莎乐美在过去，人们认为斯皮内洛是一个学生，雅格布德尔卡森蒂诺的追随者乔托。然而，这不再被美术史家所接受。斯皮内洛的风格是一种乔托学校之间联系的锡耶纳的。在他生命的早期，他在佛罗伦萨担任助理到他的主人雅格布而画壁画在教堂胭脂红和圣母玛利亚。之间1360和1384，他在附近画阿雷佐许多壁画，几乎所有这些现在已经消灭了占据。

阿雷佐的1384袋后斯皮内洛回到佛罗伦萨，并在1387年至1388年的一些助手涵盖的圣器收藏室的墙壁和拱顶圣米尼亚托的佛罗伦萨与一系列的壁画，其中主要的代表来自生活场景圣本笃十六世。这些依然存在，但在恢复黯然条件; 他们是非常乔托样的成分，但有一些颜色的装饰锡耶纳辉煌。

在1391年至1392年斯皮内洛是画壁画6，仍然留在南墙披散坎普圣多明各，代表圣Potitus和圣以弗所的奇迹。对于这些，他获得270金币金币。在他的后期作品主要是很细的系列画在1407年至1408年的墙壁和锡耶纳的市政建筑教堂拱顶上的壁画; 这些也都遭受了重画，但仍然是最好的斯皮内洛现有的壁画。在萨拉的巴利亚迪壁画公众大楼代表的战争腓特烈一世反对教皇亚历山大三世。在斯皮内洛阿雷佐死亡约1410。

Salome in the past, people think that J Pinelo is a student of YAGE, Budel Carson said the followers of Giotto. However, this is no longer accepted by art historians J Pinelo's style is the link between Siena a Giotto school. In the early days of his life, he worked as an assistant in Florence to his master Jacopo while painting frescoes in the church rouge and the virgin Maria. Between 1360 and 1384, he painted many murals in the vicinity of Arezzo, almost all of these have now eliminated occupy.
Arezzo 1384 bags after J Pinelo returned to Florence, and covered in some Hallows from 1387 to 1388 of the assistant chamber walls and vault of San Miniato in Florence and a series of murals, one of the main representatives of St. Benedict sixteen world life scene. These still exist, but in the recovery without conditions; they are very like Giotto composition, but there are some color decoration Siena brilliant.
From 1391 to 1392 is the 6 J Pinelo painted murals, remained in the south wall hanging Camp of Santo Domingo, on behalf of St. Potitus and St. Ephesus miracle. For these, he got 270 gold coins. In his later works are mainly fine painting series from 1407 to 1408 the Siena municipal building walls and church frescoes on the vault; these are also suffered a repaint, but still the best J Pinelo existing murals. In Sara Barre Yadi on behalf of the public building mural war Frederick I against the Pope Alexander III. About 1410 died in J Pinelo A Rezo.