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戴世隆

( 中国美术家协会会员 )

戴世隆,我国著名画家,1952年生于山东无棣。师从我国著名画家溥佐先生;作品多为花鸟、骏马、天龙等题材,画风体古意新、兼工带写、浑厚秀丽、清新典雅。既有中国传统绘画的真髓,又受东瀛艺术的影响,二者融为一炉,相得益彰,雍容典雅之中透出一股清新之气。

人物关系
  • 中文名戴世隆
  • 性别
  • 国籍中国
  • 民族汉族
  • 出生地山东无棣
  • 居住地天津
  • 出生日期1952
  • 职业美术家
  • 擅长花鸟
  • 协会中国美术家协会
艺术家戴世隆简介

戴世隆,我国著名画家,1952年生于山东无棣。师从我国著名画家溥佐先生;作品多为花鸟、骏马、天龙等题材,画风体古意新、兼工带写、浑厚秀丽、清新典雅。既有中国传统绘画的真髓,又受东瀛艺术的影响,二者融为一炉,相得益彰,雍容典雅之中透出一股清新之气。
现为中国美术家协会会员,中国爱新觉罗画派艺术研究会副会长;天津财经大学艺术学院中国画研究室主任、教授,日本中国艺术家协会常务理事,全日本水墨画联盟理事。戴先生曾研修、讲学、生活游历于日本近二十年,为促进中日文化艺术交流事业做出努力与贡献。并有多幅作品在国内外展出、发表、获奖或被收藏,出版画集多种。
在中国画发展的沧桑历史中,写意画和工笔画在抽象和具象中展现着不同的风格;工笔画作为中国传统国画中的一个重要类别和种属,以特定的事物为表现对象,通过传统的笔墨和技巧创造出了具有独特艺术图式的实物形象,传达出特定的艺术趣味和审美理念;写意画则是用简练的笔法描绘景物,纵笔挥洒,墨彩飞扬,较工笔画更能体现所描绘景物的神韵,也更能直接地抒发作者的情感,历代画家都在两者之间不断寻找着自己的定位,戴世隆先生利用自己对艺术的独特感悟,在写意和工笔之间找到自己的黄金分割点,在戴先生的花鸟画中,作品以静雅而又灵动的风格穿越着时空的束缚,很多我们在生活中常见的一些花鸟生活场景,被戴先生用画笔锁在了瞬间,变成了一幅幅永恒的画面,给人以无限的想象和思索,树木、山石等大块面的物象,多以写意的笔法,而鸟的眼睛、嘴等部分则多以中锋骨法用笔来表现。再加上色彩的渲染,形成了情趣十足、韵味无穷、色彩夺目、意境悠远的艺术效果。画面形神兼备,具有很高的艺术价值。
艺术特色
戴世隆先生擅长现代花鸟、骏马和墨龙;在创作中将现代技法和传统技法巧妙结合,无论从用墨、色彩、意境,神韵等方面都达到纯清的艺术造诣,并形成了自己清新雅致、韵味十足的特色。他的绘画艺术高贵典雅,潇洒飘逸,画风朴实润美,他的工笔线条飞扬流畅,洒脱有力,笔法超逸,技艺娴熟,“神”、“形”、“意”、“气”兼而得之,无不显现出他厚重的艺术功底和卓越的才思,这都源于他对大自然物象的细致入微的观察,及对人生、艺术的不断参悟。
艺术年表
1952年生于山东无棣。
1974年从哈尔滨郊区考入天津美术学院,花鸟画班班长;
1977年毕业留校任教于中国画教研室,助教、讲师;
1987年赴日本早稻田大学,任文学部美术史研究员;
1988年于日本静冈举办首届个展;
1989年和溥佐先生参加“中国现代书画名家精品展”出版画集,
陪同溥佐先生应访早稻田大学;
1990年于日本东京银座举办个展,访问日本南画院;
2004年应聘日本千叶明海大学,非常勤讲师;
2006年归国任教于天津财经大学艺术学院中国画研究室主任、
教授。
2012年被中国美术家协会正式纳为会员。

