乔治·鲁阿尔Georges Rouault（1871年5月27日——1958年2月13日），法国画家。
鲁阿尔在巴黎出生在一个贫穷的家庭。他的母亲鼓励他的爱艺术后,1885年,14岁的鲁阿尔着手学徒玻璃画家和恢复,这一直持续到1890年。早期经验玻璃画家被建议作为一种可能的沉重的黑色轮廓和源发光颜色,比作含铅玻璃描述鲁阿尔成熟的绘画风格。学徒期间,他还参加了夜校在美术学院,1891年,他进入了美术学院法国的官方艺术学校。他研究了下古斯塔夫·莫罗并成为了他最喜欢的学生。鲁阿尔最早的作品展示使用色彩的象征意义可能反映了男人的影响,当男人死于1898年,鲁阿尔被提名的馆长莫罗博物馆在巴黎。
乔治·鲁阿尔还会见了亨利·马蒂斯,艾伯特Marquet,亨利Manguin,查尔斯Camoin。这些友谊带给他的运动野兽派的领袖,这被认为是马蒂斯。
1891年鲁阿尔画“还是丝毫不懂加略山的方法”。
从1895年起,他参加重大公共展览,尤其是沙龙d 'Automne(他帮助发现),与宗教题材绘画,风景和静物画。1905年,他表现出他的绘画沙龙d 'Automne与其他野兽派的。而马蒂斯组中的反射和合理化方面表示,鲁阿尔体现一种更加自然和本能的风格。
他使用鲜明的对比和情绪性记入的影响文森特·梵高。他的灵感过份强调怪诞人物的性格特征表现主义画家.
1907年,鲁阿尔开始一系列的绘画专门法院,小丑和妓女。这些画是解释为道德和社会批评。他成为了吸引灵性和戏剧性的存在主义的哲学家附带着,他仍然是一个好朋友他的余生。之后,他奉献自己宗教科目。人类大自然总是他的兴趣的焦点。鲁阿尔说:“天空树对拥有相同的兴趣,相同的性格,相同的表达式的人类。”
1910年,鲁阿尔第一件作品Druet画廊。他的作品进行了研究德国艺术家从德累斯顿,后来形成的核心表现主义.
从1917年开始,鲁阿尔投身绘画。基督教信仰告诉他的工作在他寻找灵感,展现了他作为20世纪最激情的基督徒艺术家:首先,在激情的主题基督。耶稣的脸,哭泣的妇女在十字架的脚的象征世界的痛苦,这鲁阿尔被相信松了一口气复活.
1929年鲁阿尔创造了设计列夫的芭蕾舞浪荡子巴兰钦,由普罗科菲耶夫的音乐和舞蹈。
1930年,他也开始在国外展览,主要是在伦敦、纽约和芝加哥。
1937年鲁阿尔画“老国王”,可以说是他最好的表现主义作品。
在1948年他表现出周期恳求之声。
在他生命的最后他烧300的图片(今天估计价值超过十亿法郎)。他这样做的理由是不深刻的,因为他只是觉得他不会活到完成。[1]鲁阿尔1958年在巴黎去世。
Rouault was born in Paris into a poor family. His mother encouraged his love for the arts, and in 1885 the fourteen-year-old Rouault embarked on an apprenticeship as a glass painter and restorer, which lasted until 1890. This early experience as a glass painter has been suggested as a likely source of the heavy black contouring and glowing colours, likened to leaded glass, which characterize Rouault's mature painting style. During his apprenticeship, he also attended evening classes at the School of Fine Arts, and in 1891, he entered the École des Beaux-Arts, the official art school of France. There he studied under Gustave Moreau and became his favorite student. Rouault's earliest works show a symbolism in the use of colour that probably reflects Moreau's influence, and when Moreau died in 1898, Rouault was nominated as the curator of the Moreau Museum in Paris.
Georges Rouault also met Henri Matisse, Albert Marquet, Henri Manguin, and Charles Camoin. These friendships brought him to the movement of Fauvism, the leader of which was considered to be Matisse.
In 1891 Rouault painted "The Way to Calvary".
From 1895 on, he took part in major public exhibitions, notably the Salon d'Automne (which he helped to found), where paintings with religious subjects, landscapes and still lifes were shown. In 1905 he exhibited his paintings at the Salon d'Automne with the other Fauvists. While Matisse represented the reflective and rationalized aspects in the group, Rouault embodied a more spontaneous and instinctive style.
His use of stark contrasts and emotionality is credited to the influence of Vincent van Gogh. His characterizations of overemphasized grotesque personalities inspired the expressionist painters.
In 1907, Rouault commenced a series of paintings dedicated to courts, clowns and prostitutes. These paintings are interpreted as moral and social criticism. He became attracted to Spiritualism and the dramatic existentialism of the philosopher Jacques Maritain, who remained a close friend for the rest of his life. After that, he dedicated himself to religious subjects. Humannature was always the focus of his interest. Rouault said: "A tree against the sky possesses the same interest, the same character, the same expression as the figure of a human."
In 1910, Rouault had his first works exhibited in the Druet Gallery. His works were studied by German artists from Dresden, who later formed the nucleus of expressionism.
From 1917, Rouault dedicated himself to painting. The Christian faith informed his work in his search for inspiration and marks him out as perhaps the most passionate Christian artist of the 20th century: first of all, in the theme of the passion of Christ. The face of Jesus and the cries of the women at the feet of the cross are symbols of the pain of the world, which for Rouault was relieved by belief in resurrection.
In 1929 Rouault created the designs for Diaghilev's ballet The Prodigal Son, with music by Prokofiev and choreography by Balanchine.
In 1930 he also began to exhibit in foreign countries, mainly in London, New York and Chicago.
In 1937 Rouault painted "The Old King", arguably his very finest expressionist work.
He exhibited his cycle Miserere in 1948.
At the end of his life he burned 300 of his pictures (estimated to be worth today about more than half a billion francs). His reason for doing this was not profound, as he simply felt he would not live to finish them.[1] Rouault died in Paris in 1958.
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