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陈平

 陈平(1960.12—)北京人。擅长中国画。1984年毕业于中央美术学院中国画专业,留校任教。现任教于中央美术学院国画系。

 
人物关系
  • 中文名陈平
  • 性别
  • 国籍中国
  • 民族汉族
  • 出生地北京
  • 出生日期1960.12
  • 职业任教于中央美术学院国画系
  • 毕业院校中央美术学院
  • 主要成就国家一级美术师、中国美术家协会会员、中国书法家协会会员
  • 代表作品《半村半郭人家》、《淡静的日子》、《家乡美景眼画》等
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陈平访谈录:笔墨随时代是必然的要不就留不下来

中国美术网 09-17 浏览

记者:陈老师,每位艺术家的成功都离不开朋友师长的提携,离不开社会诸多因素的作用,艺术之路也是寂寞之道,能走多远得看个人造化。请问一路走来,哪些老师对你影响比较大,又体现在哪些方面?陈平:最初学画是跟...
人物经历

 1984年毕业于中央美术学院中国画专业,留校任教。现任教于中央美术学院国画系。1997年调入中国画研究院任专业画家,现为一级美术师。2002年又调回中央美术学院中国画系任教,执教山水画。现为中央美术学院中国画学院副院长、教授、研究生导师、博士生导师。中国美术家协会会员、中国书法家协会会员、中华诗词学会会员。

主要贡献
陈平作品

 在国内外多次举办个人画展,出版有个人画集、书法集、篆刻集、诗曲集数十册,并编有《画梦诗魂》、《黄山记》杂剧两种。

陈平在他的作品中延续着中国文人画的优秀传统,他的山水作品以简朴深沉的笔墨和安宁淡泊的意境构筑了一个理想化了的世界。系列作品《费洼山庄》把存在于画家玄想中的境界从朦胧到明确地刻画出来,关中风景和南国的荷塘烟雨都融入了这个纯属子虚乌有的山水世界。作品有《半村半郭人家》、《淡静的日子》、《家乡美景眼画》等。曾在日本、香港地区等国举办个人画展。

出版个人画集多种、书法集多种、篆刻集、诗曲集。

1988年 赴日本东京学艺大学讲学并举办个人画展; 

1992年 在香港大会堂举办个人画展;

1993年 参加首届批评家提名展,赴美国亚特兰大新亚画廊讲学并举办个人画展;

1995年 在北京国际艺苑举办陈平书画展,赴新加坡思民艺苑举办画展;

1996年 赴美国亚特兰大新亚画廊举办个人画展;

1998年 参加在美国纽约古根海姆现代美术馆举办的中华文化五千年展,在中国美术馆举办陈平、陈向迅赵卫卢禹舜四人山水联展,赴美国亚特兰大新亚画廊举办第三次个人画展;

1999年 在广州华艺廊举办陈平画展;

2000年 参加上海国际美术双年展,深圳国际美术双年展,百年中国画展,中国文化季——艺术展(法国),中国画展(比 利时、巴西);

2002年 参加锦绣中华万里行——太行篇画展;

2003年 参加中国美术馆建馆40周年——开放的时代展。

艺术特色:

陈平在他的作品中延续着中国文人画的优秀传统,他的山水作品以简朴深沉的笔墨和安宁淡泊的意境构筑了一个理想化了的世界。系列作品《费洼山庄》把存在于画家玄想中的境界从朦胧到明确地刻画出来,关中风景和南国的荷塘烟雨都融入了这个纯属子虚乌有的山水世界。作品有《半村半郭人家》、《淡静的日子》、《家乡美景眼画》等。曾在日本、香港地区等国举办个人画展。

获奖记录

1985年 参加北京国际青年美术大展并获二等奖;

1986年 参加全国中青年书法、篆刻大展并获一等奖;

1990年 获全国高校霍英东基金会教学奖学金;

Introduction in English

 Chen Ping (1960.12 -) is from Beijing. Good at Chinese painting. In 1984, he graduated from the Central Academy of Fine Arts majoring in Chinese Painting and remained in school as a teacher. He is currently teaching in the Department of Traditional Chinese Painting of the Central Academy of Fine Arts.

