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田世光

( 中国美术家协会会员 )

田世光(1916-1999),号公炜。北京人。现代著名花鸟画家。早年拜张大千门下,为大风堂弟子之一。1933年入京华美术学院国画系,受教於齐白石等。1937年毕业后,继入北平古物陈列所国画研究馆,历任研究员、助教、讲师,并兼课於京华美院、北平艺术专科学校。

人物关系
  • 中文名田世光
  • 性别
  • 国籍中国
  • 民族汉族
  • 居住地北京
  • 出生日期1916
  • 逝世日期1999-07-28
  • 职业美术家
  • 擅长花鸟
  • 协会中国美术家协会
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荣宝2013春拍赏析:田世光《迎春图》

中国美术网 09-05 浏览

中国花鸟画发展于盛唐五代,到了宋、元之际达到高峰。勾勒工笔花鸟画至明、清两代,受到文人写意画的冲击,至咸、同年间渐成绝响。田世光师承张大千、于非闇、齐白石诸先生...
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艺术家田世光简介

田世光(1916-1999),号公炜。北京人。现代著名花鸟画家。早年拜张大千门下,为大风堂弟子之一。1933年入京华美术学院国画系,受教於齐白石等。1937年毕业后,继入北平古物陈列所国画研究馆,历任研究员、助教、讲师,并兼课於京华美院、北平艺术专科学校。在该馆研究8年,主攻宋元画派工笔重彩花鸟画及宋元山水画,奠定了工笔重彩花鸟画的坚实基础。青年时代即在北平画坛享有盛名。抗战胜利后,被聘为北平艺专讲师。1949年后,历任中央美术学院讲师,中央工艺美术学院讲师、副教授,中央美院副教授、教授,北京画院院外画师,中国画研究院院委委员。新国画研究会创办人之一。曾任北京中国画会理事、北京工笔重彩画会副会长、北京花鸟画会副会长、北京大学艺术研究室顾问、中国老年书画研究会顾问等职。一生致力於中国花鸟画的继承、发展与创新,造诣深厚。他使失传了300年的宋元画派工笔重彩花鸟画画派得到新的发展、突破,并在艺术创作中发扬光大。他以饱满的热情不断深入生活,体验自然。通过写生积累了丰富的素材,创作了大量充满蓬勃生机、富有不朽生命力的花鸟画,深受人们的喜爱,为复兴传统工笔重彩花鸟画做出了巨大贡献。兼及山水。有《田世光花鸟画集》、《田世光画集》等行世。

Introduction to the artist

(1916 - 1999) , date Gong Wei. Peking Man. Painter of contemporary and famous painting of flowers and birds in traditional Chinese style. One's early years does obeisance to magnify 1000 fall, for one of child of fresh gale hall. Entered traditional Chinese painting of capital academy of fine arts to fasten 1933, suffer teach Wu Qi Bai Shi to wait. After graduating 1937, afterwards makes the same score ancient objects to display a traditional Chinese painting to study a house into north, have successively held the posts of researcher, assistant, instructor, and do some teachings in addition to one's main occupation makes the same score artistic schools at capital beautiful courtyard, north. Study 8 years in this house, picture of painting of flowers and birds in traditional Chinese style of heavy colour of traditional Chinese realistic painting characterized by fine brushwork and close attention to detail of style of drawing of main attack Song Yuan and the Song Dynasty yuan landscape painting, established traditional Chinese realistic painting characterized by fine brushwork and close attention to detail to weigh the solid base that colour painting of flowers and birds in traditional Chinese style draws. Young times makes the same score picture altar to enjoy great reputation in north namely. After war of resistance against aggression wins, be hired to be north to make the same score art only instructor. After 1949, have successively held the posts of instructor of central academy of fine arts, instructor of institute of central arts and crafts, associate professor, associate professor of central beautiful courtyard, professor, the painter outside courtyard of Beijing imperial art academy, china draws academy courtyard appoint committee member. One of patriarch of seminar of new traditional Chinese painting. Heavy colour of traditional Chinese realistic painting characterized by fine brushwork and close attention to detail of conference director, Beijing paints the traditional Chinese painting in ever holding the post of Beijing painting of flowers and birds in traditional Chinese style of meeting vice-chairman, Beijing draws art of meeting vice-chairman, Beijing University the duty such as adviser of seminar of senile painting and calligraphy of lab adviser, China. Be dedicated to the successive, development that draws at Chinese painting of flowers and birds in traditional Chinese style and innovation all one's life, attainment is deep. He makes be lost Song Yuan of 300 years draws clique traditional Chinese realistic painting characterized by fine brushwork and close attention to detail to weigh colour painting of flowers and birds in traditional Chinese style to draw drawing style to get new development, breakthrough, carry forward in artistic creation. He lives with full enthusiastic and ceaseless development, the experience is natural. Accumulated rich material through paint from life, get of people love, Hold <> concurrently reach landscape.

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