老圃，姓白名进海，金海，菜园子老白。1955年生，北京人，1982年毕业于中央美术学院中国画系，2004年毕业于中央美术学院首届国画专业博士课程研修班，师从张立辰先生，现为荣宝斋画院研究创作中心主任，其画作多取材于瓜果、青蔬、花鸟，从选材到如何描绘题材上显示与一般花鸟画家有很大的不同，能将自然之情、乡情融为一个独特的艺术审美世界，用笔简朴、设墨清雅，崇尚简淡中和之道，在写实中强调表现性，独蹊一格。
Old nursery, white name into the sea, golden sea, vegetable garden old white. Born in Beijing in 1955, graduated from the Department of Chinese Painting of the Central Academy of Fine Arts in 1982, graduated from the First Doctoral Course of Chinese Painting of the Central Academy of Fine Arts in 2004. Mr. Zhang Lichen is the director of the Research and Creation Center of the Rongbaozhai Academy of Painting. His paintings are mostly based on melons, fruits, vegetables, flowers and birds. From the selection of materials to how to depict the subject matter, they are quite different from the general flower and bird painters. It can blend natural feelings and homesickness into a unique artistic aesthetic world. It is simple and elegant in writing, advocates the simple and neutral way, emphasizes expressiveness in realism and is unique in style.
他(老圃)不追求那种气势夺人的阳刚之美，他也不欣赏那种孤寂悲愁的苍凉之境，既无故作文人高雅之态，又无矜持造作媚俗之感，他的画如其人，崇尚简淡中和之道。正像唐人司空图在著名的《诗品》中所指出的“冲淡”、“典雅”、“自然”、“清奇”诸品其意旨都体现在他的作品中。如果我们用平常心、细致心、静默心去看，是不难进入老圃菜园子里的平淡清逸、柔雅玄思的审美境界的，也体会到他的“落花无言，人淡如菊”和“素处以墨，妙机其微”的感受与乐境。
“老圃”其少年时荷锄绿野，放牧青岱。尤喜涂鸦，常画地圈墙，描摹牲畜、瓜果、人物，亦形神兼备，遂名噪乡里。青年时遇京城名画师林铠来乡间写生，并借宿其家中，见其有大志，便教习染瀚。师返，其又携画作常徒步百里，往返于京乡之间，问艺师门，画技得大进。时逢高考恢复之年，便一举考入中央美术学院中国画系。历四年学业，画风入时，色彩清新而厚朴，使同学中最具才情者。余与之交，乃同得林锴师教，又相继在美院国画系学艺，有金兰之好。其毕业后，返故里。闻已入商海中，近些年重拾画笔。与余又继往来，时约南下访梅，寄情于暗香疏影之间。见其辄流连于野黎蔬圃里。有曰：“观斯物犹记儿时田亩菜园之事，愿以园中鲜翠之物为一生所研绘。是物虽微，但有山水之清气；是物虽贱，亦合百姓之众口。”由此，画作重叠，多染瓜果、青蔬。用笔简朴，设墨清雅，独蹊一格，俱在法门中。见者如置身于菜园底处。余相赠“老圃”之号也。老圃今日继问艺于美院高研班中。画更清和，人更清淡。可谓从灿烂中复归之平淡，亦如其案头之青蔬也。
1982年毕业于中央美术学院中国画系。
2002年考入中央美院两年制博士课程班。
2004年毕业于中央美术学院首届国画专业博士课程研修班，师从张立辰先生。
2005年起，荣宝斋画院画家、教务处处长。
2007年起，荣宝斋画院中国画研究创作中心主任。
2010年起，北京文史馆馆员。
He (old nursery) does not pursue that kind of masculine beauty, nor does he appreciate the lonely and sad desolate state, neither the elegant manner of the writer for no reason, nor the feeling of being vulgar. His paintings are like his own, advocating the simple and neutral way. Just as Sikong Tu of Tang Dynasty pointed out in his famous poems, the meanings of "dilution", "elegance", "nature" and "singularity" are embodied in his works. If we look at it with ordinary heart, meticulous heart and quiet mind, it is not difficult to enter the aesthetic realm of plain, elegant and profound meditation in the garden of vegetable in the old nursery. We also realize his feelings and joy of "falling flowers without words, people are as indifferent as chrysanthemum" and "plain ink, subtle opportunity".
When he was a teenager, he hoed green fields and grazed Qingdai. Especially like graffiti, often painted enclosure walls, describing livestock, melons and fruits, characters, but also both physical and spiritual, so famous in the countryside. When he was young, Lin Jia, a famous painter in Beijing, came to the countryside to sketch, and lodged in his home. When he saw his ambition, he learned to dye Han. When he returned, he often walked hundreds of miles with his paintings and went back and forth between Beijing and the countryside. He asked the artists and made great progress in his painting skills. When the college entrance examination was restored, he was admitted to the Department of Chinese Painting of the Central Academy of Fine Arts. After four years of study, painting style is in fashion, fresh and honest color, so that the most talented students. Yu was taught by Mr. Lin Kai and studied art in the Department of Traditional Chinese Painting of the Academy of Fine Arts successively. He was as good as Jinlan. After graduation, he returned home. Wen has entered the sea of commerce, in recent years to pick up the brush. He went back and forth with Yu, visiting Mei in the south at about the same time, placing his affection between the dark fragrance and the sparse shadows. See its wandering in the wild Li vegetable garden. There is a saying: "Looking at the things in the garden, I remember the things in my childhood. I would like to take the fresh green things in the garden as my life's research and painting. Although things are small, they have the fresh air of mountains and rivers. They are cheap, but they are also in line with the people's mouths. As a result, the paintings overlap and dye more melons, fruits and vegetables. Simple pen, elegant ink, unique style, all in the law. The viewer is at the bottom of the vegetable garden. Yu Xiangdao gave the title of "old nursery". The nursery today continued its questioning in the advanced research class of the Academy of Fine Arts. The paintings are clearer and the people are lighter. It can be said that the return from the brilliance of the plain, as well as its desk of green vegetables.
He graduated from the Department of Chinese Painting of the Central Academy of Fine Arts in 1982.
In 2002, he was admitted to the two-year doctoral program of the Central Academy of Fine Arts.
In 2004, he graduated from the First Doctoral Course of Traditional Chinese Painting in the Central Academy of Fine Arts and was taught by Mr. Zhang Lichen.
Since 2005, the painter and Dean of the Rongbaozhai Painting Academy.
Since 2007, director of the Chinese Painting Research and Creation Center of Rongbaozhai Academy of Painting.
Since 2010, librarian of Beijing Museum of Culture and History.
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