彼得.科德Codde, Pieter（1599年12月11日—1678年10月12日），荷兰画家。
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Keizersgracht385年,在1657年他买的房子。[1]
Codde是一个技术熟练的画家。据说他学习弗朗斯·哈尔斯他训练,但它更可能是肖像画家,客栈老板,演员和艺术商人Barent van Someren(1572 - 1632)或可能Cornelis van der Voort(1576 - 1624)。1623年,他娶了18岁的Marritje家长。在1625年的夏天,一个政党,由Van Someren房地产,Codde进入一个与他的朋友,艺术家Cornelis Duyster。它以流血结束两个用罐子打对方的脸。到1628年Codde住在它们Antoniesbreestraat在阿姆斯特丹,然后是一个时尚的街头有许多画家。1636年两人离婚后,他被指控强奸少女,因为没有什么可以证明他只是锁住一个晚上。他的妻子和彼得·波特去生活,他们的邻居和画家的父亲保卢斯波特。1657年,他购买了房子的Keizersgracht 5000荷兰盾,在那里住,直到他去世。Pieter Codde死后他的女仆,Barendje Willems,继承了他的大部分财产。
彼得•CoddeDe Magere公司-船长的公司瑞尼Reael和中尉Cornelis Michielsz。Blaeuw,1637年
他最早的工作是一个从1626年开始,年轻的画像,现在阿什莫尔博物馆,他的大部分记忆最好的作品被处决阿姆斯特丹小规模的画作。他们是与众不同的银灰色的音调,许多音乐主题,如他最早类型的作品,舞蹈课(罗浮宫1627年)从1627年开始,音乐公司,琵琶的球员(费城艺术博物馆),音乐会,现在乌菲兹美术馆.一段由Codde乌菲兹是一个类型的工作,谈话。Codde画历史宗教作品,如朝拜的牧羊人,他从1645年开始,博物馆阿姆斯特丹。
虽然还不知道他研究了哈尔斯,他的风格无疑是在某些方面相似。他于1637年委托完成哈尔斯的未完成工作schutterstuk被称为公司官员的阿姆斯特丹弩下公民警卫队队长Reynier Reael和中尉Cornelis Michielsz。Blaeuw。而选择Codde完成这项工作的哈尔斯并不是一个显而易见的选择,Codde轮廓的工作顺畅。只是认为哈尔斯完成的左半部分组成,第三,第五和第七面临从右边,其余被Codde执行。被称为,微薄的公司,后来观众的评论博物馆发现男人画伦勃朗在他超过十年后的晚上看“胖得多。
Codde的学生威廉Duyster是相同的年龄雅各鸭是受到他的影响。西蒙踢是他们的妹夫。奥斯塔这,杰拉德Terborch,Pieter Quast也属于这群画家,发达的风格类型的场景。Codde可能是诗人几乎相同的名称,相关Pieter Adriaensz。Codde。
Codde was a technically skilled painter. He is said to have studied with Frans Hals, but it is more likely that his training was with the portrait painter, inn-keeper, actor and art-dealer Barent van Someren (1572–1632) or possibly with Cornelis van der Voort(1576–1624). In 1623 he married the 18-year-old Marritje Arents. In the summer of 1625, on a party, organized by Van Someren on his estate, Codde got into a fight with his friend, the artist Cornelis Duyster. It ended with bloodshed as the two hit each other in the face with jars.[2] By 1628 Codde was living in the Sint Antoniesbreestraat, then a fashionable street in Amsterdam with many painters.[3] In 1636 the couple divorced after he was accused of raping the maid; because nothing could be proved he was only locked up for one night. His wife went to live with Pieter Potter, their neighbor and the father of the painter Paulus Potter. In 1657 he purchased a house on the Keizersgracht for 5,000 guilders, where he lived until he died.[3] When Pieter Codde died his maid, Barendje Willems, inherited most of his property.[4]
His earliest known work is a piece from 1626, Portrait of a Young Man, now in theAshmolean.[5] Most of his best-remembered works were executed in Amsterdam and are small-scale paintings. They are distinctive in their silvery-gray tonalities, and many are musically themed, such as his first known genre work, Dancing Lesson (Louvre) from 1627,Musical Company of 1639, The Lute Player (Philadelphia Museum of Art) and, Concert, a piece now in the Uffizi Gallery.[6] The other piece by Codde in the Uffizi is a genre work, Conversation. Codde also painted historical religious works, such as his Adoration of the Shepherds, from 1645, in the Rijksmuseum of Amsterdam.
Though it is unknown whether he studied with Hals, his style is undoubtedly similar in some respects. He was commissioned in 1637 to complete an unfinished work of Hals, theschutterstuk called Officers of the Company of the Amsterdam Crossbow Civic Guard Under Captain Reynier Reael and Lieutenant Cornelis Michielsz. Blaeuw. While the choice of Codde to complete this work by Hals was not an obvious selection at the time, Codde’s work is recognizably smoother. It is thought that Hals completed only the left half of the composition, with the third, fifth and seventh faces from the right; the rest was executed by Codde.[7] The piece has become known as, The Meagre Company, from comments by later viewers in the Rijksmuseum who observed that the men painted well over a decade later by Rembrandt in his 'The Night Watch' were much fatter.
Codde’s pupil was Willem Duyster, who was about the same age, and Jacob Duck was influenced by him.[3] Simon Kick was their brother-in-law. Adriaen Brouwer, Gerard Terborch, and Pieter Quast also belonged to this group of painters that developed the style of genre scene. Codde may have been related to a poet with almost the same name, Pieter Adriaensz. Codde.
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