出生于家庭的金匠和钟表匠，米罗在长大的哥特区巴塞罗那附近。他的父亲是米克尔米罗Adzerias，母亲是Dolors FERRA。他开始在7岁的绘图类在位于Carrer德尔Regomir 13，一个中世纪豪宅一所私立学校。1907年，他就读于在美术学院的La Llotja，他的父亲沮丧。他曾就读于色格拉艺术桑特Lluc酒店他在达尔莫画廊，他的工作是嘲笑和损毁了他的首次个展于1918年。灵感来自立体派和从国外超现实主义展览，米罗绘制朝艺术界被聚集在蒙帕纳斯并于1920年搬到了巴黎，但继续度过他的夏天在加泰罗尼亚。

米罗最初去商学院和艺术学校。他开始了他的打工生涯，当他还是一个少年作为干事，但他完全抛弃了商业世界艺术患神经衰弱了。他早期的艺术，这样的类似影响的野兽派在巴塞罗那展出，立体主义，是灵感来自梵高和塞尚。米罗的作品的中间一代前卫的的相似性，导致学者复制此期间，他的加泰罗尼亚野兽派时期。

几年后，米罗的1918年巴塞罗那个展，他在巴黎定居，在那里他完成了许多，他在他父母的避暑山庄和农家开始绘画的蒙特-罗伊格德尔坎普。一个这样的绘画，农场，表现出绘画和某些民族的素质更个人风格的转变。海明威，谁以后购买了一块，相比艺术修养，以詹姆斯·乔伊斯的尤利西斯和说，“它有它形容它所有你觉得西班牙的时候，你在那里，所有你当你走，不能去那里感觉。没有其他人已经能够绘制这两个非常对立的东西。“ 米罗每年返回翠湖罗伊格并制定了象征主义和民族主义，将与他坚持他的职业生涯。米罗的归类为超现实主义，首部作品的两个加泰罗尼亚景观（猎人），并在耕种场，采用了象征性的语言，这是主导未来十年的艺术。

1924年，米罗加入了超现实主义小组。米罗的作品，以及固有它的双重性和矛盾的象征意义已经和诗意自然，适合深受拥护组梦幻般的全自动的范围内。大部分米罗的作品失去了杂乱的混乱缺乏的迄今定义他的工作重点，他与拼贴画和他的作品中画，以拒绝传统绘画所提供的框架的过程中试验。这对绘画的态度对立表现出来时，米罗提到他的作品在1924年作为模棱两可的信中的诗人朋友“X” 米歇尔·莱里斯。说出来这个时期的画作最终被冠以米罗的绘画梦想。

米罗并没有完全放弃的题材。尽管他在20世纪20年代广泛应用的超现实主义的自动技术，草图显示，他的作品往往是一个有条不紊的过程的结果。米罗的作品很少蘸取非客观性，维持象征性的，原理语言。这也许是在反复的最突出的加泰罗尼亚农民头系列1924年到1925年。1926年，他与合作马克斯恩斯特对芭蕾的设计掌门人 谢尔盖·佳吉列夫。与米罗的帮助，恩斯特首创的技术grattage，他在其中镘色素到他的画布。

米罗回到绘画更表示形式荷兰内饰通过作品1928年后打造而成亨德里克Martenszoon SORGH和扬·斯特恩视为明信片复制品，绘画揭示了一趟荷兰的艺术家拍摄的影响。这些画作分享更多的共同耕种现场或丑角的狂欢节比用简约的梦想绘画产生了几年前。

米罗在结婚皮拉尔Juncosa 帕尔马（马略卡岛 1929年10月12日）; 他们的女儿玛丽亚·多洛雷斯米罗，生于7月17日1930年1931年，皮埃尔·马蒂斯开了一家画廊纽约市。皮埃尔·马蒂斯画廊（其存在，直到马蒂斯在1989年去世）成为一个有影响力的一部分，现代艺术在美国的运动。从一开始马蒂斯代表米罗和频繁展示米罗在纽约的工作，介绍了他的工作，到美国市场。

