国画院成立大部分湖社、松风画家被吸收为画院专职画家，从此湖社画会、松风画会终止了独立的活动。1984年为了振兴国画，湖社画会率先复会并在北京琉璃厂开设书画门市，湖社画会健在的最早期会员之一、资深花鸟画家孙菊生先生任画会会长。2001年松风画会正式复会，新一代掌门人是松风画会创始人之一关松房先生的嫡传弟子、资深山水画家、国画理论家关瑞之先生，因众多弟子分布海峡两岸和世界各地而未设固定会址。松风画会硕果仅存的元老启功先生分别担任湖社、松风两会的顾问。

“精研古法、博采新知”是京津画派的整体宗旨。临摹、写生、切磋功力的生态常规在京津画派中一直流行至今，并作为良好的传统保持下去。除了画派领袖金北楼先生提出的如上宗旨外，中国画学研究会的陈半丁先生、湖社画会的秦仲文先生、松风画会的关松房先生等老前辈都为京津画派的艺术创作留下警言，概括来讲就是：创作不是闯作，笔墨不能脱离生活。

京津画派作品

 肖俊贤

肖俊贤（1865-1949），湖南衡阳人。早年从苍崖法师、沈咏荪学画。应李瑞清聘，曾任教于两江优级师范学堂图画手工科。民国初年居北京，曾任教于国立北平艺术专科学校。晚年寓沪卖画为生。长于山水，兼作花卉。与萧逊并称为北京二萧。作品有《碧海青天图》、《溪山无尽图》、《山居图》等。

陈师曾

陈师曾（1876—1923），又名衡恪，号朽道人、槐堂，江西义宁(今修水)人。湖南巡抚陈宝箴孙，陈三立(陈散原)长子，陈寅恪之兄。曾留学日本，攻读博物学。归国后从事美术教育工作，1913年到北京，历任北京各大学教授。善诗文、书法，尤长于绘画、篆刻。其山水画注重师法造化，从自然景观中汲取创作灵感；写意花鸟画画风雄厚爽健，富有情趣；人物画以意笔勾描，注重神韵，带有速写和漫画的纪实性；风俗画多描绘底层人物。著有《中国绘画史》、《中国文人画之研究》、《染苍室印存》等。

姚华

姚 华（1876——1930）字一鄂，号重光，一号茫父，别号莲花庵主。贵州贵筑（今贵阳）人，姚华光绪二十三年（1897年）举人，三十年（1904年）进士，授工部虞衡司主事。山水、花卉，篆、隶、真、行，都具有高深造诣。

于非闇

于非闇（1889年3月22日—1959年7月3日）中国画家。原名于魁照，后改名于照，字仰枢，别署非闇，又号闲人、闻人、老非。原籍山东蓬莱，出生于北京，自幼得书画家传。1912年入师范学校学习，后任教于私立师范校、私立华北大学美术系。兼任古物陈列所附设国画研究馆导师。1935年起专攻工笔花鸟画。1949年后历任中央美术学院民族美术研究所研究员、北京中国画研究会副会长、北京画院副院长。作品有《玉兰黄鹂》、《丹柿图》、《牡丹鸽子》等。著有《非闇漫墨》、《艺兰记》、《中国画颜料研究》、《我怎样画花鸟画》。

李可染

李可染（1907—1989），现代画家。江苏徐州人。自幼习画，早年先后入上海美专、国立西湖艺术院学习。1946年任教于北平艺专。1956年为变革山水画，行程数万里旅行写生。其山水画早年取法八大，笔致简率酣畅，后从齐白石习画，用笔趋于凝练。又从黄宾虹处学得积墨法，并在写生中参悟林风眠风景画前亮后暗的阴影处理方式。画风趋于谨严，笔墨趋于沉厚，至晚年用笔趋于老辣。亦善画牛，笔墨颇有拙趣。曾任中央美术学院教授，中国美术家协会副主席等职。代表作有《漓江胜境图》《万山红遍》《井冈山》等。

 湖社画会

1919年，金城 、陈师曾等人发起组织了著名的“中国画学研究会”，以“精研古法，博取新知”为宗旨，此后又发起成立了“湖社画会”。

松风画会

松风画会成立于1925年10月，发起人为五位著名国画宗师：溥雪斋、溥毅斋、关松房、溥心畲、惠孝同。清廷遗臣陈宝琛、罗振玉、袁励准、宝熙、朱益藩等为松风早期会员。中、后期会员有叶仰曦、溥松窗、溥佐、关和镛、祁井西、启功等。画会以厚重、精湛为画风准则，从四王入手追溯宋、元。

 Beijing-Tianjin Painting School is the crystalline product of the inheritance and development of the quintessence culture of Beijing and Tianjin in the late Qing Dynasty and the early Republic of China. Beijing-Tianjin Painting School mainly originated from four groups of traditional Chinese painting: Xuannan Painting Society, Chinese Painting Society, Hu Society and Pine Style Painting Association.

Beijing-Tianjin Painting School is a cultural concept rather than a regional concept. After Mr. Pu Xinshe, one of the founders of Songfeng Painting Association, settled in Taiwan in 1949, he lectured extensively in Taiwan, Japan, Hong Kong and Southeast Asian countries. Beijing-Tianjin Painting School, like Lingnan Painting School, has spread abroad and attracted the attention of international art circles. Today, Beijing-Tianjin Painting School has been established. One of the major groups of Chinese traditional paintings on both sides of the Taiwan Strait and all over the world.

