让.路易.福兰Forain, Jean-Louis(1852年10月23日- 1931年7月11日)是一个法国印象派画家。
Forain出生在兰斯,马恩但在八岁时,他的家人搬到巴黎。他开始他的职业生涯作为一个工作漫画家几个杂志包括《世界报》《巴黎和黎勒rire satirique。想拓展自己的视野,他进入美术学院,学习下Jean-Leon Gerome以及另一个雕塑家和画家,让-巴蒂斯特·Carpeaux。Forain的快速和经常咬机智使他与诗人兰波和魏尔兰以及许多作家,尤其是Joris-Karl Huysmans。他是仅有的“七人“接受的第一版一个赛季在地狱直接从兰波。 他是最年轻的艺术家频繁,参与领导的狂热的辩论爱德华。马奈和埃德加德加在咖啡馆de la新式雅典娜在蒙马特。
德加的追随者和门徒,Forain加入了印象派循环时间参加第四独立展览;1879年他参加了三四个里程碑式的显示,1879年和1884年之间。受到印象派光和色彩理论,他宁愿描绘日常生活的场景:他的水彩画,彩笔,和绘画关注巴黎流行的娱乐和主题modernity-the赛马场,芭蕾舞,喜歌剧,和熙熙攘攘的咖啡馆。从1898年到1899年Forain担任法国周刊的插画家嘘…!讽刺刊物,促进反德莱弗斯原因和反犹的漫画。
除了受他五十多年的朋友,埃德加德加,Forain极大地影响欧诺瑞Daumier;他治疗的主题在的图纸等出版物《费加罗报》和Le罗曼文法语往往让人想起Daumier。1892年,他出版了第一卷拉Comedie巴黎女子,一个集合Forain的插图和评论的主要故事政治破坏了法国的第三Republic-such无政府主义的危机,德雷福斯事件。1891年Forain画家结婚珍妮博斯克梨与他有了一个儿子,生前,生于1895年。
在第一次世界大战期间,Forain插图荣幸他同时代的爱国主义;他应征加入了部分de伪装下Lucien-Victor Guirand de Scevola。晚年,Forain创造了无数场景的巴黎法院和其他机构+社会讽刺漫画在19世纪末和20世纪初法国的生活。1931年,在他去世前不久,他的一员皇家美术学院在伦敦。他是法国最知名和受人尊敬的艺术家在他的时间和可能最好被人们铭记,他大量的图纸记录和评论在19世纪末的巴黎城市生活。粉丝和崇拜者Forain的工作包括Henri de图卢兹.
Forain was born in Reims, Marne but at age eight, his family moved to Paris. He began his career working as a caricaturist for several Paris journals including Le Monde Parisien and Le rire satirique. Wanting to expand his horizons, he enrolled at the École des Beaux Arts, studying under Jean-Léon Gérôme as well as another sculptor/painter, Jean-Baptiste Carpeaux. Forain's quick and often biting wit allowed him to befriend poets Arthur Rimbaud and Paul Verlaine as well as many writers, most notably Joris-Karl Huysmans. He was one of only "seven known recipients" to receive a first edition of A Season in Hell directly from Rimbaud. He was the youngest artist to frequent and participate in the feverish debates led by Édouard Manet and Edgar Degas at the Café de la Nouvelle Athènes in Montmartre.
A follower and protégé of Degas, Forain joined the Impressionist circle in time to take part in the fourth independent exhibition in 1879; he participated in three of the four landmark shows that followed between 1879 and 1884. Influenced by Impressionist theories on light and color, he preferred to depict scenes of everyday life: his watercolors, pastels, and paintings focused on Parisian popular entertainments and themes of modernity—the racetrack, the ballet, the comic opera, and bustling cafés. From 1898 - 1899 Forain worked as an illustrator for the weekly French magazine Psst...!, a satirical publication to promote the anti-Dreyfus cause and contributed anti-semitic caricatures
Aside from being influenced by his friend of over fifty years, Edgar Degas, Forain was greatly influenced by Honoré Daumier; and his treatment of subjects in his drawings for publications such as Le Figaro and Le Courrier Francais are often reminiscent of Daumier's. In 1892 he published the first volume of La Comédie Parisienne, a collection of Forain's illustrations and commentary on the major stories political stories that disrupted France’s Third Republic—such as the anarchic crisis and the Dreyfus affair. In 1891 Forain married the painter Jeanne Bosc with whom he had a son, Jean-Loup, born in 1895.
During the first World War, Forain's illustrations honored the patriotism of his contemporaries; and he enlisted in the Section de Camouflage under Lucien-Victor Guirand de Scévola. In his later years, Forain created numerous scenes of the Law Courts and other Parisian institutions plus social satire caricatures on late 19th and early 20th century French life. In 1931, shortly before his death, he was made a member of the Royal Academy of Arts in London. He was one of France's best known and revered artists during his time and may best be remembered for his numerous drawings chronicling and commenting on Parisian city life at the end of the 19th century. Followers and admirers of Forain's work include Henri de Toulouse-Lautrec.
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