Introduction to the artist

Dai Shilong, our country famous artist, was born at Shandong to not have 1952 younger brother. Division broads from our country famous artist assist gentleman; Work is the subject matter such as dragon of painting of flowers and birds in traditional Chinese style, courser, day more, gu Yixin of the body that draw wind, belt holding labour concurrently is written, simple and honest and beautiful, pure and fresh elegance. Have the essence with Chinese painterly tradition already, suffer Dong Ying's artistic effect again, both be in harmony is one furnace, bring out the best in each other, a pure and fresh energy of life gives fully in elegance of natural and graceful.
It is Chinese artist academician now, china loves to become aware Luo Hua sends artistic seminar vice-chairman newly; China of institute of art of university of Tianjin finance and economics draws lab director, professor, association of Japanese China artist is standing director, director of alliance of complete Japan wash. Mr Dai Ceng Yan is repaired, discourse on an academic subject, the life is peripatetic at Japan nearly 20 years, make effort and contribution to promote Sino-Japanese culture art to communicate a career. Have many work exhibiting domestic and internationally, publish, bear the palm or be collected, publication picture collect a variety of.
In the history of vicissitudes of life that draws development in China, enjoyable picture and labour strokes are mixed in abstraction there is different style in providing an elephant; One of be versed in strokes regards China as traditional traditional Chinese painting important category and kind belong to, it is expressional object with specific thing, went out to have the objective figure with distinctive schematic art through traditional writing and skill creation, communicate a specific artistic interest and aesthetic concept; Enjoyable picture is to use succinct calligraphy or drawing to depict scenery, even if pen brandish is aspersed, chinese ink colour flies upwards, relatively the verve that is versed in strokes can reflect place to depict scenery more, also more can forthrightly the affection of express author, past dynasties painter is in both between the location that searching oneself ceaselessly, mr Dai Shilong uses him to be comprehended to art distinctly, the gold that finds oneself between freehand brushwork in traditional Chinese painting and traditional Chinese realistic painting characterized by fine brushwork and close attention to detail breaks up a dot, in the picture of painting of flowers and birds in traditional Chinese style of Mr Dai, work with Jing Ya and clever style is passing through to be manacled spatio-temporally, setting of our common in the life a lot of life of a few painting of flowers and birds in traditional Chinese style, was locked up to be in with paintbrush by Mr Dai the instant, became an appearance of an eternity, mix with infinite imagination to the person thinking, the content of the chunk face such as stone of arboreous, hill is resembled, the many calligraphy or drawing with freehand brushwork in traditional Chinese painting, and the part such as the eye of the bird, mouth is much be behaved with center spirit law with the pen. Plus colorific apply colours to a drawing, fashioned appeal dye-in-the-wood, lasting appeal boundless, colour the artistic effect with dazzing, a long time ago artistic conception. Picture body spirit has both, have very high artistic value.
Artistic trait
Mr Dai Shilong is good at contemporary painting of flowers and birds in traditional Chinese style, courser and Mo Long; In creation lieutenant general contemporary ability law is mixed traditional ability way is clever union, no matter from with Chinese ink, colour, artistic conception, the respect such as verve achieves the artistic attainment of pure Qing Dynasty, formed oneself the characteristic with pure and fresh and refined, very lasting appeal. His painterly and artistic nobility is elegant, cheesy and elegant, embellish of the guileless that draw wind is beautiful, line of his traditional Chinese realistic painting characterized by fine brushwork and close attention to detail flies upwards fluent, free and easy and strong, unconventionally graceful of calligraphy or drawing, craft is adept, "God " , " form " , " meaning " , " gas " hold concurrently and get, all without exception shows the artistic strength that reveals his massiness and remarkable imaginative power, this results from the observation of the meticulous in a subtle way that he resembles to nature content, the ceaseless ginseng that reachs pair of life, art is realized.
Artistic chronological table
Was born at Shandong to not have 1952 younger brother.
Took an examination of Tianjin academy of fine arts from Harbin suburb 1974, painting of flowers and birds in traditional Chinese style draws squad squad leader;
Graduation stayed 1977 school teach to draw staff room at China, assistant, instructor;
Attended college of cropland of Japanese early rice 1987, renwen learns an art history researcher;
At Japan Jing Gang held first 1988 exhibit;
Mr He Puzun attended 1989 " high-quality goods of a person of academic or artistic distinction of Chinese contemporary painting and calligraphy is exhibited " publication picture collect,
Accompany Mr Puzun to should visit university of early rice cropland;
1990 at Japanese Tokyo silver hold exhibit, visit the imperial art academy austral Japan;
Applied for 1000 Xie Minghai universities of Japanese 2004, very diligent instructor;
Homecoming taught to draw lab director at China of institute of art of university of Tianjin finance and economics 2006,
Professor.
2012 by Chinese artist association formal offer is a member.

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