埃德蒙·霍华斯Edmund Dulac（1882年10月22日——1953年5月25日），英国画家。
出生在图卢兹,法国他开始他的职业生涯,在图卢兹大学学习法律。他还研究了艺术,切换到全职之后厌倦了法律,和赢得奖品美术学院。他度过了一个非常短暂的Academie朱利安1904年在巴黎之前搬到伦敦。
霍华斯绘画顾立雄太太,大约1921年。
定居在伦敦荷兰公园,22岁的法国人被出版商委托j . m .凹痕为了说明《简爱》.和其他九卷勃朗特姐妹的作品。然后他成为了一个定期撰稿人蓓尔美尔街杂志,加入了伦敦素描俱乐部将他介绍给最重要的书和杂志插图画家。通过这些他开始的协会莱斯特画廊和霍德&斯托顿;从霍华斯画廊委托插图在年度销售展览,在出版权利的画作被霍德&斯托顿底图说明礼物书,每年出版一本书。书根据霍华斯包括这样的安排生产的故事《天方夜谭》50(1907)与彩色图像;一个版威廉·莎士比亚的《暴风雨》(1908)与40个颜色插图;的鲁拜集的奥玛开阳与20彩色图像(1909);的睡美人和其他童话故事(1910);的故事汉斯•克里斯蒂安•安徒生(1911);钟和其他诗歌埃德加·爱伦·坡(1912)28彩色图像和许多单调的插图,和公主Badoura(1913)。
霍华斯加入了英国国籍,1912年2月17日。
第一次世界大战期间他导致救援书,包括国王阿尔贝的书(1914),玛丽公主的礼物书自己,异常埃德蒙·霍华斯的庸懒的法国红十字会(1915)包括20颜色图片。霍德斯托顿也发表了梦想的梦想家(1915)包括6个颜色的图片——一个由当时的工作罗马尼亚的女王.
的作者霍华斯的妻子海伦Beauclerk绿色Lacqueur馆,1926年,和愚蠢的天使的爱,1929年,这两个书有他的插图。
战后,豪华版插图的书成为了稀有和霍华斯在这个领域的职业生涯结束了。他最后的这些书是埃德蒙·霍华斯的童话书(1916)莱诺克斯的故事(1918)(包括14个颜色图片)和珍珠的王国(1920)。然而,职业生涯继续在其他领域包括报纸漫画(特别是在的前景)、肖像画、戏剧服装和布景设计、使用、巧克力盒,奖牌,和各种图形(尤其是水星剧院,诺丁山门).
他还制作插图美国每周周日增刊属于赫斯特报业连锁在美国和英国的乡村生活。乡村生活有限公司(伦敦)发表神和凡人相爱(1935)(包括9颜色图片)基于数量的霍华斯乡村生活以前作出的贡献。星星(1939)的女儿是一个进一步受益于霍华斯出版的作品——由于约束有关第二次世界大战的爆发,标题包含2色图像。他继续为他的余生生产书,比他同时代的人,尽管这些比在减少频繁和奢华的黄金时代。
书读到一半的时候他最后委员会(弥尔顿科玛斯),霍华斯死于心脏病发作在伦敦1953年5月25日。
他设计邮票为英国,包括发行邮票纪念的加冕礼国王乔治六世1937年5月13日发布。国王的头用于所有统治的邮票是他的设计,他还设计了2 s 6 d和5 s值系列武器的高价值definitives,设计了套纪念邮票发行1948年夏季奥运会和英国的节日.
霍华斯设计1953年加冕邮票计价的1/3
霍华斯是的设计者之一野生植物系列邮票,这是第一个明确的邮票的统治英国女王伊丽莎白二世。他负责框架在女王的形象在1 s,1 s 3 d和1 6 d值虽然他的女王形象有利于摄影肖像的被拒绝了多萝西威尔丁他进行了一些修改。他还设计了1 s 3 d值纪念邮票发行的集合英国女王伊丽莎白二世的加冕礼但他死前发出。
霍华斯设计邮票(玛丽安·德·Londres系列),钞票为自由法国在第二次世界大战。在1940年代早期,埃德蒙·霍华斯也准备一个项目一个波兰20-zlotych注意波兰的银行(银行波兰语)。这钞票(1942年在英国印刷但可追溯到1939年)被波兰流亡政府下令,从来没有发布。
Born in Toulouse, France, he began his career by studying law at the University of Toulouse. He also studied art, switching to it full-time after he became bored with law, and having won prizes at the Ecole des Beaux Arts. He spent a very brief period at theAcadémie Julian in Paris in 1904 before moving to London.
