传记

出生在博洛尼亚到一个家庭的音乐家,圭多雷尼是丹尼尔的儿子Reni和Ginevra德波齐。九作为一个孩子,他是学徒的波伦亚的工作室丹尼斯Calvaert。不久之后,他加入了工作室Albani和Domenichino。他也可能与画家叫Ferrantini的训练。Reni大约二十岁的时候,这三个Calvaert学生迁移到崛起的竞争对手工作室,命名学院degli Incamminati(学院“新开始”,或进步人士),由罗多维科Carracci。他们继续形成一个多产的和成功的学校的核心波伦亚的画家跟着罗多维科的表亲Annibale Carracci到罗马。就像许多其他波伦亚的画家,Reni的绘画主题和折衷风格。

工作在罗马

1601年底,Reni Albani搬到罗马 与领导的团队合作Annibale Carracci在壁画装饰的法尔宫。1601 - 1604年期间,他的主要顾客是红衣主教保罗埃米利奥Sfondrati。通过1604 - 1605年,他收到了一个独立委员会的装饰画圣彼得的受难。几年后逗留在博洛尼亚,他回到罗马教皇期间成为英超画家之一保罗五世 (鲍格才家族)。从1607年到1614年,他是一个画家鲍格才家族家族光顾的。

Reni大型中央大厅的天花板壁画花园宫殿,赌场戴尔'Aurora位于的理由宫殿Pallavicini-Rospigliosi,被认为是他的杰作。赌场最初是由红衣主教馆委托Scipione鲍格才家族; 俯瞰着Piazza Montecavallo和后面的部分奎里纳勒宫复兴运动  表示“四”的巨大壁画陷害riportati和描绘了阿波罗黎明之前在车上(极光)给世界带来光明。 古典风格的工作是克制的,复制的姿势从罗马石棺,并显示更简单和克制Carracci混乱的酒神巴库斯和阿里阿德涅的胜利在法尔。Reni在这幅画里的盟友自己更坚强这名维'Arpino,Lanfranco,Albanimytho-historic绘画的“学校”,少与多拥挤的壁画的特点彼得罗达Cortona。没有让步的角度来看,和充满活力的风格的暗色调主义是对立的卡拉瓦乔的追随者。付款显示,他是247年scudi和54 baiocchi 1616年9月24日完成。

在Reni年在罗马,在罗马的两个最重要的和贵族家庭Barberini和Pamphilj,考虑到教皇乌尔班八世(Barberini Maffeo,1568 - 1644)是前家族的一员,而在后者的红衣主教是一个,Giovanni Battista Pamphilj。两个家庭在很坏的关系,这样的摩擦的原因是他们不断追求世俗的权力。

教皇的哥哥,Barberini安东尼奥,是一个红衣主教,他属于卷尾秩序僧侣。在那些日子里,罗马的卷尾猴的主要教堂St.Nicholas”(现在不再存在),而小,可以追溯到中世纪。因此,在1635年他当选后不久红衣主教Barberini赞助的一个新的、更大的教堂,他属于何种顺序圣玛丽亚德拉Concezione一些Cappuccini,或者我们夫人的卷尾猴的概念,以及它的一个小教堂的一幅画大天使麦克是Reni委托。

“圣迈克尔天使”。大天使迈克尔践踏撒旦,戴着后期罗马军事斗篷和胸甲。1636年,在圣玛丽亚德拉Concezione一些Cappuccini,罗马。据传说,Reni意识到红衣主教Giovanni Battista Pamphilj诽谤他,或以某种方式冒犯了他的声誉。Reni,感觉到一种机会,决定报复自己通过自己的天赋,同时取悦他的客户,他属于对方的家庭。根据现有的画像,红衣主教Pamphilj有一个细长的脸,用薄的头发,稀疏的胡子,有点奇怪的看他的眼睛,撒旦Reni认为完美的典范。因此,大天使麦克的脸在他的脚看起来几乎相同的Giovanni Battista Pamphilj。这个结果更令人尴尬的几年后,1644年当红衣主教当选罗马教皇X.

