石可，一九二四年生。字无可，号未了公，又名石之琦。山东诸城舜王街道人。30年代末学习版画，1943年参加中国木刻研究会，金石书画、版本目录之学师从著名考古学家王献唐先生。
版画作品曾获第一届全国青年美展一等奖，第六届世界青年联欢节优秀作品奖。代表作品有《门》、《鲁难未已》、《孔子生平事迹图》等。大型雕刻壁画《孔子事迹图》（长期陈列于曲阜孔庙诗礼堂）曾获日中文化交流中心颁发的1990年度金奖、新加坡东方哲学所颁发的金奖。1991年被中国美术家协会授予“中国新兴版画贡献奖”。其版画、陶艺、鲁砚曾两次赴日本展览，并赴香港、新加坡、美国等地展览。
曾任青岛市文联副主席、青岛市美协副主席、山东美协副主席、中国美术家协会会员、中国版画家协会会员、中国书法家协会会员、中国工艺美术家协会理事、中国孔子基金会理事、第四、五、六届省政协常委。
石可先生是使鲁砚重显于世的人。他多年来选择良石，精心制作，驰名中外，早为鉴藏家所珍赏。他在大汶口-龙山文化古陶艺术美学的发现和发展方面，做出了可喜的贡献。同时，还在我国古陶艺术的基础上，创制了巨幅连环陶画：《孔子生平图》。
石可先生是位实践家，他的足迹遍印山东半岛的山山水水，使他摸清了多种鲁石的分布情况，以及特性和特色。从汉瓦砚到唐、宋古砚，石可先生都悉心揣摩，对于乡贤高南阜的制砚技艺，有更深刻的领会。因之，石可先生制作的鲁砚，都因石制宜，醇古大方，风格独具。
石可先生不仅把名字和石头联系在一起，而且把生命也和石头联在一起。他每发现一块美石，就如天文家发现一颗新星一般，简直欣喜若狂。但是在十年浩劫中，爱石成癖成了他的罪状。造反派要他亲自推着小车把他胼手茧足搜求来的石头，倾倒到海里。他当时真想以身殉石，但是想到这一撮人，不会把人间美石都消灭掉的，只要有石在，就有石可在。他没有死，他要和石头在一起生。现在，石头在他手中，焕发出新时代的生命，成为人们生活中的花朵，这正是他把自己生命倾注进去的结果。
石可在荒烟蔓草中寻石问陶之际，忽然发现了一个远古的"坩埚"，他为此事，曾要我为他题"坩埚发现者"五字赠他。我认为这比什么都更能表现石可这个人的爱国心。在四五千年前，我们的先民已经使用坩埚了。他找到这个证据更增加了我们民族的自豪感
石可先生为了实现龙山文化复兴的大业，观摩三千万件出土实物，找寻出它们中间的演变脉络，从最初的实用器物，发展到明器，而形成一种蛋壳陶，一直到形成为铜器造型的前身。他的百余件作品，就是按照这种历史的发展，来使龙山文化的美学完整地呈现在我们面前。龙山陶器虽然制作规模很大，但还没有固定的模式。据石可先生研究，他认为每件出土陶器都是一件独特的手工艺品。他选出了有典型性的七万多件陶器来，又选出有代表性的加以复制。所以，在这次展出时，参观者和鉴藏家们不仅可以看到大汶口-龙山文化的美学的再现，而且，可以看到历史的轨迹，总是伴随着真、善、美前进的。
石可先生是一位不知疲倦的探索者，他用几年的工夫，又制作了《孔子生平图》，也就是新《圣迹图》，他吸收《武梁祠》的艺术神髓，使作品更富于真实感和立体感。为了配合这些形象，石可先生还选出一万条《论语》上的话，刻为箴言章，使人们对这位伟大的教育家和思想家，作更进一步认识。
出版专著有《经学分类法》、《国学图书分类法》、《山东图书分类法》、《人民的新时代》（个人木刻集）、《石可版画选》、《鲁砚》、《论语箴言百印》等。
艺术大师刘海粟赠给石可以"石敢当"的美称，李苦禅题他制作的鲁砚："恨南阜未见"，可谓定评。

Shi Ke, born in 1924. It is also known as Shi Zhiqi. Shandong Zhucheng Shunwang street people. In the late 1930s, he studied printmaking. In 1943, he participated in the Chinese woodcut Research Association. He studied epigraphy, painting and edition catalogue from the famous archaeologist Wang Xiantang.