直到爆发的西班牙内战，米罗惯常在夏天回到了西班牙。一旦战争开始，他无法返回家园。不同于许多他的超现实主义同时代的，米罗此前曾倾向于从他的工作明确政治评论望而却步。虽然（加泰罗尼亚）民族主义情绪弥漫他最早的超现实景观和加泰罗尼亚农民的头，但直到西班牙共和政府委托他画的壁画，死神，为西班牙共和党馆在1937年巴黎展览会上，该米罗的作品发生在一个充满政治含义。

1939年，与德国的法国若隐若现的侵袭，米罗搬迁至瓦朗日维尔在诺曼底，并在次年的5月20日，随着德国入侵巴黎，他勉强逃往西班牙（现已被佛朗哥控制）为维希政权的持续时间规则。在瓦朗日维尔，帕尔马和Mont-Roig的，1940年和1941年之间，米罗创造了23 水粉系列星座。围绕旋转的天体的象征，星座赢得了由艺术家赞誉安德烈·布雷顿，谁十七年后写了一系列诗歌，命名，由米罗的系列灵感的。这项工作的特点揭示了把重点转向女性，鸟的主题，月亮，这将主宰他的肖像为他的事业的其余部分。

泷口酒造上公布米罗第一本专着于1940年在1948-49米罗住在巴塞罗那，并提出到巴黎互访频繁对在印刷技术工作Mourlot工作室和工作室Lacourière。他开发了密切的关系弗尔南Mourlot并导致生产一千多个不同的平版印刷版本。

1959年，安德烈·布雷顿问米罗代表西班牙的参拜超现实主义展览一起恩里克Tábara，萨尔瓦多·达利，和欧亨尼奥Granell。米罗创造了一系列雕塑和陶瓷的花园玛格基金会在圣保罗-德旺斯，法国，这是在1964年完成。

1974年，米罗创造了一个挂毯世界贸易中心与加泰罗尼亚艺术家在纽约市一起何塞普罗佑。他最初曾拒绝做挂毯，那么他从罗佑学到的工艺和两位艺术家制作的几部作品一起。他的世界贸易中心挂毯被显示在大厦 ，是艺术过程中失去了最昂贵的作品之一九一一恐怖攻击。

1977年，米罗和罗佑完成了挂毯在国家画廊在美国华盛顿展出。

1981年，米罗的太阳，月亮和一星 -later改名为米罗的芝加哥 -was亮相。这大，混合媒介雕塑户外在市中心位于河套地区芝加哥从另一个大型公共雕塑的，街对面芝加哥毕加索。米罗创造的青铜模型的太阳，月亮和一星于1967年的初步设计的模型现在居住在密尔沃基艺术博物馆。
 