Settling in London's Holland Park, the 22-year-old Frenchman was commissioned by the publisher J. M. Dent to illustrate Jane Eyre.and nine other volumes of works by the Brontë sisters. He then became a regular contributor to The Pall Mall Magazine, and joined the London Sketch Club, which introduced him to the foremost book and magazine illustrators of the day. Through these he began an association with the Leicester Galleries and Hodder & Stoughton; the gallery commissioned illustrations from Dulac which they sold in an annual exhibition, while publishing rights to the paintings were taken up by Hodder & Stoughton for reproduction in illustrated gift books, publishing one book a year. Books produced under this arrangement by Dulac include Stories from The Arabian Nights (1907) with 50 colour images; an edition of William Shakespeare's The Tempest(1908) with 40 colour illustrations; The Rubaiyat ofOmar Khayyam (1909) with 20 colour images; TheSleeping Beauty and Other Fairy Tales (1910); Stories from Hans Christian Andersen (1911); The Bells and Other Poems by Edgar Allan Poe (1912) with 28 colour images and many monotone illustrations; and Princess Badoura (1913).
Dulac became a naturalised British citizen on 17 February 1912.
During World War I he contributed to relief books, including King Albert's Book (1914), Princess Mary's Gift Book, and, unusually, his own Edmund Dulac's Picture-Book for the French Red Cross (1915) including 20 colour images. Hodder and Stoughton also published The Dreamer of Dreams (1915) including 6 colour images - a work composed by the then Queen of Romania.
Dulac's wife was Helen Beauclerk, author of The Green Lacqueur Pavilion, 1926, and The Love of the Foolish Angel, 1929, both of which books have his illustrations.
After the war, the deluxe edition illustrated book became a rarity and Dulac's career in this field was over. His last such books were Edmund Dulac's Fairy Book (1916), the Tanglewood Tales (1918) (including 14 colour images) and the The Kingdom of the Pearl (1920). His career continued in other areas however, including newspaper caricatures (especially at The Outlook), portraiture, theatre costume and set design, bookplates, chocolate boxes, medals, and various graphics (especially for TheMercury Theatre, Notting Hill Gate).
He also produced illustrations for The American Weekly, a Sunday supplement belonging to the Hearst newspaper chain in America and Britain's Country Life. Country Life Limited (London) published Gods and Mortals in Love (1935) (including 9 colour images) based on a number of the contributions made by Dulac to Country Life previously. The Daughter of the Stars (1939) was a further publication to benefit from Dulac's artwork - due to constraints related to the outbreak of World War II, that title included just 2 colour images. He continued to produce books for the rest of his life, more so than any of his contemporaries, although these were less frequent and less lavish than during the Golden Age.
Halfway through his final book commission (Milton's Comus), Dulac died of a heart attack on 25 May 1953 in London.
He designed postage stamps for Great Britain, including the postage stamp issued to commemorate the Coronation of King George VI that was issued on 13 May 1937. The head of the King used on all the stamps of that reign was his design and he also designed the 2s 6d and 5s values for the 'arms series' high value definitives and contributed designs for the sets of stamps issued to commemorate the 1948 Summer Olympics and the Festival of Britain.
Dulac was one of the designers of the Wilding series stamps, which were the first definitive stamps of the reign of Queen Elizabeth II. He was responsible for the frame around the image of the Queen on the 1s, 1s 3d and 1s 6d values although his image of the Queen was rejected in favour of a photographic portrait by Dorothy Wilding to which he carried out some modifications by hand. He also designed the 1s 3d value stamp of the set issued to commemorate the Coronation of Queen Elizabeth II but he died just before it was issued.
Dulac designed stamps (Marianne de Londres series) and banknotes for Free France duringWorld War II. In the early 1940s Edmund Dulac also prepared a project for a Polish 20-zlotych note for the Bank of Poland (Bank Polski). This banknote (printed in England in 1942 but dated 1939) was ordered by the Polish Government in Exile and was never issued.
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