背景和早期生活

1858年,弗雷德里克·卡尔Frieseke的祖父母,弗雷德里克Frieseke和他的妻子从Pritzerbe移民(近了勃兰登堡与他们的儿子,德国),包括赫尔曼·卡尔。他们在密歇根中部小镇定居Owosso。赫尔曼在北方军然后回到Owosso,他建立了一个砖制造业务。他娶了伊娃·格雷厄姆在1871年他们的女儿伊迪丝诞生了。他们的儿子,弗雷德里克·卡尔,1874年生于Owosso。 伊娃于1880年去世弗雷德里克六岁的时候 在大约1881家庭搬到佛罗里达去了。 赫尔曼开始制造业务的另一块砖杰克逊维尔。四年在佛罗里达留下了难以磨灭的印象年轻弗雷德里克,多年以后,当他考虑从欧洲返回美国,他集中在佛罗里达州。 

弗雷德里克的阿姨讲述如何,不像大多数男孩,他对艺术很感兴趣比运动。他的祖母瓦莱塔古尔德·格雷厄姆,喜欢绘画,并鼓励弗雷德里克在他的艺术追求。 1893年访问世界哥伦比亚博览会在芝加哥也刺激他想成为一个艺术家。 

教育

1893年,Frieseke Owosso高中毕业,然后开始他的艺术训练芝加哥艺术学院, 学习与弗雷德里克·沃伦自由和约翰。范德普尔.1895年搬到纽约后，他恢复了他的艺术教育艺术学生联盟在1897年。他做一个插画家,销售漫画所吸引《纽约时报》,顽皮的小妖精,和真理。他声称他可能会限制他的艺术教育,如果他被更成功的努力。第二年,他搬到法国,他将依然存在,除了简短的访问美国和其他地方,作为一个外籍他的余生。他继续他的教育,招收的Academie朱利安在巴黎,学习下Jean-Joseph Benjamin-Constant和让·保罗·劳伦斯,和接收的批评Auguste-Joseph Delecluse.他的研究还包括一些时间在Academie卡门詹姆斯•阿博特麦克尼尔惠斯勒.Frieseke去过荷兰,包括Katwijk和Laren艺术家殖民地,在1898年的夏天。在此期间他画和画水彩画最初,他打算让他的专业,但他鼓励Academie卡门讲师弗雷德里克·威廉MacMonnies在油工作。

Frieseke打折他的正式的艺术教育,指自己是自学成才的,他觉得他从他的独立艺术家研究学会了更多的工作比他从他的学术研究。

生活和工作

从1899年开始,就在一年多以来他抵达巴黎,Frieseke展出的沙龙法国国家美术.

惠斯勒的影响是很明显的在Frieseke早期成熟的绘画,与亲密的音调。在他1900年之后的作品,他的调色板的进化印象派画家,成为光和色彩斑斓的;然而,他仍然保留了强大的线性海关艺术回到美国。

在1905年的夏天,他花了至少一个月吉维尼都艺术殖民地.在当年的10月他娶了莎拉·安妮·奥布赖恩(被称为赛迪),他遇到了七年前。Frieseke和他的妻子(和之后,他们的女儿)在吉维尼都度过了从1906年到1919年每年夏天。他一直在巴黎的公寓,工作室终其一生,在巴黎和Friesekes度过了冬天。吉维尼都房子,以前的住所西奥多·罗宾逊是隔壁克劳德·莫奈。尽管邻近,Frieseke没有与莫奈成为亲密的朋友,也不是莫奈艺术的影响。他在一次采访中说,“没有艺术家(印象派)学校除了影响了我,也许,雷诺阿。”的确,Frieseke画的好色地圆形人物往往有相似之处的皮埃尔·奥古斯特·雷诺阿.