 

Personal Experience

 

In 1984, he graduated from the Central Academy of Fine Arts majoring in Chinese Painting and remained in school as a teacher. He is currently teaching in the Department of Traditional Chinese Painting of the Central Academy of Fine Arts. In 1997, he was transferred to the Academy of Chinese Painting as a professional painter and is now a first-class artist. In 2002, he returned to the Department of Chinese Painting of the Central Academy of Fine Arts to teach landscape painting. Now he is vice president, professor, graduate tutor and doctoral tutor of the Chinese Painting Academy of the Central Academy of Fine Arts. Member of Chinese Artists Association, Chinese Calligraphers Association and Chinese Poetry Society.

 

Major contributions

 

At home and abroad, he has held many personal paintings exhibitions, published dozens of personal paintings, calligraphy, seal carvings, poetry and songs, and compiled two kinds of zaju, namely, Painting Dreams, Poetry Soul and Huangshan Ji.

 

Chen Ping continues the excellent tradition of Chinese literary painting in his works. His landscape works construct an idealized world with simple and profound brush and ink and tranquil and indifferent mood. Feiwa Villa, a series of works, depicts the realm existing in the painter's imagination from obscurity to clarity. The scenery of Guanzhong and the rain and smoke of lotus ponds in southern China are all integrated into this purely imaginary world of mountains and waters. His works include Half Village and Half Guo Family, Silent Days, Home Beautiful Eye Painting, etc. He has held personal art exhibitions in Japan, Hong Kong and other countries.

 

Publishing a variety of personal picture collections, calligraphy collections, seal carving collections, poetry and song collections.

 

In 1988, he went to Tokyo University of Science and Art to lecture and hold a personal painting exhibition; [1]

 

In 1992, a personal painting exhibition was held in the Hong Kong General Hall.

 

In 1993, he attended the first critic nomination exhibition, lectured at New Asia Gallery in Atlanta, USA, and held a personal exhibition.

 

In 1995, Chen Ping's Calligraphy and Painting Exhibition was held in Beijing International Art Garden and Simin Art Garden in Singapore.

 

In 1996, he went to New Asia Gallery in Atlanta to hold a personal exhibition.

 

In 1998, he participated in the 5,000-year exhibition of Chinese culture held at Guggenheim Modern Art Museum in New York, USA, and the joint exhibition of Chen Ping, Chen Xiangxun, Zhao Wei and Lu Yushun in the Chinese Art Museum. He went to New Asia Gallery in Atlanta, USA to hold the third solo exhibition.

 

Chen Ping's Painting Exhibition was held in Guangzhou Huayi Gallery in 1999.

 

In 2000, he participated in Shanghai International Art Biennale, Shenzhen International Art Biennale, Centennial Chinese Painting Exhibition, Chinese Culture Season - Art Exhibition (France), Chinese Painting Exhibition (Belgium, Brazil);

 

In 2002, he participated in the Taihang Painting Exhibition, a magnificent Chinese painting exhibition.

 

In 2003, he participated in the 40th anniversary of the founding of the Chinese Art Museum, the Open Age Exhibition.

 

Artistic features:

 

Chen Ping continues the excellent tradition of Chinese literary painting in his works. His landscape works construct an idealized world with simple and profound brush and ink and tranquil and indifferent mood. Feiwa Villa, a series of works, depicts the realm existing in the painter's imagination from obscurity to clarity. The scenery of Guanzhong and the rain and smoke of lotus ponds in southern China are all integrated into this purely imaginary world of mountains and waters. His works include Half Village and Half Guo Family, Silent Days, Home Beautiful Eye Painting, etc. He has held personal art exhibitions in Japan, Hong Kong and other countries.

 

Award-winning record

 

In 1985, he participated in Beijing International Youth Art Exhibition and won the second prize.

 

In 1986, he participated in the National Young and Middle-aged Calligraphy and Seal Carving Exhibition and won the first prize.

 

In 1990, he was awarded a teaching scholarship by the Fok Yingdong Foundation of National Colleges and Universities.

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