传记

热血出生在佛罗伦萨。他学徒的朱利亚诺Bugiardini,Baccio Bandinelli,拉斐尔Brescianino,最后安德列亚•德尔萨托在1529 - 30。1531年,他前往罗马,在那里,他遇到了另一个Bandinelli学生,Giorgio Vasari,并帮助完成壁画在施洗约翰的生活宫殿热血为红衣主教Giovanni热血。从他对这个家庭的依恋的姓。

他壁画的报喜圣弗朗西斯科•瑞帕(1533 - 35)。他的成熟风格矫揉造作者扭曲和拥挤的场景类似的输出朱里奥·罗马诺。1538年,他加入了Jacopino del Conte在完成探视的壁画^[1]圣乔凡尼的演说Decollato,佛罗伦萨兄弟会伺候人被判处死刑。

热血了博洛尼亚1540年与瓦萨里,呆了短暂时间威尼斯,在那里他的壁画装饰宫殿Grimani在古老的风格。在此期间他的风格显示的影响帕米贾尼诺。他的许多肖像绘画有时会混淆布龙齐诺的.^[2][3][4]

1543年热血回到佛罗伦萨。工作我关于柯西莫·德·美第奇,托斯卡纳大公,他完成了壁画装饰的讴歌美第奇家族(萨拉戴尔'Udienza Camillus的胜利的维琪1543 - 45)。他还设计了tapestry最近建立了Arazzeria漫画,包括《复活,约瑟解释了法老的梦。后者委员会被授予后竞争,这使他对当代佛罗伦萨矫揉造作者,布龙齐诺的和Pontormo。他画的沉积祭坛的装饰品圣十字区1547 - 48。这个主题,成为大师作品的主题Late-Renaissance艺术家,在拥挤的处理复杂的时尚。

他经常前往罗马在1548年至1563年之间,完成各种壁画系列,如婚礼的Canae Piceni演讲,施洗约翰的出生圣乔凡尼Decollato的演讲宫殿德拉Cancelleria(大脑皮层无伴奏)宫殿Sacchetti(大卫的历史^[5]),在宫法.

他死于罗马。

的克利夫兰艺术博物馆,考陶尔德学院(伦敦)盖蒂博物馆,哈佛大学艺术博物馆,赫米蒂奇博物馆,檀香山艺术博物馆,列支敦士登博物馆(维也纳)罗浮宫,大都会艺术博物馆,博物馆波多尔斯基一蹴而就Pezzoli(米兰),博物馆der bildenden执教职位(莱比锡)波士顿美术博物馆,国家美术馆的艺术(华盛顿特区),Pinacoteca di布雷拉(米兰),润格林艺术博物馆(佛罗里达州)比利时皇家美术博物馆,圣路易斯艺术博物馆是公众持有画作弗朗西斯科•罗西集合。

Biography

Salviati was born in Florence. He apprenticed under Giuliano Bugiardini, Baccio Bandinelli, Raffaele Brescianino, and finally Andrea del Sarto in 1529–30. In 1531 he traveled to Rome, where he met another Bandinelli pupil, Giorgio Vasari, and helped to complete the frescoes on the Life of John the Baptist in the Palazzo Salviati for theCardinal Giovanni Salviati. It is from his attachment to this household that he took on the surname.

He frescoed an Annunciation in San Francesco a Ripa (1533–35). His mature style has mannerist contortions and crowded scenes similar to the output of Giulio Romano. In 1538 he joined Jacopino del Conte in completing a fresco of theVisitation^[1] for the Oratory of San Giovanni Decollato, a Florentine fraternity ministering to persons who had been condemned to execution.

Salviati painted in Bologna in 1540 alongside Vasari, and stayed for a brief time in Venice, where he frescoed decorations for the Palazzo Grimani in antique style. During this period his style shows the influences of Parmigianino. His many portrait paintings can sometimes be confused for Bronzino.^[2][3][4]

In 1543 Salviati returned to Florence. Working for Cosimo I de' Medici, Grand Duke of Tuscany, he completed a fresco decoration eulogizing the Medici family (Triumph of Camillus in the Sala dell'Udienza of the Palazzo Vecchio, 1543–45). He also designed tapestry cartoons for the recently established Arazzeria, including Ecce homo, Resurrection, and Joseph explains the Pharaoh's dreams. The latter commission was awarded after a competition, which pitted him against contemporary Florentine Mannerists, Bronzino and Pontormo. He painted a Depositionaltarpiece for Santa Croce in 1547-48. This theme, one which became a master oeuvre topic for Late-Renaissance artists, is handled in a crowded complex fashion.

He often travelled to Rome between 1548 and 1563, to complete various fresco series, such asWedding of Canae in the Oratory of the Piceni, a Birth of John the Baptist in the Oratory of San Giovanni Decollato, in the Palazzo della Cancelleria (Pallium Cappella), in the Palazzo Sacchetti (History of David^[5]), and in Palazzo Farnese.