梅墨生（1960年—2019年6月14日），出生于河北，号觉公。斋号为一如堂。书画家、诗人、学者、太极拳家。中国国家画院研究员，国家一级美术师。文化部国家艺术科研课题项目评审专家，中国画学会理事，中国文艺评论家协会理事、民盟中央文化委员会委员，杭州黄宾虹学术研究会名誉会长，《20世纪美术作品国家档案》艺术专家委员会委员，中国美术学院、北京大学艺术学院、厦门大学艺术学院、中国书法院、台湾艺术大学、北京中医药大学等多所大学客座教授、研究员。中医影响世界论坛副秘书长，中国武术七段，北京吴式太极拳研究会常务副会长，武当山武当拳法研究会顾问 。

2019年6月14日，梅墨生因病去世

梅墨生水墨作品

  1981年毕业于河北轻工业学校美术专业。1991年修业于中央美术学院国画系。1998年入首都师大书法艺术教育硕士研究生班。1991-1993年供职于《中国书法》杂志社。1994年供职于荣宝斋出版社。1995年供职于《中国艺术报》社。1996-2000年任教于中央美术学院中国画系。2001年调入中国画研究院。

  问业于宣道平、李天马、李可染等先生。兼事书法、绘画创作与艺术史论研究。作品曾获首届全国电视书法大赛一等奖，中意杯龙年国际书法篆刻大赛金奖，获世界华人艺术大奖国际荣誉金奖等。书学论文曾获全国第四届书学研讨会三等奖，中国青年书法理论家协会书谱奖等。美术论文获首届梅书学（论文）学术二等奖。

  现任职：中国画研究院二级美术师、理论研究部副主任。中国书法家协会会员、中国美术家协会会员、中华美学学会会员、中华诗词学会会员、中国文物学会特聘专家。

  作品多次入选重大展览及作品集，名录收入多部辞典。学术论文多次入选大型学术会议。1990年在河北省博物馆，1997年在北京中国美术馆分别举办个人书画展。

 编著出版：《梅墨生书法集》、《梅墨生画集》、《当代著名青年书法十家精品集—梅墨生》、《中国名画家精品集—梅墨生》、《梅墨生写生山水册》、《当代书画家艺术丛书—化蝶堂书画》、《现代书画家批评》、《书法图式研究》、《精神的逍遥—梅墨生美术论评集》、《现当代中国书画研究》、《山水画述要》、《中国人的悠闲》、《记忆的微风》、《中国书法全集·何绍基卷》、《中国名画家全集·吴昌硕》、《中国名画家全集·虚谷》、《中国名画家全集·李可染》、《中国油画名家·朱乃正》等。

梅墨生水墨作品

 社会对梅墨生的评价是一位从事中国画、书法艺术创作和近现代艺术研究与评论的“三栖型”人物。梅先生的书法以行草书见长，结体夸张、变体，却是古法盎然，一派刚柔并蓄、清丽平和之境。人们能从他的作品中看到不离传统和常变常新，感受到一种传统与时代紧密结合的艺术思想。

辛尘先生说：老梅作字，骨架子是从北碑来的，笔法是从汉碑来的，老且拙，宽而奇，颇见一“厚”字；而老梅似乎更注重“写”，注重对笔墨自然流历的体验——不矫情作态、不摆花架子，只在近乎自动的书写中。老梅的字又能见到一“清”字，气贯神畅、和雅灵动，这实在是南帖的精神和情韵了。但我并不以为这是老梅在追求碑与帖的熔铸，毋宁说，老梅作字是其之为人的真实写照：它不是那种端平的庙堂之气，也绝没有那种甜媚的市井之气，它是奇拙的、疏淡的、生动的、清迈的，是地道的山林之气。

童中熹先生评介说：墨生擅山水、花鸟。所作静、雅、遒、空灵，而大都出之以“拙”，以其书、画同法故也。其法，山水盖得力于八大、石溪、龚贤、渐江，近师黄宾虹、李可染；花鸟则综合八大、缶翁、齐白石、潘天寿、李苦禅诸大家。然章法、结体，虚虚实实，不同凡响。《二楞图》、《青山雨霁图》之幻化，《依样》之韵律，《秋山图团扇》及《山深有古寺》繁而不实，《深山云烟平》满不迫塞，《夏山图》之苍茫清空，《云山几重》之推宕，或经意，或“不经意”，皆别出心裁，非揣摩有得者不能为。墨生的画，属传统文人画。