Printmaking works have won the first prize of the first national youth art exhibition and the excellent works prize of the sixth World Youth Festival. The representative works are "gate", "Lu Nan Weiji", "Confucius life story map", etc. The large-scale carved mural "the picture of Confucius' deeds" (which has been displayed in the Confucian temple poetry Hall of Qufu for a long time) was awarded the gold medal of 1990 by the Japan China Cultural Exchange Center and the gold medal of Singapore Oriental philosophy. In 1991, he was awarded "China emerging print Contribution Award" by China Artists Association. His prints, ceramics and Lu Yan have been exhibited in Japan twice, and in Hong Kong, Singapore, the United States and other places.

He used to be vice chairman of Qingdao Federation of literary and art circles, vice chairman of Qingdao Art Association, vice chairman of Shandong Art Association, member of China Artists Association, member of China printmaker Association, member of China Calligrapher Association, director of China Arts and Crafts Association, director of China Confucius Foundation, member of the 4th, 5th and 6th CPPCC Standing Committee.

Mr. Shi Ke is the one who makes Lu Yan appear in the world. Over the years, he has chosen good stones, carefully made them, and they are well-known both at home and abroad. He has made gratifying contributions to the discovery and development of Dawenkou Longshan ancient ceramic art aesthetics. At the same time, on the basis of ancient ceramic art in our country, we created a huge series of ceramic paintings: "the life of Confucius".

Mr. Shi Ke is a practitioner. His footprints are all over the mountains and rivers of Shandong Peninsula, making him know the distribution, characteristics and characteristics of various kinds of Lu stones. From Hanwa inkstone to Tang and song ancient inkstone, Mr. Shi Ke carefully pondered and understood the inkstone making skills of gaonanfu, a rural sage. Because of this, Lu inkstone made by Mr. Shi Ke is suitable for stone, mellow, ancient and generous, with unique style.

Mr. Shi Ke not only linked his name with stone, but also his life with stone. Every time he found a beautiful stone, it was like an astronomer finding a new star. He was ecstatic. But in the ten years of catastrophe, love stone became a crime. The rebels asked him to personally push the car to dump the stones he had collected from his calluses and hand cocoons into the sea. At that time, he really wanted to sacrifice his life for the stone, but thinking of this group of people, he would not eliminate all the beautiful stones in the world. As long as there are stones, there are stones. He is not dead. He will live with the stone. Now, the stone in his hand, radiates the life of the new era, becomes the flower of people's life, which is the result of his life into.

Shi Ke found an ancient "crucible" when he was looking for a stone and asking for pottery in the wild smoke and grass. He asked me to give him the five words "crucible discoverer" for this matter. I think this is better than anything to show Shi Ke's patriotism. Four or five thousand years ago, our ancestors used crucibles. He found this evidence to increase the pride of our nation.

In order to realize the rejuvenation of Longshan culture, Mr. Shi Ke observed 30 million unearthed objects and found out the evolution of them. From the initial practical artifacts to the Ming ware, he formed a kind of eggshell pottery, until it became the predecessor of the bronze ware modeling. More than 100 of his works are based on this historical development to make the aesthetics of Longshan culture completely present in front of us. Although the production scale of Longshan pottery is very large, there is no fixed pattern. According to Mr. Shi Ke's research, he believes that every unearthed pottery is a unique handicraft. He selected more than 70000 typical pottery, and selected representative ones to copy. Therefore, in this exhibition, visitors and collectors can not only see the aesthetic representation of Dawenkou Longshan culture, but also see the track of history, which always goes forward with the truth, goodness and beauty.

Mr. Shi Ke is an indefatigable explorer. In a few years' work, he also made the picture of Confucius' life, which is the new picture of miracles. He absorbed the artistic spirit of Wuliang temple, making the work more realistic and three-dimensional. In order to match these images, Mr. Shi Ke also selected 10000 words from the Analects of Confucius and carved them into proverbs, so that people can further understand this great educator and thinker.

He has published monographs such as Jingxue classification, Sinology classification, Shandong classification, people's new era (personal woodcut Collection), Shike printmaking selection, Luyan, Analects of Confucius 100 seals, etc.

Liu Haisu, the master of art, gave stone the reputation of "stone can be used". Li kuchan asked Lu Yan He made: "hate Nanfu, never see it", which can be described as a definite comment.