Friesekes的吉维尼都家里花园里他们通常创建有特色在他的画中,为他和他的妻子经常构成。他还让另一个附近的工作室Epte河。他的许多户外裸体画在那儿。

在吉维尼都花一些时间后,他的独特的风格很快就出现了,他与其他成员很有影响力的殖民地。虽然众所周知的印象派,他的一些工作,以其“强烈,几乎任意的颜色”,展示了后印象派艺术家的影响保罗高更和皮埃尔·博纳尔.术语“装饰印象派”是一种艺术创造的作家Frieseke的风格。它的装饰风格相结合Les纳比斯意味深长地使用颜色和模式,典型的印象派在大气和阳光的利益。

他在画布上呈现阳光照射的科目很感兴趣,说:“这是阳光,鲜花在阳光,阳光女孩,裸体在阳光里,我主要是感兴趣的。如果我只能复制它在我看来我会感到满意。”然而,他的解释阳光通常不出现自然。根据最近的观察者,”他的光似乎几乎没有练习。事实上似乎完全人工…蓝、紫磨砂的混合物与初夏绿色和白色的斑点。”

著名的威尼斯双年展在1909年出现17 Frieseke绘画。

Frieseke艺术的影响力很觉得吉维尼都在美国,大多数人分享了他中西部背景和在芝加哥也开始他们的艺术研究。那些艺术家们路易Ritman卡尔·安德森,劳顿帕克和卡尔Buehr。^[5]

Frieseke喜欢法国的态度在他所遇到的那些在美国:“我更自由,没有战胜美国的清教徒式的限制——在这里,我可以画裸体门。”他发现美国的态度令人沮丧,但偶尔娱乐的来源。在他第一次访问回家在1902年Owosso Frieseke写道,“我高兴地震惊了好教会裸体的人”。

Friesekes唯一的孩子,女儿弗朗西斯,出生于1914年。^[10]1920年Frieseke和他的家人搬到一个农场里Le Mesnil-sur-Blangy,诺曼底。他这一时期的艺术集中在女性人物,尤其是裸体。在开发一个更现代的风格,他包括历史和当代的引用。他使用深色的颜色和有限表面模式的使用。^[4]在这些作品中,他的兴趣明暗对比的可以看出。^[8]

1923年,他离开了沙龙的法国国家美术和共同与其他艺术家沙龙des杜伊勒里宫.^[19]他恢复了画水彩画,特别是在旅行不错的在冬天,1930年到1932年期间访问瑞士。^[4]

在他的职业生涯Frieseke建立了一个极好的声誉。1931年出版的《指Frieseke为“最突出的成员之一我们的自我放逐的美国人。”^[20]他死于诺曼底的家中8月24日,1939年的动脉瘤.

奖[编辑]

他赢得了许多奖项在他的职业生涯。1904年,他获得了银牌在圣路易斯路易斯安纳购买案博览会并被授予一枚金牌在慕尼黑国际艺术博览会。他被授予的威廉·a·克拉克奖柯康美术馆的艺术1908两年一次,寺庙金牌在宾夕法尼亚州的美术学院1913年的年度展览。他的一个最大的荣誉是赢得大奖巴拿马国际博览会1915年在旧金山举行。在他的条目是夏天,现在大都会艺术博物馆.《纽约时报》宣布1915年6月:“Frieseke先生的完成工作是众所周知的纽约人,最后一句话说现代的风格在现代主义出现之前。无论他是否有设计,颜色和风格。一种愉快的感觉,一个有趣的和考虑模式中,一个显著的影响的知识,是户外灯颜色最近几乎所有他的作品中找到。”

他获得了两枚金牌芝加哥艺术学院1920年,他还获得了流行奖,由艺术家和观众决定。

Frieseke当选的助理国家设计学院(ANA)在1912年和1914年院士(NA)。他是装修的骑士法国荣誉军团勋章在1920年,一种罕见的承认的美国画家。

Background and early life

In 1858, Frederick frieseke's grandparents, Frederick frieseke, and his wife immigrated from pritzerbe (near Brandenburg and their son, Germany), including Herman Carr. They settled in owoso, a small town in Central Michigan. Herman was in the northern army and then returned to owoso, where he set up a brick manufacturing business. He married EVA Graham and their daughter, Edith, was born in 1871. Their son, Frederick Carr, was born in owoso in 1874. EVA died in 1880 when Frederick was six and moved to Florida in about 1881 families. Herman started manufacturing another brick of business in Jacksonville. Four years in Florida left an indelible impression on young Frederick. Many years later, when he considered returning to the United States from Europe, he concentrated in Florida.