这幅画挂在教堂的时候,红衣主教据说抱怨这种愤怒;据说Reni承认惊人的相似之处,但为自己辩解,声称,撒旦在异象中向他显现,因此他知道他的脸,如果红衣主教Pamphilj太倒霉,像他,他不能被指责。所以Giovanni Battista Pamphilj不得不忍受的耻辱出现描绘成撒旦

他还在Paoline礼拜堂的壁画圣玛丽亚大教堂在罗马的Aldobrandini梵蒂冈的翅膀。据传闻,主教教堂Montecavallo Annuciation(教堂)被分配到Reni画画。然而,因为他觉得收入过低的部长,博洛尼亚的艺术家,留下杰出艺术家的角色在罗马Domenichino。

工作在那不勒斯和回到博洛尼亚

1618年,Reni前往那不勒斯完成一个委员会来描绘了一幅在教堂的天花板圣热内罗.然而,在那不勒斯,其他本地著名的画家,包括Corenzio,卡拉乔洛和Ribera强烈抵制竞争对手,据传闻,密谋毒药或损害Reni(可能发生在那不勒斯Domenichino他)。经过短暂的罗马,但突然离开了那个城市,在教皇的职位城市八世后,被训斥红衣主教Spinola.

回到博洛尼亚,或多或少的永久,Reni建立一个成功的、多产的工作室。他委托装修的圆顶教堂的圣多米尼克的圣多梅尼科教堂在博洛尼亚,在1613年和1615年之间,导致辐射壁画圣多米尼克的荣耀,一个杰作,能站的比较讲究Arca迪圣多梅尼科在下面。他还导致念珠教堂在同一教堂的装饰与复活。

在拉文纳,他画的教堂大教堂钦佩以色列人聚会的照片吗哪。交替Reni离开罗马后,涂在各种风格,真实Carracci的许多学员的兼收并蓄的风格。例如,他对参孙的装饰画胜利制定程式化的特点怪癖相比之下他的受难和亚特兰大和Hipomenes描绘戏剧性的对角运动加上光和阴影的影响,塑造的影响卡拉瓦乔。他的动荡和暴力屠杀无辜(Pinacoteca,博洛尼亚)的方式让人想起拉斐尔作画。1625年王子Władysław西吉斯蒙德瓦沙的波兰在博洛尼亚访问艺术家工作室航行期间西欧。画家和波兰之间的密切关系导致王子幅素描和油画的收购。1630年,他画Pallion这座圣伊格内修斯和弗朗西斯泽维尔的画面,画中1630年的瘟疫袭击了博洛尼亚。

他的主题大多是圣经和神话主题。他画肖像;这些的西克斯V,红衣主教贝纳迪诺位咨询专家,所以-叫比森西是最明显的。森西肖像的身份很可疑,因为比阿特丽斯森西被处决之前在罗马Reni曾住在那里,所以不可能坐的肖像。许多铜版画归因于圭多雷尼后自己绘画作品和一些其他的主人。他们是英勇的,风格的精致的线条和点光。Reni波伦亚的学校和所使用的技术是标准的意大利版画复制匠时间。

Reni博洛尼亚在1642年去世。他被埋伊丽莎白Sirani的念珠教堂的圣多梅尼科教堂在博洛尼亚。

学生

通过他的学生,Reni广泛影响后来的巴洛克风格。他最杰出的学生西蒙Cantarini名为Il Pesarese;他画一幅肖像的主人,现在在波伦亚的画廊。其他学员安东尼奥Buonfanti(il Torricello),安东尼奥Giarola(骑士杯),Giovanni Battista Michelini。的乌菲兹美术馆持有的自画像。其他学生圭多Cagnacci,乔凡尼面包师特鲁瓦,Vincenzo Gotti博洛尼亚,埃米利奥Savonanzi博洛尼亚,Sebastiano Brunetti博洛尼亚,保罗Biancucci卢卡,托马索·坎帕纳博洛尼亚,多梅尼科玛丽亚Canuti博洛尼亚,彼得里奇或Righi卢卡,巴特洛Marescotti博洛尼亚,Pietro罗莉Monsu,Giacomo西门,乔瓦尼·玛丽亚·Tamburino博洛尼亚,Gioseffo和乔凡尼斯特凡诺Danedi,乔凡尼Giacomo没有,卡洛Cittadini的米兰,路易吉Scaramuccia,Bernardo Cerva,弗朗西斯科·使用均,弗朗西斯科·Gessi,马可Bandinelli,Pietro加里纳利在博洛尼亚(Pierino德尔先生圭多)。

biography

Born in Bologna to a family of musicians, guidoreni is Daniel's son Reni and Ginevra de bozzi. Nine as a child, he was apprenticed to Bologna's studio Dennis calvaert. Soon after, he joined studios Albani and Domenichino. He may also train with a painter called ferrantini. When Reni was about 20, the three calvaret students moved to the studio of their rising rival, named degli incamminati (the college's "new start," or progressive), by rodovico Carracci. They continued to form a productive and successful school at the heart of the Bologna painters who followed rodovico's cousin, Annale Carracci, to Rome. Like many other Bologna painters, Reni's painting themes and eclectic styles.

