亚伯拉罕·布隆梅特（Abraham Bloemaert 1566-1651）;，拥有画家、绘图员、作家，教师的多重身份，居住在在Utrecht，以一种饶有魅力的矫饰主义风格，受雇于当地的艺术赞助者，并赢得了牢固的盛誉。布隆梅特的工作重心始终围绕着风景画题材展开他的调色板，对比强烈而富于韵律，并且注重细节。
Bloemaert出生在Gorinchem,哈普斯堡皇室荷兰架构师的儿子Cornelis Bloemaert我,在1575年他的家人搬到乌得勒支,亚伯拉罕是第一个学生Gerrit分裂(学生Frans Floris)和乔斯·德·啤酒.从15或16岁,他花了三年巴黎从1581年到1583年,在吉安•Bassot研究六周(可能让表哥年轻),然后在迈斯特折磨。而在学院的枫丹白露他从他的同胞接受进一步的培训波弗兰肯.1583年他回到乌得勒支,就在法国的宗教战争开始的工作造成了极大的破坏城堡的枫丹白露.
当他的父亲被任命为城市架构师(Stads-bouwmeester)阿姆斯特丹1591年他陪他,在他父亲的死亡在1593年终于回到乌得勒支,他建立了一个研讨会,1594年成为院长(“deken”)的“zadelaarsgilde”,从1367年画家saddlemaker协会中,没有圣卢克的公会他们自己的。1611年,连同其他两个领先的乌得勒支画家,约阿希姆Wtewael和保卢斯Moreelse他的创始人之一乌特勒支公会圣卢克(St Lucas-gilde)一个新的乌特勒支画家行会,并成为1618年deken。Bloemaert的许多画作被乌特勒支的委托秘密的天主教教堂.他死于乌特勒支。
Accorgint到Encyclopædia大英百科全书第十一版”[h]e超越比作为一个制图员作为配色师,非常富有成效,画和蚀刻历史寓言图片、风景、静物、动物图片和花金币。”[4]在17世纪的第一个十年,Bloemaert开始制定他的山水画包括风景如画的毁了别墅和其他田园元素。在这些作品中,宗教或神话人物扮演从属角色。乡村生活是保持Bloemaert最喜欢的主题,随着自然主义描述。他画的图案,如农民别墅,鸽房从生活和树,然后在返回工作室工作他们分成复杂虚拟场景。
在他的许多学生是他的四个儿子,亨德里克,弗雷德里克,Cornelis,Adriaan(所有人取得了相当大的名声画家或雕刻)。的RKD还列出了Jan Aerntsz de冥界,亚伯拉罕Jacobsz van Almeloveen,科尼利厄斯德啤酒,尼古拉斯·Bercheyck,简一家,两个这两个,两个Honthorsts,Leonaert布拉姆,Bartholomeus Breenbergh,亨德里克他,雅各Gerritsz Cuyp,Willem van Drielenburg,Wybrand de地表古积,Nicolaus Knupfer,•Munnicks,弗雷德里克Pithan,Cornelis van Poelenburch,Henrik Schook,Anthoni Ambrosius思,罗伯特Jansz分裂,马提亚暴风雨,范龙佩(Herman van Swanevelt,Dirck Voorst,Quintijnus de Waerdt,Jan浸会Weenix,彼得Petersz van Zanen.
Bloemaert表示在接下来的集合:底特律艺术学院密歇根州;旧金山艺术博物馆;赫米蒂奇博物馆圣彼得堡;印第安纳波利斯艺术博物馆印第安纳州;保罗·盖蒂博物馆洛杉矶;毛利斯海牙皇家画廊;大都会艺术博物馆,纽约;明尼阿波利斯艺术研究所明尼苏达州的;de鲁昂美术博物馆;卢浮宫、巴黎;波士顿美术博物馆;南希的美术博物馆;格勒诺布尔博物馆;加拿大国家美术馆渥太华;博物馆阿姆斯特丹;皇家美术学院,伦敦;罗彻斯特大学,纽约;鲍伯·琼斯大学南卡罗来纳格林维尔,;Centraal博物馆荷兰乌特勒支,;博物馆de Fundatie,兹沃勒、荷兰;克利夫兰艺术博物馆俄亥俄州;考陶尔德学院,伦敦;哈佛大学艺术博物馆马萨诸塞州;Kunsthalle祖茂堂基尔、德国;普林斯顿大学艺术博物馆新泽西,在别人。
Bloemaert was born in Gorinchem, Habsburg Netherlands, the son of the architect Cornelis Bloemaert I, who moved his family to Utrecht in 1575, where Abraham was first a pupil of Gerrit Splinter (pupil of Frans Floris) and of Joos de Beer.[1] From the age of 15 or 16, he then spent three years in Paris from 1581–1583, studying six weeks under a Jehan Bassot (possibly Jean Cousin the Younger) and then under a Maistre Herry.[1] While in the School of Fontainebleau he received further training from his fellow countryman Hieronymus Francken.[1] He returned to Utrecht in 1583, just before the French Wars of Religion began, which destroyed much of the work at the Chateau of Fontainebleau.