Frederick's aunt tells how, unlike most boys, he is more interested in art than sports. His grandmother, Valetta Gould Graham, loved painting and encouraged Frederick to pursue his art. His visit to the world Columbia exposition in Chicago in 1893 also inspired him to want to be an artist.

education

1898 Holland

In 1893, frieseke owoso graduated from high school and began his art training at the Chicago School of art, studying freedom with Frederick Warren and John. After van der Pugh moved to New York in 1895, he restored his art education to the art student union in 1897. He works as an illustrator, selling comics that appeal to the New York Times, playful goblins, and truth. He claims that he may limit his art education if he is more successful in his efforts. The next year, he moved to France, where he will remain, in addition to a brief visit to the United States and elsewhere, as a foreign for the rest of his life. He continued his education by enrolling Academie Julian in Paris, studying Jean Joseph Benjamin Constant and Jean Paul Lawrence, and receiving criticism from Auguste Joseph delecluse. During this period he painted and painted watercolours initially, and he intended to make his major, but he encouraged Academie Carmen lecturer Frederick William macmons to work in oil.

Frieseke discounted his formal art education, referring to his self-study. He felt that he learned more from his independent artist research than from his academic research.

Life and work

Mrs. frieseke in the kitchen window, 1912

Since 1899, he has been in Paris for more than a year, where frieseke exhibited the salon of French national art

Whistler's influence was evident in the early maturity of frieseke's paintings, with intimate tones. In his work after 1900, his palette evolved as an impressionist painter, becoming light and colorful; however, he still retained the powerful linear customs art to return to the United States.

In the summer of 1905, he spent at least a month in the art colony of Giverny. In October of that year, he married Sarah Anne O'Brien (known as Sadie), who met seven years ago. Frieseke and his wife (and later, their daughter) spent the summer of 1906 to 1919 in givini. He spent his whole life in his Paris apartment, studio, and winter in Paris with friesekes. Givinido house, former residence of Theodore Robinson is next door to Claude Monet. Despite its proximity, frieseke did not become close friends with Monet, nor was it the influence of Monet's art. "No artist (Impressionist) school except influenced me, maybe Renoir," he said in an interview It's true that friedeke's erotic round figures often have similarities with Pierre Auguste Renoir

Givinido's house, ca. One thousand nine hundred and twelve

In the garden of the givinido home of friesekes they usually create features in his paintings, often for him and his wife. He also let another studio near epte river. Many of his outdoor nudes are there.

After spending some time in givini, his unique style soon emerged, and he was influential with other members of the colony. Although the well-known Impressionists, some of his work, with its "strong, almost arbitrary colors," shows the influence of post Impressionist artists Paul Gauguin and Pierre Bonnard. The term "decorative impressionism" is a style of artistic creation by the writer frieseke. Its decorative style combines the interest of Les Nabis in the atmosphere and sunshine with the meaningful use of colors and patterns typical of impressionists.

He was very interested in presenting the subject of sunshine on the canvas, saying: "this is sunshine, flowers in sunshine, sunshine girls, naked in sunshine, I am mainly interested in it. I would be satisfied if I could only copy it. " However, he explained that sunlight usually does not appear naturally. According to a recent observer, "his light seems to have little practice. In fact, it seems completely artificial A mixture of blue and purple frosted with early summer green and white spots. "

The famous Venice Biennale showed 17 frieseke paintings in 1909.

The influence of frieseke's art is that givini is in the United States. Most people share his Midwestern background and begin their art research in Chicago. The artists are Louis ritman, Carl Anderson, Lawton Parker and Carl buehr.