Since the establishment of the Hu Society and Songfeng Painters, most of them have been absorbed as full-time painters of the Academy. Since then, the Hu Society and Songfeng Painting Association have terminated their independent activities. In 1984, in order to revitalize traditional Chinese painting, the Hushe Painting Association first resumed its meeting and opened a painting and calligraphy market in Liulichang, Beijing. Mr. Sun Jusheng, one of the earliest surviving members of the Hushe Painting Association, is the president of the Painting Association. The Songfeng Painting Association officially resumed in 2001. The new generation of leaders is Mr. Guan Songfang's direct disciple, senior landscape painter and Chinese painting theorist, Mr. Guan Ruizhi, one of the founders of Songfeng Painting Association. There is no fixed meeting site because many disciples are distributed across the Taiwan Strait and around the world. Mr. Qigong, the only remaining veteran of Songfeng Painting Association, served as consultants to Hu Society and Songfeng Painting Association respectively.

The overall purpose of Beijing-Tianjin School of Painting is to study ancient methods and learn new knowledge. The ecological conventions of copying, sketching and negotiating skills have been going on in Beijing-Tianjin School of Painting until now, and have been maintained as a good tradition. In addition to the above purpose put forward by Mr. Jin Beilou, the leader of the painting school, Mr. Chen Banding, Mr. Qin Zhongwen and Mr. Guan Songfang of the Hushe Painting Society all left warnings for the artistic creation of the Beijing-Tianjin Painting School. Generally speaking, creation is not a pioneering work, and brush and ink can not be separated from life.

Xiao Junxian (1865-1949), from Hengyang, Hunan Province. In his early years, he learned painting from Cangya Master and Shen Yongsun. He was hired by Li Ruiqing and taught in Painting and Handicraft Department of Liangjiang Premium Normal School. In the early years of the Republic of China, he lived in Beijing and taught at the National Peiping Art College. In his later years, he lived in Shanghai and sold paintings for a living. Long in landscape, both as flowers. And Xiao Xun is also known as Beijing Erxiao. His works include Blue Sea Blue Sky Map, River and Mountain Endless Map, Mountain Residence Map and so on.

Chen Shizeng (1876-1923), also known as Heng Ke, is known as the "decadent Taoist", "Huaitang", "Yining" (now Xiushui) in Jiangxi Province. Hunan Governor Chen Baoshen, the eldest son of Chen Sanli (Chen Sanyuan), and brother of Chen Yinke. He studied in Japan and studied natural history. After returning to China, he worked in fine arts education. He came to Beijing in 1913 and has been a professor of various universities in Beijing. Good at poetry and calligraphy, especially in painting and seal carving. His landscape painting pays attention to imitation, drawing inspiration from the natural landscape; freehand flower and bird painting style is strong and healthy, full of interest; figure painting with freehand brush sketch, focus on verve, with sketch and cartoon documentary; custom painting mostly depicts the bottom figures. His works include History of Chinese Painting, Study of Chinese Literature Painting, and Dyeing Room Printing.

Yaohua (1876 - 1930) is the word "one E". It is called "Chongguang", "No. 1 Mang Father", and "No. 1 Lotus Ancestral Master". Guizhou Guizhu (now Guiyang), Yao Huaguangxu 23 years (1897), 30 years (1904) Jinshi, director of Yu Heng Department of Ministry of Labor. Landscape, flowers, seals, Li, Zhenzhen and Xing all have high attainments.

Yu Feiyin (March 22, 1889 - July 3, 1959) is a Chinese painter. Originally named in Kuizhao, later renamed in Zhao, the word Yangshu, other non-secret, also known as idle people, hearers, Laofei. Originally from Penglai, Shandong Province, born in Beijing, he was handed down as a calligrapher and painter from his childhood. He joined the Normal School in 1912 and later taught in the Department of Fine Arts of Private Normal School and Private North China University. He is also a tutor of the Chinese Painting Research Museum attached to the exhibition of antiquities. Since 1935, he has been specializing in meticulous flower and bird painting. Since 1949, he has been a researcher of the Institute of National Fine Arts of the Central Academy of Fine Arts, vice president of the Beijing Chinese Painting Research Association and vice president of the Beijing Painting Academy. His works include Magnolia Oriole, Tomato Picture, Peony Pigeon and so on. His works include Non-Dark Ink, Yilan Ji, Research on Pigments of Chinese Painting and How I Paint Flowers and Birds.

Li Keran (1907-1989), a modern painter. People from Xuzhou, Jiangsu Province. Studying painting since childhood, he went to Shanghai Academy of Fine Arts and National West Lake Academy of Art in his early years. He taught at Peiping Art College in 1946. In 1956, he traveled tens of thousands of miles to change landscape painting. In his early years, his landscape paintings were selected from the Eighth National Congress. His brushwork was concise and straightforward. Later, he practiced painting from Qi Baishi and tended to be concise with his brushwork. He also learned the method of accumulating ink from Huang Binhong and learned how to deal with the shadows before and after Lin Fengmian's landscape painting in his sketches. The style of painting tends to be rigorous, the ink tends to be heavy, and the pen tends to be old and hot in later years. He is also good at drawing cows, and his brush and ink are very interesting. He was a professor of the Central Academy of Fine Arts and vice chairman of the Chinese Artists Association. The representative works include Lijiang River Scenic Site Map, Wanshan Hongpan, Jinggangshan and so on.