香格里拉Hyre大受谁来到巴黎的意大利艺术家的作品的影响。他成为的学生乔治拉勒曼德和研究的作品Primaticcio在枫丹白露，但从未访问过意大利。香格里拉Hyre的迷人色彩运用精致的并合影数字是他的早期，painteresque风格的商标。他是一个创新的艺术家谁用他出众的球技作为一个讲故事的刻画描绘很少科目。香格里拉Hyre与引进法国前的过渡期相关的巴洛克由西蒙Vouet。

他的画面教皇尼古拉五世打开墓穴中，他发现的尸体圣 阿西西的弗朗西斯站在（位于卢浮宫）于1630年在被执行嘉布遣会修士的的沼泽 ; 其严重性和清醒似乎已经影响了下一代的法国画家，特别是尤斯塔奇勒苏尔。卢浮宫包含等八大工程，并通过拉Hyre画都是在博物馆斯特拉斯堡，鲁昂和勒芒。

他的绘画，其中大英博物馆拥有一个很好的例子，处女在神庙的介绍，作为认真对待他的画，有时表现出的简单性和效果尊严。卷尾猴，对他们来说，他执行的其他几部作品的例子巴黎，鲁昂和费康，其次是金饰的公司，对他们来说，他于1635年生产的圣 彼得医治病人（卢浮宫）和圣保罗的转换在1637年1646年，与其他十的艺术家，他创立了绘画和雕塑的法国皇家科学院。

黎塞留名为LA Hyre的皇宫; 皮埃尔·塞吉埃，盖德翁Tallemant DESRéaux和许多其他委托他装修的重要著作;为戈布兰他设计了一系列大型组成的。香格里拉Hyre也画肖像画的大量，并于1654年统一在巴黎那些直辖市的主要政要的市政厅一部作品。[1]他的学生包括弗朗索瓦CHAUVEAU。
 

La Hyre was greatly influenced by the work of Italian artists who came to Paris. He became a pupil of Georges Lallemand and studied the works of Primaticcio at Fontainebleau, but never visited Italy. La Hyre's captivating use of color and delicately posed figures are a trademark of his early, painteresque style. He was an innovative artist who used his superior skills as a storyteller to portray rarely depicted subjects. La Hyre is associated with the transitional period before the introduction of the French Baroque by Simon Vouet.[1]

His picture of Pope Nicholas V opening the crypt in which he discovers the corpse of St. Francis of Assisi standing (located at the Louvre) was executed in 1630 for the Capuchin friars of theMarais; its gravity and sobriety seems to have been influential for the next generation of French painters, particularly Eustache Le Sueur. The Louvre contains eight other works, and paintings by La Hyre are in the museums of Strasburg, Rouen and Le Mans.[1]

His drawings, of which the British Museum possesses a fine example, Presentation of the Virgin in the Temple, are treated as seriously as his paintings, and sometimes show simplicity and dignity of effect. The example of the Capuchins, for whom he executed several other works in Paris, Rouen and Fécamp, was followed by the goldsmith's company, for whom he produced in 1635 St. Peter healing the Sick (Louvre) and the Conversion of St Paul in 1637. In 1646, with eleven other artists, he founded the French Royal Academy of Painting and Sculpture.[1]

Richelieu called La Hyre to the Palais Royal; Pierre Séguier, Gédéon Tallemant des Réaux and many others entrusted him with important works of decoration; for the Gobelins he designed a series of large compositions. La Hyre painted also a great number of portraits, and in 1654 united in one work for the town-hall of Paris those of the principal dignitaries of the municipality.[1] His students included François Chauveau.