者三十余人次。
进入21世纪，伴随着国家各级政府一系列重大题材美术创作工程的启动，青岛油画的现实主义创作迎来了新的发展机遇，取得一批有价值的艺术成果。在2005年启动的“国家重大历史题材美术创作工程”和山东省“齐鲁颂·三个一百美术创作工程”“上海合作组织青岛峰会”美术创作中，杨克山、徐青峰、姚铭、曲宝来、李伟松等创作了一批有分量、有质量的优秀作品。
随着社会的进一步发展，物质生活水平的不断提高，油画艺术品逐渐走进了青岛市民的日常生活，位于青岛西海岸新区张家楼镇大泥沟村，在2003年之前还是一个村民靠卖粮卖菜维持生计的小村庄。如今的大泥沟头村改名为达尼画家村，成为与深圳大芬油画村遥相呼应并享誉全国的“中国江北第一画家村”，并成为全国文化产业示范基地。“南有大芬，北有达尼”逐渐成为我国油画市场行业内的一个共识。
历经了一个多世纪的风风雨雨，在一代代油画家的辛勤耕耘下，油画艺术逐渐在青岛扎根、发芽、开花，成为美丽青岛名片上一抹亮丽的色彩。青岛的油画作为全国油画的组成部分，正在逐渐形成属于自己的特色：身处山海之城的油画家们在这方水土潜移默化的浸润下，通过一幅幅作品自觉的传递着一种宽广厚重的大海味道、恬静清新的山海气息。
（作者单位：青岛市文学创作研究院）
Qingdao, a picturesque seaside city, has only been built for more than 100 years, but its oil painting has a history of more than 100 years. The process of Qingdao oil painting naturally and closely coincides with the development of the city, and witnesses the changes of the times with the mountains and seas
Hobbling start < / P > < P style = "text indent: 2em;" > Oil painting was first introduced into Qingdao as an art exhibition at the end of the 19th century. "At the end of the 19th century and the beginning of the 20th century, some Germans living in Qingdao brought oil painting from Europe, mainly for their own family hanging decoration". In 1902, the Francesco monastery girls' school opened British education, with painting and sculpture courses. However, it was later Russians who really popularized oil painting in Qingdao. From the 1920s to 1930s, Russians often held art salons and oil painting exhibitions on Guangxi Road, Guantao road and Rehe Road, carried out appreciation, observation and exchange activities and taught oil painting. At the same time, German and White Russian oil painters came to Qingdao for sketching, such as bakelov, bileg, bigulevich, Carl woodke, etc
After the outbreak of the war of resistance against Japan, Zhao Zhongyu, LV pin and Wan Li, who were forced to return to Qingdao from the Jinghua Academy of fine arts and Beiping National Academy of art, jointly founded an art organization "Qindao Painting Association" in November 1938, with Zhao Zhongyu as the president and LV pin as the vice president. In the early days of the establishment of the painting association, Zhao Zhongyu, Lu Pin, Wan Li and ye Youxin, who studied at the Peking Academy of fine arts and the Peking national art college before the war, were basically the backbone. The art association carries out art activities in an open and legal way. At the same time, it holds art classes, recruits students and holds art exhibitions to compete with the activities of Japanese military painters. At that time, as the main person in charge of the painting association, Zhao Zhongyu was an underground worker of the Qingdao party before the founding of new China. Therefore, Qindao painting association appeared on the coast of Qingdao in a fighting posture, became a literary and artistic elite of "Anti Japanese" on the cultural front, and an important literary and artistic position to fight against the enemy and compete for youth on the literary and artistic front. Over the past decade, the society has trained a number of art talents, such as Mu Zhenyuan (cadre of Qingdao Federation of Arts and crafts), Xu Jiecheng (Professor of PLA Academy of Art), ban zhaotian (creator of the Political Department of the air force), Cao Chuhan (former creator of the logistics department of Beijing Military Region), Zhang Yilai (cadre of China Artists Association), song Shouhong (president of Qingdao arts and crafts school), Tian Yuwen (deputy editor in chief of the people's Art Publishing House), Zhang Chongqing (Professor of the Central Academy of Drama) Wang Wenbin (Professor of the Central Academy of Fine Arts), etc. Most of the young students who have been guided and trained by them have a tendency to progress, and many took part in revolutionary work before the founding of new China
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After the establishment of Qindao Painting Association, the first painting exhibition was held in "Penglai Pavilion" on Henan road. The members of the association were all studying oil painting at that time, and the exhibition works were mainly oil painting. As the first public appearance of the painting association, although it is small in scale, it has received extensive attention. This exhibition is full of original oil paintings, with high level and deep meaning, which are not found in previous art exhibitions in Qingdao. Two oil paintings attracted the most attention in the exhibition, one is Zhao Zhongyu's morning at taipingjiao, and the other is Lu Pin's drunkard. With the expansion of the influence of Qindao Painting Association, many painters have joined in one after another, including Guo Mengjia (Guo mu, graduated from Shanghai Art College), Chen Dayu (graduated from Shanghai Art College), Yu Xining (graduated from Shanghai Xinhua Art College), he Baozhen, Du Zongfu, Wang Guanshi, sun zhanqun, etc