When his father was appointed city architect (Stads-bouwmeester) in Amsterdam 1591 he accompanied him there, and on his father's death in 1593 returned finally to Utrecht, where he set up a workshop and in 1594 became dean ("deken") of the "zadelaarsgilde", as from 1367 the painters were included in the saddlemaker's guild, with no Guild of St. Luke of their own.[2] In 1611, along with the two other leading Utrecht painters, Joachim Wtewael and Paulus Moreelse, he was one of the founders of the Utrecht Guild of Saint Luke (St Lucas-gilde) a new Utrecht painters' guild, and became its deken in 1618.[2] Many of Bloemaert's paintings were commissioned by Utrecht's clandestine Catholic churches.[3] He died in Utrecht.
Accorgint to the Encyclopædia Britannica Eleventh Edition, "[h]e excelled more as a colourist than as a draughtsman, was extremely productive, and painted and etched historical and allegorical pictures, landscapes, still-life, animal pictures and flower pieces."[4] In the first decade of the seventeenth-century, Bloemaert began formulating his landscape paintings to include picturesque ruined cottages and other pastoral elements. In these works, the religious or mythological figures play a subordinate role. Country life was to remain Bloemaert's favourite subject, which he depicted with increasing naturalism. He drew motifs such as peasant cottages, dovecotes and trees from life and then on his return to the studio worked them up into complex imaginary scenes.[5]
Among his many pupils were his four sons, Hendrick, Frederick, Cornelis, and Adriaan (all of whom achieved considerable reputation as painters or engravers). The RKD also lists Jan Aerntsz de Hel, Abraham Jacobsz van Almeloveen, Cornelius de Beer, Nicolaes van Bercheyck, Jan van Bijlert, the two Boths, the two Honthorsts, Leonaert Bramer,Bartholomeus Breenbergh, Hendrick ter Brugghen, Jacob Gerritsz Cuyp, Willem van Drielenburg, Wybrand de Geest, Nicolaus Knüpfer, Hendrik Munnicks, Frederick Pithan, Cornelis van Poelenburch, Henrik Schook, Anthoni Ambrosius Schouten, Robert Jansz Splinter, Matthias Stom, Herman van Swanevelt, Dirck Voorst, Quintijnus de Waerdt, Jan Baptist Weenix, and Peter Petersz van Zanen.[2]
Bloemaert is represented in the following collections: Detroit Institute of Arts, Michigan; Fine Arts Museums of San Francisco; Hermitage Museum, Saint Petersburg;Indianapolis Museum of Art, Indiana; J. Paul Getty Museum, Los Angeles; Mauritshuis Royal Picture Gallery, The Hague; Metropolitan Museum of Art, New York City; Minneapolis Institute of Arts, Minnesota; Musée des Beaux-Arts de Rouen; Musée du Louvre, Paris ; Museum of Fine Arts, Boston; Museum of Fine Arts of Nancy; Museum of Grenoble; National Gallery of Canada, Ottawa; Rijksmuseum, Amsterdam; Royal Academy of Arts, London; University of Rochester, New York; Bob Jones University, Greenville, South Carolina;Centraal Museum, Utrecht, Netherlands; Museum de Fundatie, Zwolle, Netherlands; Cleveland Museum of Art, Ohio; Courtauld Institute of Art, London; Harvard University Art Museums, Massachusetts; Kunsthalle zu Kiel, Germany; Princeton University Art Museum, New Jersey; amongst others.
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