虽然Pacher的诞生的确切日期并不确定，他出生℃。1435 [2]附近布利克森在南坡阿尔卑斯山在蒂罗尔州的县。鲜为人知的是，他的训练。他最早的记录工作是，日期是1465年签署的，但现在失去了祭坛。Pacher的访问帕多瓦在意大利北部，在那里他成为深受现代影响壁画的工作安德烈曼特尼亚。曼特尼亚被认为是角度的著名大师，其惊人的低组的立场空间组成为以Pacher的自己的风格发展的重要。Pacher酒店的意大利风味他除了从当时大多数德国艺术家。

通过1467 Pacher的是一位杰出的艺术家和雕塑家在布鲁尼科，东布里克森的25英里在普斯特山谷，在那里，他为使祭坛车间。他的木雕和绘画技能与就业的德国风格的祭坛为他提供了。他们通常包括雕刻人物形象的中心焦点，雕刻哥特之上，其中下面的祭坛站在一个平台首脑会议，并画上面板的翅膀场景。Pacher的在新施蒂夫特1470年代期间，花了大量的时间由布雷萨诺内，他的工作主要包括画壁画。在1484他被委托方济秩序萨尔茨堡，创造一个祭坛，其中部分是尚存。许多Pacher的作品在17世纪后期在战争中被摧毁或严重损坏，其中的一些人在1709年他的最重要的生存作品是圣 沃尔夫冈祭坛和教父的祭坛。

奥古斯丁的权利是罗马教皇格雷戈里我，与皇帝描绘的图拉真，对他们来说，格雷戈里我是已知有祈求恢复死者的图拉真灵魂，为了从救他洗他的灵魂炼狱。在非常正确的，在摇篮里的婴儿，这可能象征着对他的人生传奇中所示的大主教安布罗斯：当刘汉铨在他的摇篮宝贝，一大群蜜蜂遮住了他的脸，留下一滴蜂蜜。刘汉铨的父亲把它作为Ambrose的未来的能力作为一个能言善辩（甜舌）的标志。在摇篮里孩子的另一种解释是，这是谁要求刘汉铨是米兰的主教的孩子。四个教父被描绘成一只鸽子，象征的存在圣灵为了表示自己的圣洁。

Although the exact date of the birth of Pacher was not determined, he was born at. In the southern slope of the Alps in the county of Tyrol near 1435 [2] blixens. Little is known about his training. His earliest record was that the date was signed in 1465, but now the altar was lost. Pacher's visit to Padova in the north of Italy, where he became deeply influence to the modern mural work of Andre Mantini. Mantegna is considered to be the famous master point of view, its amazing low position in space group Pacher's own style development is important. Pacher Hotel Italy flavor him apart from the then most German artists.
The 1467 Pacher is an outstanding artist and sculptor in Bruni, 25 miles east of Brixen in danpusite Valley, where he made the altar of the workshop. His wood carving and painting skills are associated with the employment of the German style of the altar for him. They usually include the central focus of the carved figure, carved on top of the Gothic, where the following altar stands on a platform summit, and painted on the face of the wing panels. Pacher in Neustift during 1470s, spent a lot of time by Bressanone, his work includes painting murals. In 1484 he was commissioned to order the order of Salzburg, to create an altar, which was partly surviving. Many of Pacher's works were destroyed or severely damaged in the war in the late seventeenth Century, and some of them in 1709, his most important surviving works were the altar of Sankt Wolfgang and the altar of the godfather.
Augustin is the right of Rome to Pope Gregory I, and the Emperor Trajan depicts, for them, I pray that Gregory is known to have recovered the Trajan's soul, in order to save him from washing his soul in purgatory. On the very right, the baby in the cradle, which may be a symbol of his life story is shown in the Archbishop Ambrose: when Liu Hanquan in his cradle baby, a swarm of bees covered his face, leaving a drop of honey. Liu Hanquan's father took it as Ambrose's future ability as a skilled in debate (sweet tongue) sign. Another explanation for the child in the cradle is who asked Liu Hanquan to be the bishop of Milan. The four fathers were portrayed as a dove, a symbol of the presence of the Holy Spirit in order to express his holiness.