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In August 1936, Mr. Liu Haisu held a personal painting exhibition at No. 29 Taiping Road. Mr. Liu Haisu's oil paintings are displayed, as well as his collection of world famous paintings. In addition to some of the oil paintings created in other places, such as sunflower, autumn in Maojiabu, snow in the Arctic Pavilion, and so on, some of them were created by sketching when visiting Laoshan mountain after coming to Qingdao, including Mingxia Sanqi, misty rain in liushutai, jiushui evening waterfall, etc
In 1940, Qindao Painting Association officially opened an art class, which was divided into Chinese and western parts. The western painting class is taught by Zhao Zhongyu, LV pin and Guo Mengjia. During the Anti Japanese War, the puppet regime forced Qindao Painting Association to stop its public activities under the pretext of recovering the houses on university road. Qindao Painting Association has never declared its dissolution. It adopts the method of "breaking up the whole into parts" to carry out art exchanges centered on LV pin, especially teaching activities, which has greatly promoted the development of oil painting in Qingdao and left precious wealth for the development of art in Qingdao
In 1948, on the 10th anniversary of the founding of Qindao Painting Association, the association held a "painting exhibition of eight people", including Zhao Zhongyu, LV pin, Guo Mengjia, Wang Guanshi, Chen Dayu, ye Youxin, Liu Shangming and Mu Zhenyuan. This exhibition became the last farewell exhibition of Qindao Painting Association
In 1945, Wang Jue, who came to Qingdao from Yantai, set up Liangyou painting company on Lichun road. At the same time, Jia Qingqing, who came to Qingdao, opened the "Shouying art class" on Gansu road. At that time, Qingdao art education was almost blank. Therefore, as soon as the "Shouying art class" opened, applicants poured in. Many of the more accomplished painters in Qingdao have been taught by Jia Qingqing
In 1947, Gong binting, a Gaomi man, initiated and founded the first art school in Qingdao, "Qingdao Chinese art amateur school" and served as the principal. The school is located at No. 7 Hubei Road and later moved to Zhongzheng Cultural Museum, No. 14 Guangxi road. At that time, the school had a Western painting group, director Zhang Heyun, and teachers Xu Yongqing, Tao Tianen, LV pin, etc
< text style = "2em;" > < P style = "indent;" > > After the founding of new China, the model of the Soviet Union was used for reference to carry out comprehensive socialist construction throughout the country. In this context, the art education at that time also borrowed the Soviet model - realistic art teaching system. Realistic oil paintings with realistic themes in Qingdao have gradually developed, the creative team has gradually formed, and the creation also tends to be professional. In the early 1950s, eight oil paintings participated in Shandong Youth Art Exhibition, Shandong art exhibition, the first national youth art exhibition and the first national employee art exhibition respectively. Yan Wenzheng's oil painting "school football player" won the silver award of Shandong art exhibition in 1957; The oil painting "Pingli" won the second prize of Shandong art exhibition, Wang Qingping's oil painting "little games" won the bronze prize of the first national youth art exhibition, Wang Wenbin's oil painting "ramming song" and Tan Guoxin's oil painting "Xiangyang flowers" were selected in the fourth national art exhibition in 1964, and many other oil paintings participated in the national art exhibition, the military art exhibition and Shandong art exhibition respectively
