乙庄，原名翟丽燕，女，画家。1971年生于黑龙江伊春市。1999年以来，先后到首都师大书法研究生课程班和中央美院国画系进修书法和中国画；2003年考入中央美院中国画写意高研班，师从张立辰、邱振中教授，研习写意花鸟。现为中国艺术研究院美术研究所助理研究员，中国美术家协会会员，中国书法家协会会员。

乙庄楷书初学褚遂良，后追张黑女，作品追求古雅闲逸；小楷师法魏晋，作者崇尚古穆简远；行书钟情“二王”，参以章草，兼及颜鲁公、米芾、王铎等，作品为求于俊雅之中见气势，体现墨韵和节奏。
乙庄的绘画作品画面沉稳、清新、单纯、清纯、疏朗，一枝一花，饱含情趣，笔愈简而意愈浓。虽然构图很简练，但其中蕴含着一种情绪化、情意绵绵，非常细腻的一种体验式的意味。其水墨写意花卉几乎都得益于用水，那没骨花瓣和双勾叶子水墨氤氲，淡雅清逸，渗透了女画家的高雅气质。其“轻”，其“柔”，其“淡”，其“香”，总散发着闺中气息。她画画，落墨几许，心气平和，着意于笔线、墨色的浓淡枯湿。

Second village, yuan Mingdi Li Yan, female, painter. Was born at city of Heilongjiang Yi Chun 1971. Since 1999, go to calligraphy of class of course of graduate student of capital division big calligraphy and attend in a advanced studies of department of traditional Chinese painting of the beautiful courtyard central and China to draw early or late; Freehand brushwork in traditional Chinese painting of the traditional Chinese painting in taking an examination of central beautiful courtyard 2003 grinds high class, division is taught from Zhang Lichen, Qiu Zhenzhong, study enjoyable painting of flowers and birds in traditional Chinese style. It is researcher of assistant of institute of art of Chinese artistic academy now, chinese artist academician, chinese calligrapher academician.

A surname of begin to learn of second village regular script satisfies fine, zhang Hei daughter is chased after after, work goes after quaint idle ease; Advance of the Kingdom of Wei of imitate of regular script in small characters, the author advocates ancient Mu Jian is far; Running hand is loving " 2 king " , join with Zhang Cao, hold <> concurrently reach Yan Lu fair, Mi Fei, Wang Duo, work sees imposing manner in Jun Yazhi to beg, reflect Mo Yun and rhythm.
The paint picture of second village is composed, pure and fresh, pure, Qing Chun, scanty bright, one branch is spent, full of appeal, the pen heals brief and meaning more thick. Although composition of a picture is very succinct, but among them accumulate containing a kind of mood to change, affection is unbroken, a kind of very exquisite imply that experiences form. Flowers of freehand brushwork in traditional Chinese painting of its water ink almost profit from uses water, that does not have bone leaf and double Gou Xie child water Chinese ink is dense, quietly elegant clear ease, permeated the decorous temperament of paintress. Its " light " , its " soft " , its " weak " , its " sweet " , always sending out the breath in boudoir. She is drawn, fall Chinese ink how much, heart gas is gentle, act carefully the shade at color of pen line, Chinese ink is withered wet.