Working in Rome

At the end of 1601, Reni Albani moved to Rome to work with the leading team, Annibale Carracci, in the fresco decorated palace of Phare. Between 1601 and 1604, his main client was cardinal Paul Emilio sfondrati. Through 1604 - 1605, he received the crucifixion of an independent commission's decorative painting St. Peter. Staying in Bologna a a few years later, he became one of the Premier League painters Paul V (the bogeys) when he returned to the Pope. From 1607 to 1614, he was patronized by a family of painters, the bogeys.

Reni's large central hall's ceiling mural Garden Palace, the reason palace where casino del'aurora is located, pallavicini rospigliosi, is considered his masterpiece. The casino was originally commissioned by the episcopal palace to the sciione bogeyi family; overlooking Piazza monteavallo and the part behind the revival of the Quirinale palace, the huge mural "four" framed riportati and depicted Apollo bringing light to the world in the car (Aurora) before dawn. The classic style of work is restrained, copied from the Roman Sarcophagus, and shows simpler and restrained Carracci's chaotic Dionysus Bacus and Ariadne's victory in Farr. Reni's allies in this painting are stronger. This "school" of Wei's' arpino, lanfranco, albanimytho historical painting features little and much crowded murals of petroda Cortona. Without compromise, Caravaggio's followers are opposed to the vibrant style of dark Tonalism. Payment shows that he was completed in 247 by scudi and 54 baiocchi on September 24, 1616.

In Reni in Rome, the two most important and aristocratic families in Rome, Barberini and pamphilj, considered that Pope urberini maffeo (1568-1644) was a member of the former family, while the cardinal in the latter was a Giovanni Battista pamphilj. The reason for the friction between the two families is that they are constantly pursuing secular power.

The brother of the Pope, Barberini Antonio, is a cardinal and belongs to the order of curly tail monks. In those days, St. Nicholas, the main church of capuchins in Rome (no longer exists), was small and dates back to the middle ages. So, shortly after he was elected in 1635, cardinal Barberini sponsored a new, larger church, the order in which he belonged to some cappuccini of Santa Maria della concezione, or the concept of our lady's capuchin monkey, as well as a picture of a chapel of it, a great emissary Mike was commissioned by Reni.

The angel of St Michael. Archangel Michael tramples on Satan, wearing a late Roman military cloak and breastplate. 1636, some cappuccini in concezione, Santa Maria, Rome. According to legend, Reni realized that cardinal Giovanni Battista pamphilj had slandered him or in some way offended his reputation. Reni, sensing an opportunity, decided to revenge himself through his talent while pleasing his clients, who belong to the other side's family. According to the existing portraits, cardinal pamphilj has a long, thin face, thin hair, thin beard, and a strange look at his eyes, which Satan Reni thinks is the perfect model. So Archangel Mike's face looks almost the same on his feet as Giovanni Battista pamphilj. In 1644, when the Cardinal was elected pope X

When the painting was hung in the church, the cardinal reportedly complained about this anger; it was said that Reni admitted the amazing similarities, but defended himself, claiming that Satan appeared to him in a vision, so he knew his face, and if cardinal pamphilj was too unlucky, like him, he could not be accused. So the humiliation that Giovanni Battista pamphilj had to endure emerged as Satan

He also painted the walls of the paoline Chapel of St. Mary's Cathedral in Rome's Aldobrandini Vatican wings. It's said that the cathedral, the monteavallo annunciation, was assigned to Reni to draw. However, because he felt underpaid by the minister, Bologna's artist, left the role of an outstanding artist in Domenichino, Rome.

Working in Naples and back in Bologna

In 1618, Reni went to Naples to complete a committee to depict the ceiling of a church in San genello. However, in Naples, other famous local painters, including corenzio, caragiolo and Ribera, strongly resisted competitors. According to reports, they conspired to poison or damage Reni (which may happen in Domenichino, Naples). After a brief period in Rome, but suddenly left the city, in the papacy of city VIII, was reprimanded cardinal Spinola