----------Introduction in English----------
This genius with both the observation of scientists and the sensibility of writers noticed the existence of the Spring Palace Map and left us first-hand information. As a proof, he also left a sentence in his other Fu "Seven Debates": "False blue lanterns, refer to the pictures, cicadas should be ashamed of, the death of Shao, the beauty of this woman."
From the "Chorus", we can see that in the Han Dynasty, it was possible to make a dowry for the bride with a picture of the Spring Palace to guide the couple's sexual life, so later generations also referred to the picture of the Spring Palace as "the picture of the daughter". Let's take a look at the story in Liaozhai.——
There was a bookworm named Lang Yuzhu, who was fond of books and studied them day and night without any heat or cold. As a result, there was no wife in her thirties. He always said, "The book has its own beauty like jade." Why do I worry about having a beautiful wife? Sure enough, one day, from the book out of a beautiful woman, really called Yan Ruyu. Between the two pillows, Lang Yuzhu was so fond of love that he did not know how to have sex that he was so depressed that he had no children. Yan Ruyu laughed and said, "It is useless for a concubine to read on a gentleman's day." This is the couple's chapter, not yet understood, the word "pillow mat" has time.
Here's another example: Pork Pu Tuan written by Li Yu in the Qing Dynasty. In the book, Wei Yangsheng was extremely cold in housing because his wife Yuxiang received orthodox education from childhood, so he decided to resort to the Spring Palace Painting - Weiyang Sheng didn't have any vivid interest in her and felt very bitter. Now I have to use some of it. Tao Yang's efforts, change her out. Tomorrow in the painting and calligraphy shop, I will buy an ingenious brochure of the Spring Palace, which is written by Zhao Ziang, a Bachelor of arts. There are thirty-six pieces. The thirty-six palaces in Tang poems are the meaning of spring. Take them back and read them together with Miss Yuxiang. It can be seen that these sets of intercourse between men and women are not created by me. Ancient people have traveled first, and Cheng Wen is available. Here's the ink roll for proof.
When Yuxiang first contacted the Spring Palace picture album, she immediately blushed and let the maid take it and burn it. After repeated explanations by Weiyangsheng, Yuxiang watched again - Yuxiang saw here, unconsciously thriving, Weiyangsheng passed another page, just to point to her, Yuxiang pushed the pamphlet, stood up and said, what good books can make people uncomfortable, you read, I want to go to sleep.
It can be seen that sexual intercourse, some people may be relatively slow, depending on sex education. In ancient times, unlike today's online sex education movies, the Spring Palace Pictures play an important role in this respect. Otherwise, it can not explain why many Spring Palace Pictures left in the Ming and Qing Dynasties were used as part of the dowry. It is inappropriate to regard ancient Spring Palace maps as obscene works only according to current standards.
In the Tang Dynasty, many popular books of room art were accompanied by illustrations of various sexual positions, such as Dale Fu, which mentioned the illustration book Su Nv Jing. But none of these pictures survived the war and the long years. However, we can still find traces of the Spring Palace paintings in the Tang Dynasty through the notes of some later literati.
Zhang Chou, a great painter and collector in the late Ming Dynasty, accidentally met Zhou Fang, a famous painter of the Tang Dynasty, in his family with the surname of Wang in Taiyuan. This picture has been lost for a long time. At this time, when he reappeared in the world, he was naturally overjoyed and overjoyed. He immediately bought it with heavy gold and wrote Qinghe Shuhu Painting Fang. 》 Write down a postscript
It was painted by Zhou Jingyuan and by Gulboting Master (Yuan Ming painter Zhao Meng, good at Changchun Palace painting). Or after the clouds, or the clouds too true imperial concubine (Yang Guifei), doubtful also. Rumor has it that most of the women who draw pictures are full of muscles and bones, not in the shape of slender and graceful. In this picture, the eyes are clear, the eyebrows are charming, the teeth are bright, the ears and noses are trimmed, and the adjuncts are in good position. And the texture is greasy and clean, build fat and carve jade, sewer Ottan, fire is ready to vomit, or what kind of strong meaning is far away! As for clothes and clothing, men travel far away in crowns and silk shoes, and have the appearance of emperors. The woman looks forward to fairy buns and ripple stockings, while reserving the concubine's face. Ji Shi wears Cuiqiao girdles, pressing his waist and walking side by side, while there is a forbidden weather! All kinds of ornaments, calm and elegant, not Tang Dynasty!
I don't know where the name of secret opera began. From Tai Shigong's biography, Zhou Ren was fortunate that King Jingdi was in bed, and Ren was always there in the back court secret opera. Du Zimei's Palace Ci also has the phrase "Happy Secret in the Palace, which is expected to be known by few people". The name of the secret opera has a long history, not from the ears of modern times.
According to the pictures of previous generations, it is only possible to write examples of men and women snuggling against each other as private obscenities. However, there are those who do not reveal their vagina, such as Jingyuan, who created a new picture, supported by a man and a woman, supported by two young servant girls; a servant-in-law who is currently trying to resist the seat of a woman; and a servant-in-law who is behind her tail, pushes the man behind her back. Five women and one man play endlessly, which is unprecedented in Chenggulai's paintings.
This postscript can be said to reveal multiple information. Let's first learn about Zhou Fang, the great painter of the Tang Dynasty. He was the most famous religious and figure painter in Chang'an in the flourishing and middle Tang Dynasty. After learning Zhang Xuan, he created his own style, painted rich and beautiful ladies, and was very good at portrayal. Legend has it that Zhao Zheng, Guo Ziyi's son-in-law, asked Zhou Fang and Han Gan to draw a portrait for each of them and hang them in the room. Guo's daughter said after viewing, Zhou Fang painted Zhao Lang's "posture of laughing at temperament". His Buddhist statues, such as "Shuiyue Guanyin", were taken as models at that time, and were once called "Zhou Jia-zheng".