After the liberation of Qingdao in 1949, in order to give full play to the role of progressive artists such as "Qindao Painting Association", Qingdao Military Control Commission decided to establish Qingdao academy of fine arts to cultivate a new generation of art talents needed by the country, and entrusted LV pin and ye Youxin to be responsible for the preparation of the Academy. Appoint the former members of "Qindao Painting Association" as professional teachers, and the school site continues to use LV pin's private house and studio. Qingdao academy of fine arts has become the earliest Academy of Fine Arts in New China. In September 1949, the "private Qingdao academy of fine arts" was approved by the Department of culture and education of Shandong Province and completed the registration and filing. It was managed by Qingdao Bureau of culture and education, and Wang guihun, deputy director of the Bureau of culture and education, was in charge of the work of the art college. The school's board of directors is composed of Wang Tongzhao, Lu Kanru, Wang Zhe, Guo Mengjia, fan Chengchuan, LV pin and other people. The president is LV pin and the provost is Ye Youxin. The school's purpose is to train art cadres. In 1952, the University was abolished and incorporated into Shandong Normal University (now Shandong Normal University). In 1958, Qingdao Art School was established, and vice president Feng Ping (concurrently the curator of the Municipal People's Art Museum) presided over the work in the school. Teachers include Ji Hong, Shi Ke, Sui Chenglin, Du gengtian, song Shouhong, etc. By 1964, the school was transformed into Qingdao arts and crafts school
In 1949, Jia Qingqing renamed the "Shouying art class" opened on No. 16 Zhaoyuan road as "Qingqing Art Society" and opened an oil painting class, which was the first oil painting class in Qingdao after the founding of new China. After that, the class was moved to No. 47 Dexian road. In 1958, "Qingqing Art Society" was merged into Qingdao art design company, and Jia Qingqing was the business manager
In June 1949, the Qingdao Municipal People's government invited Guo Shiqi, LV pin, Zhao Zhongyu and others to establish the Preparatory Committee of Qingdao Artists Association (the predecessor of Qingdao Artists Association); In 1951, the first Qingdao staff art exhibition was held (9 sessions were held until 1964); In January 1953, the Preparatory Committee of Qingdao Federation of literary and art circles established an art creation group, with Shi Ke as the group leader and LV pin as the Deputy group leader. In 1956, Qingdao workers' Cultural Palace established the "Qingdao workers' art creation group". In 1957, the "Color Painting Research Association" of Qingdao Federation of literary and art circles was established. Qingdao has the first officially organized academic organization focusing on Western painting. In 1959, Qingdao teachers' Training College opened an art college. These schools and art research and creation organizations have laid a good foundation for the development of Qingdao Art after the founding of new China
In the late 1950s, Qingdao held the first "Art Exhibition". During this period, Qingdao's oil painting creation was based on unified artistic thought and artistic style, and popular realistic expression became the goal of the mainstream. Famous oil painters in that period included Yan Wenzheng, Tao Tianen, Li Zheng, Zhang zuozhou, Jia Qingqing, Wang Jue, etc
In the 1960s, due to the lack of art learning places in Qingdao, Qingdao workers' Culture Palace became the main place to gather art lovers. At that time, Jiang Baoxing of the literature and art group was responsible for the amateur art work of workers in the city, opened a "staff studio", carried out art training and creation in a planned way, and insisted on oil painting creation at the same time. Due to the realistic expression form and atmosphere rendering effect of oil painting, the object can be expressed more truly and have more publicity effect, which makes oil painting become the mainstream of art creation in this period. In 1960, Jiang Baoxing was sent to Wu Zuoren studio of the Central Academy of fine arts to study oil painting. Jiang Baoxing's oil paintings "Haiyang militia", "morning in salt field", "December moon" and "vigilant eyes" were selected into the "National Art Exhibition"
In 1962, Qingdao Taixi cultural museum established an art activity group. Xu Lizhong, Wu Wenjia, Sheng Xiandi, Zhang Gang and Wang Jing became the backbone of the art group. In September, the art group was renamed "Taixi studio". According to Xu Lizhong's recollection: in the year of its establishment, in order to welcome the national day, Taixi studio and the cultural museum jointly held the "Taixi studio landscape painting exhibition" on October 1, with more than 100 works on display. The exhibition organizers sent free invitations to Qingdao Art School, the art group of workers' Culture Palace, cultural museums, clubs and exhibitors' painting friends. The exhibition lasted only three days