 1999年获第二届世界华人艺术大奖，国际荣誉金奖。

2001年获当代国际水墨画名家展金奖。

2004年论文获《发现》杂志社和中国管理科学研究院学术委员会优秀学术成就一等奖。

2005年获第十二届当代花鸟画邀请展组委会中国花鸟画杰出贡献奖。

2006年被评为“当代十大画家”之一。

2007年入选“艺术之巅”—2007强势媒体年度推荐书画名家（共22名）。被《艺术中国》杂志评为“十大艺术新闻人物”。

 2013年09月03日中国国家画院理论研究部副主任梅墨生接受了中国艺术网的专访，让记者问到：“与李可染先生的师生缘”，他回答说：“他是我的先生，跟可染先生的缘分很深，时间不长。但是对我来说，他对我的影响很大。这么多年来先生对我的影响是从内心深处对我的影响，他对艺术的这个虔诚，对于艺术理解的深刻，他对艺术的勤奋，对艺术的执着还有他对晚辈的那种爱护期待和鞭策，还有他对人对时间的那种严谨，对事情的那种认真，都对我非常的难忘。”

Mei Meisheng (1960 - June 14, 2019), born in Hebei Province, was named Jugong. The number of Ramadan is the same as the hall. Calligrapher and painter, poet, scholar, Taijiquan. He is a researcher of China National Academy of Painting and a first-class national artist. Ministry of Culture National Art Research Project Evaluation Expert, Director of Chinese Painting Society, Director of Chinese Art Critics Association, Member of the Central Cultural Committee of the Democratic League of China, Honorary President of Hangzhou Huang Binhong Academic Research Association, Member of the Art Expert Committee of 20th Century National Archives of Fine Arts, Chinese Academy of Fine Arts, Peking University Art Visiting Professors and Researchers of Academy of Arts, Xiamen University Art College, Chinese Book Court, Taiwan University of Art, Beijing University of Traditional Chinese Medicine and other universities. Deputy Secretary-General of the World Forum on the Impact of Traditional Chinese Medicine, Seven Paragraphs of Chinese Wushu, Executive Vice-President of Beijing Wu Style Taijiquan Research Association and Consultant of Wudang Mountain Wudang boxing Research Association.

Mei Mosheng died of illness on June 14, 2019

Major works

Editing and publishing: Mei Mo-sheng Calligraphy Collection, Mei Mo-sheng Painting Collection, Ten Excellent Collections of Contemporary Famous Young Calligraphy - Mei Mo-sheng, Chinese Famous Painters'Excellent Collection - Mei Mo-sheng, Mei Mo-sheng Scenery Book, Contemporary Calligrapher's Art Series - Huadietang Calligraphy and Painting, Criticism of Modern Calligrapher and Painter, Calligraphy Schema Research, Spiritual Freedom-Mei Mosheng's Art Criticism, Modern and Contemporary Chinese Calligraphy and Painting Research, Summary of Landscape Painting, Chinese Leisure, Wind of Memory, Complete Works of Chinese Calligraphy, He Shaoji Volume, Complete Works of Chinese Famous Painters, Wu Changshuo and Complete Works of Chinese Famous Painters, Xugu "Complete Works of Chinese Famous Painters, Li Keran" and "Famous Chinese Oil Painter, Zhu Naizheng" etc.

Relevant information

The social evaluation of Mei Mosheng is a "triphibious" figure engaged in Chinese painting, calligraphy art creation and modern art research and comment. Mr. Mei's calligraphy is good at cursive writing. Its structure is exaggerated and variant. However, it is full of ancient Chinese calligraphy. It is a state of rigidity, softness and calmness. From his works, people can see that they are inseparable from tradition and changeable, and feel a kind of artistic thought which closely combines tradition with the times.

Mr. Xin Dun said: Lao Mei's writing skeleton is from the North Stele, and her writing style is from the Han Stele. Old and clumsy, wide and strange, there is a "thick" character; while Lao Mei seems to pay more attention to "writing" and to the experience of the natural flow of pen and ink - not pretending, not putting on a flowery frame, but only in almost automatic writing. Lao Mei's character can see another "Qing" character, which is full of spirit and elegance. This is the spirit and sentiment of Nan Tie. But I don't think this is Lao Mei's pursuit of the melting of tablets and plaques. It's better to say that Lao Mei's writing is a true portrayal of her personality: it's not the spirit of a gentle temple, nor the spirit of a sweet market. It's strange, light, vivid and fresh, and it's the spirit of a genuine mountain forest.