Born in the family of the goldsmith and watchmaker, Milo grew up in the Gothic area near Barcelona. His father is Mikel Miro Adzerias, the mother is Dolors FERRA. He began at the age of 7 in the drawing class at a private school located in Carrer Del Regomir 13, a medieval mansion. In 1907, he studied at the Academy of Fine Arts La Llotja, his father depressed. He was educated at Glasgow art color Sant Lluc hotel in his darmo Gallery, his work was ridiculed and destroyed his first exhibition in 1918. Inspired by cubism and surrealism exhibition from abroad, Milo draws towards art circles are gathered in Montparnasse in 1920 and moved to Paris, but continued to spend his summer in Catalonia.Milo went to business school and art school. He began his career as a young boy as a director, but he completely abandoned the business world art neurasthenia. His early art, similar to the influence of such Fauvism Cubism, is on display in Barcelona, inspired by Van Gogh and Cezanne. Milo's works of the middle generation of avant-garde similarities led to a scholar copying this period during his Catalonia period.
A few years later, the 1918 show that Miro Barcelona, he settled in Paris, where he completed many of Roy Geder Camp, he began painting in his parents' farm and Monte - Mountain Resort. One such painting, the farm, exhibits a more personal style of painting and the quality of certain ethnic groups. Hemingway, who later purchased a piece, compared to James Joyce's artistic accomplishment, and Ulysses said, "it is all you describe it when you think of Spain, where all of you when you go, don't go there feeling. No one else has been able to draw these two very opposite things. "Milo return every year and the development of the lake Roig symbolism and nationalism, and he will stick to his occupation career. Milo is classified as surrealism, the first works of the two Catalonia landscapes (hunters), and in the farm, using a symbolic language, which is dominated by the next ten years of art.
In 1924, Miro joined the surrealist group. Milo's works, as well as the symbolic significance of its inherent duality and contradiction have been and poetic nature, well suited to support the group's dream of a fully automatic range. Most of Miro's works lost disorderly confusion and lack of the definition of the focus of his work so far, he and his work in collage and painting, to refuse to test process provided by the framework of traditional painting in. This pair of paintings showed an opposite attitude when Milo referred to his work in 1924 as an ambiguous letter to the poet friend "X" by Michel Laires. The painting of this period was eventually called Milo's painting dream.
Milo did not give up the subject. In spite of his extensive application of the Surrealist automatic technique in the 1920s, the sketch shows that his works are often the result of an orderly process. Milo's works are rarely dipped in non objectivity, to maintain the symbolic, the principle of language. This is perhaps the most prominent series of farmers in Catalonia in the first series of 1924 to 1925. In 1926, he and Marx Ernst on the design of cooperative ballet master Sergei Gagilev. With the help of grattage technology Miro, initiated by Ernst, in which he a pigment to his canvas.
Milo returned to the painting representation of Holland interior through the works after 1928 created by Hendrik Martenszoon and Jan Stern SORGH as Postcard reproductions, reveals the influence of painting artists took a trip to Holland. These paintings share more common farming field or Harlequin's Carnival than with simple dream painting a few years ago.
Milo married pilar Juncosa Parma (Mallorca October 12, 1929); their daughter Maria Dolores Milo, born in July 17th 1930 in 1931, Pierre Mathis opened an art gallery in New York city. Pierre Mathis Gallery (whose presence until the death of Matisse in 1989) became an influential part of modern art movement in the United states. Matisse from the beginning of the show on behalf of Mr. Milo and frequently in the work of New York, introduced his work to the U.S. market.
Until the outbreak of the Spanish Civil War, Milo returned to Spain in the summer. Once the war started, he could not return home. Unlike many of his surrealist contemporaries, Milo had previously been inclined to clear political commentary from his work. Although (Catalonia) nationalism was his earliest surreal landscape and the Catalonia farmer's head, but until the Spanish republican government commissioned him to paint murals, death, for the Spanish Republican Pavilion at the 1937 Paris Expo, the Miro's works in a place full of political meaning.
In 1939, the German invasion of France and partly hidden and partly visible, Miro moved to Varengeville in Normandy, and in May 20th the following year, with the German invasion of Paris, he reluctantly fled to Spain (now Franco) for the duration of the Vehid regime rules. In Varengeville, Parma and Mont-Roig, between 1940 and 1941, Milo created a series of 23 gouache sign. Around the symbol of the rotating celestial body, the constellation won the praise of Andre Breton by artists, who wrote a series of poems seventeen years later, named by the inspiration of the series of Milo. The features of this work reveal the focus of turning to women, the theme of birds, the moon, which will dominate his portrait for the rest of his career.
Takiguchi liquor published Miro first monograph on 1940 in 1948-49 Miro live in Barcelona, and put forward to Paris to work in the frequent visits of printing studio and studio Lacouri re Mourlot. He developed a close relationship with Fernand Mourlot and lead to the production of more than 1 thousand different lithographic printing version.In 1959, Andre Bretonssagemiro's visit on behalf of the Spanish surrealist exhibition together with Enrique T Bara, Salvador Daly, and Eugenio Granell. Milo created a series of ceramic sculpture and garden Maeght foundation in St Paul de Vence, France, which was completed in 1964.
In 1974, Milo created a tapestry of the world trade center and the Catalonia artist in New York city with general Jose. He had initially refused to do so he tapestries, from Luo Youxue to the process and the two artists produced several works together. The World Trade Center tapestry is shown in the building, is in the process of art lost the most expensive work of the 1911 terrorist attacks.
In 1977, Milo and Luo Yu completed tapestry on display in the National Gallery in washington.
In 1981, Miro's sun, moon and star -later changed their name to Miro's Chicago -was debut. This large, mixed media sculpture outdoors in the city center is located in Hetao area of Chicago from another large public sculpture, across the street from Chicago Picasso. The bronze model created by Milo of the sun, the moon and the star in the 1967 preliminary design model now resides in the Milwaukee Museum of art.