弗里德里希Gauermann(10 1807年9月- 1862年7月7日)是一个奥地利画家。山水画家的儿子雅各Gauermann(1773 - 1843),他出生在MiesenbachGutenstein附近下奥地利州。他是一个早期的代表Veristic风格致力于自然的多样性。 

是他父亲的意图Gauermann应该致力于农业、但一个哥哥的例子,谁,然而,早死,培养他的艺术倾向。在他父亲的指导下,他开始研究景观,而且他还努力复制首席大师的作品在动物画是包含在维也纳的学院和法院图书馆。在夏天他地区的艺术之旅施第里尔,泰洛,萨尔斯堡.

两个动物他展出维也纳展览1824年被认为是非凡的作品为他,并使他接受佣金在1825年和1826年梅特涅王子和Caraman,法国大使。暴风雨的名声大大增加了他的照片,在1829年,从那时起他的作品受到追捧,获得相应的高价格。他的现场工人是被许多人视为是最值得注意的图片1834年维也纳展览,和他的许多动物作品使他有资格在这个类的一流画家科目。

他的画的特点是人类和动物的代表人物联系以适当的景观,在特征的情况下,表现自然生活全部,他特别擅长描绘动物的自由生活在野生山风景。随着技术的掌握他的艺术,他的作品表现出耐心和敏锐的观察力、自由和正确的处理细节,大胆的和清晰的色彩。1862年7月7日他死于维也纳。

他的许多照片雕刻,并在他死后选择53的作品是为这一目的准备奥地利Kunstverein(艺术联盟)。

他的艺术影响了其他人的作品之一约瑟夫Heicke.

画廊

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  两个秃鹰死鹿(1832)

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  群的回归从牧场(1855)

Friedrich Gauermann (10 September 1807 – 7 July 1862) was an Austrian painter. The son of the landscape painter Jacob Gauermann (1773–1843), he was born at Miesenbach near Gutenstein in Lower Austria. He was an early representative of the Veristic style devoted to nature in all its diversity.^[1]

It was the intention of his father that Gauermann should devote himself to agriculture, but the example of an elder brother, who, however, died early, fostered his inclination towards art. Under his father's direction he began studies in landscape, and he also diligently copied the works of the chief masters in animal painting which were contained in the academy and court library of Vienna. In the summer he made art tours in the districts of Styria, Tirol, and Salzburg.

Two animal pieces which he exhibited at the Vienna Exhibition of 1824 were regarded as remarkable productions for his years, and led to his receiving commissions in 1825 and 1826 from Prince Metternich and Caraman, the French ambassador. His reputation was greatly increased by his picture The Storm, exhibited in 1829, and from that time his works were much sought after and obtained correspondingly high prices. His Field Labourer was regarded by many as the most noteworthy picture in the Vienna exhibition of 1834, and his numerous animal pieces have entitled him to a place in the first rank of painters of that class of subjects.

The peculiarity of his pictures is the representation of human and animal figures in connexion with appropriate landscapes and in characteristic situations so as to manifest nature as a living whole, and he particularly excels in depicting the free life of animals in wild mountain scenery. Along with great mastery of the technicalities of his art, his works exhibit patient and keen observation, free and correct handling of details, and bold and clear colouring. He died at Vienna on 7 July 1862.

Many of his pictures have been engraved, and after his death a selection of fifty-three of his works was prepared for this purpose by the Austrian Kunstverein (Art Union).

His art has influenced among others the works of Joseph Heicke.