Mr. Tong Zhongxi commented that Mosheng was good at landscapes, flowers and birds. The works are quiet, elegant, powerful and ethereal, but most of them are "clumsy" because they share the same method with their books and paintings. Its method is that the mountains and waters are covered by the Eighth National Congress, Shixi, Gong Xian and Jianjiang, and the close teachers are Huang Binhong and Li Keran; while the flowers and birds are composed of the Eighth National Congress, Qi Weng, Qi Baishi, Pan Tianshou and Li Kuchan. However, the rules and regulations, the combination, virtual and real, extraordinary. The illusion of Erlengtu, Qingshan Rainbow Picture, the rhythm of Yiyi, Qiushan Tuan Fan and Mountain Deep Ancient Temple are too complicated to be true, the deep mountain Yunyan Ping is not forced to be blocked, the vast and clear sky of Xiashan Picture, the pushing of Yunshan Several Duplications, or carelessness, are all unexpected. The winner can't do it. Mosheng's paintings belong to traditional literati paintings.

Personal Experience

Graduated from Hebei Light Industry School in 1981. In 1991, he studied in the Department of Traditional Chinese Painting, Central Academy of Fine Arts. In 1998, he entered the master's degree course of calligraphy art education of Capital Normal University. From 1991 to 1993, he worked for the Chinese Calligraphy Magazine. He worked in Rongbaozhai Publishing House in 1994. He worked for China Art News in 1995. From 1996 to 2000, he taught in the Department of Chinese Painting, Central Academy of Fine Arts. He was transferred to the Academy of Chinese Painting in 2001.

Ask Mr. Xuan Daoping, Mr. Li Tianma and Mr. Li Keran. It also deals with the study of calligraphy, painting creation and art history. His works have won the first prize of the first national television calligraphy competition, the gold medal of the International Calligraphy Seal Carving Competition of the Dragon Year of the Sino-Italian Cup, and the gold medal of international honor of the World Chinese Art Award. Calligraphy papers have won the third prize of the 4th National Calligraphy Seminar and the Book Book Book Prize of the Chinese Young Calligraphy Theorists Association. Art thesis won the first Mei Shuxue (thesis) academic second prize.

Present post: Second-level artist of Chinese Painting Academy, deputy director of theoretical research department. Members of the Chinese Calligrapher Association, the Chinese Artists Association, the Chinese Aesthetics Society, the Chinese Poetry Society, and the specially appointed experts of the Chinese Cultural Society.

His works have been selected for many major exhibitions and collections, and his catalogue includes many dictionaries. Academic papers have been selected for many large-scale academic conferences. In 1990, he held individual calligraphy and painting exhibitions at the Hebei Museum and in 1997 at the Beijing Museum of Fine Arts.

Achievement of honor

In 1999, he was awarded the Second World Chinese Art Award and the Gold Prize of International Honor.

In 2001, he won the Gold Prize of Contemporary International Ink Painting Exhibition.

In 2004, the paper was awarded the first prize for outstanding academic achievements by Discovery Magazine and the Academic Committee of the Chinese Academy of Management Sciences.

In 2005, he was awarded the Outstanding Contribution Award of Chinese Flower and Bird Painting by the Organizing Committee of the 12th Contemporary Flower and Bird Painting Invitation Exhibition.

In 2006, he was named one of the ten contemporary painters.

In 2007, he was selected as "Top of Art" - famous calligraphers and painters recommended by strong media in 2007 (a total of 22). He was awarded "Top Ten Artistic News Persons" by Art China magazine.

Media Interview

On September 03, 2013, Mei Mosheng, deputy director of the theoretical research department of the National Academy of Painting of China, received an interview from China Art Network. He asked the reporter, "Family relationship with Mr. Li Keran's teachers and students." He answered, "He is my Mr. Li Keran. Family relationship with Mr. Keran is very deep, and the time is not long. But for me, he had a great influence on me. Over the years, Mr. Hu's influence on me has been from the bottom of his heart. His devotion to art, his deep understanding of art, his diligence in art, his persistence in art, his loving expectation and spur to his younger generation, his rigorousness to time and his seriousness to things are all. It's very unforgettable for me.