出生在 snitterfield ， 沃里克 （近 斯特拉特福雅芳 ），他被誉为在体育题材绘画的先驱–一起 彼得Tillemans 和 杰姆斯西摩 –和被认为是在这一体裁最好的医生。因此，他的画是很时髦，追捧的英国社会的最高阶层之间。这些包括数字如 乔治二世 ， 威尔士王子弗雷德里克 ，和 马尔伯勒公爵 。

他从1714到他的死亡在1764 / 5是活跃的，基于英国的首都 赛马 在 新市场 ，并产生大量的肖像画的马和也交谈件一 狩猎 或骑设置。他作为一个页面的家庭开始生活 博福特公爵 ，他在1720年送他去罗马，在那里他获得了classicising景观风格的基础上， 加斯帕杜埃 ，他用一些纯 山水画 ，以及国家住房和马科目的意见。本文介绍了一种替代的荷兰和佛兰芒艺术家曾在英国流行的景观风格，并通过中介等艺术家 小组由兰伯特 ，立足景观科目生涯的第一个英国画家，是大大影响其他英国艺术家如庚斯博罗。

他现在有点黯然失色在动物画领域由后 斯塔布斯 （1724–1806），谁被认为是技术上的优势。John Wootton去世 伦敦 1764十一月13。他的动物画的例子中可以找到 泰特美术馆 ， 伦敦 ，的 弗吉尼亚美术博物馆 ， 里士满 ，的 耶鲁大学英国艺术中心 ，和伊丽莎白 大会堂 在 朗利特 。
 

Born in snitterfield, Warrick (near Fu Yafang Strutt), he was known as the sports theme painting Pioneer - Peter Tillemans and James Seymor together - and is considered to be the best doctor in this genre. As a result, his paintings are very fashionable and sought after among the highest classes of British society. These included figures such as George II, Prince Welsh and Frederic, Duke of marlborough.
He went from 1714 to his death in the 1764 / 5 is active, based on the British capital horse racing in the new market, and produce a large number of portraits of horses and also a piece of hunting or riding. He started life as a prince Beaufort home page, in 1720 he sent him to Rome, where he received a classicising based landscape style, Gaspar Douay, he used some pure landscape paintings, and the views of country houses and equine subjects. This paper introduces an alternative to Holland and Flemish artists worked in British popular landscape style, and through the intermediary group by artists such as Lambert, the first British painter based on landscape subjects career, is greatly influence other British artists such as Gainsborough.
He is in the field of painting after the animal be cast into the shade by Stubbs now (1724 - 1806), who is considered to be the technical advantage. John Wootton died in London 1764 November, 13. His animal painting examples can be found in the Tate Gallery, London, the Virginia Museum of fine arts, Richmond, Yale University Center for British art, and Elizabeth Langliet in the great hall.