江一波（1908.10—1985.02），又名亦颇，福建省福州人。著名国画家，中国美术家协会资深会员，擅长写意花卉。
江一波先生毕生从事美术工作，早年曾任江西女子职业学校美术教师，后在国民党军队中做美术工作。1949年全国解放前夕，他身背画箱，只身投向解放区，从此加入了推翻蒋家王朝的革命队伍。
1954年，我国最具权威性、学术性的美术杂志—“中国美术家协会”机关刊物《美术》在京创刊。他奉调入京，担任《美术》月刊编辑，并任国画组组长。1959年，由于他历史上加入过国民党军队的问题，被逐出北京，下放到《宁夏日报》任美术编辑。
文革中，江一波先生备受摧残，被批斗和停发工资，每月仅靠20元生活费度日。那时他孤身一人，蛰居于银川市老城区和平新村一间破败的土坯房中，每天靠画画、授徒苦中作乐。
20世纪60、70年代，江一波先生都是宁夏回族自治区首屈一指的国画家。当时，求画者甚众，有显贵，也有普通百姓，他都一视同仁，尽量满足大家的要求。
1975年，宁夏革委会主管宣传、文教的副主任、老干部陈养山出面为其平反，恢复原工资待遇。平反后，他便调离了宁夏，到女儿身边—云南省话剧团工作。那一年，他已经67岁了。
1975年—1985年是江一波先生生命中最后的十年，也是他国画创作渐入巅峰的十年。当政治的阴霾渐渐散去的时候，他恢复了一个艺术家追求真善美的本性。先生忘我地投入到工作中，以极大的热情创作出了《爆竹花》、《老来红》等经典性作品。
1985年2月，这位老人终于走完了他的人生旅途，在昆明去世，享年77岁。
江先生有极深的传统文化底蕴，琴、棋、书、画无一不佳；诗词歌赋，亦为所长。先生尤其擅长写意花卉，文革前作品多次在全国性的美展中获奖。其笔法在使转、提按、顿挫、轻重、徐疾、藏峰、露峰上一波三折，颇见骨力与气质；故而凸显出老辣、凝重、雄浑的阳刚之美。
先生自幼习书法、篆刻，从汉、魏碑帖入手，临过许多前辈大师的作品，后又形成了自己的风格，他的绘画成就与其书法造诣有着密切关系。
江先生一生爱梅、画梅，他的《梅花图》通过线条的律动概括树干、树枝形态的变化，同时在树枝上点缀色彩不一的花朵。寥寥数笔，然栩栩如生，形神兼备矣！
“俏也不争春，只把春来报；待到山花烂漫时，她在丛中笑”。这首咏梅词也是江先生人品、艺品的写照。
《岭上之春》是先生晚年画梅的力作。画中一块陡峭的巨石占据了大部分画面，可谓奇险；而右下角是起伏的山峦，恰好构成了画面的平衡；巨石上下方各伸展出怒放的梅花。这幅画既有树木坡石的体面关系，又见先生老辣、凝重的运墨骨力，气韵生动，是传统国画技法与西画构图法相结合的佳作。
《岭上之春》使人从心里感叹“画笔自从书笔来”，江先生的书、画、印已自成一家，达到了很高的艺术水准。
松鹤图是传统国画常见的题材，江先生的《松鹤延龄图》一反常规，隐树干于一旁，突出纠缠交错的树枝和松针，线条狂野，用笔或提或按、或顿或挫、或徐或疾，尽显千年古松的岁月沧桑；而郁郁葱葱的枝杈上静立一只黑尾白鹤，线条细腻，与粗犷的古松形成了强烈反差。
“我之谓我，自有我在”。睹江先生《松鹤延龄图》方悟此乃写意画之要义也。
中国画由象形文字发展而来，一直沿用线条并不断使之发展。宋、元以后文人画崛起，标志着中国画创作进入了一个高水准的阶段。文人们凭借自身的书法功力和学养，张扬个性，不断求索，勇于创新，始终引领着时代绘画文化的潮流。正因为如此，国画大师潘天寿先生在教授学生时要求“四全”，即对诗、书、画、印有全面的修养。
江一波先生秉承宋、元以后文人画的传统，兼收西画技法，形成了自己的风格。先生已故去多年，目前没有任何宣传，但不少藏家却通过各种渠道和零星资料搜集先生的遗作和遗迹，作品价格在市场，尤其是云南市场上不断攀升。这再次印证了一个道理：国画创作必须根植于民族传统的厚土沃壤，然后结合审美的时代变化加以创新，这样作品才有可能长成参天大树。

Jiang Yibo (1908.1, 1985.02) , renown Yi Po, person of Fujian Province Fuzhou. Home of famous traditional Chinese painting, chinese artist association is senior member, be good at enjoyable flowers.
Mr Jiang Yibo is engaged in art working for a whole life, one's early years ever held the post of teacher of art of Jiangxi woman vocational school, art work is done in Kuomintang army after. The whole nation liberated eve 1949, his body back draws box, cast alone to the liberated area, joined the revolutionary rank that overthrows Home Jiang dynasty from now on.
1954, the art magazine that our country has authority, technicality most, " Chinese artist association " mechanism journal " art " start publication is in Beijing. He is acted according to transfer into Beijing, hold the position of " art " monthly magazine edits, hold the post of group leader of group of traditional Chinese painting. 1959, because the problem of Kuomintang army has been added on his history, by expulsive Beijing, transfer to a lower level arrives " Ningxia daily " hold the post of art to edit.
In Culture Revolution, mr Jiang Yibo suffers fully destroy, be mixed to stop hair salary by criticize and denounce sb, rely on 20 yuan of living cost every months to live only. He is alone in those days, hibernate is on new residential quarter of peace of Yinchuan city old the city zone in a dilapidated adobe room, in relying on to draw the picture, suffering that give person everyday, make merry.
20 centuries 60, 70 time, mr Jiang Yibo is the home of traditional Chinese painting of the first of all of Ningxia Hui Autonomous Region. At that time, the person that beg a picture is very numerous, have dignitary, also have ordinary common people, he treat equally without discrimination, satisfy everybody's requirement as far as possible.
1975, ningxia change appoint Chen Yangshan of the vice director that can be in charge of conduct propaganda, culture and education, veteran cadre appears personally to be rehabilitated for its, restore former pay pay. After rehabilitating, he transferred Ningxia, to the side of the daughter, group of Yunnan province modern drama works. That year, he already 67 years old.
1975, 1985 is life of Mr Jiang Yibo in 10 final years, also be him 10 years when creation of traditional Chinese painting enters summit summit gradually. When the haze that be in power treats drops off gradually, he restored an artist to go after the nature of the true. The gentleman is thrown oblivious of oneselfly in the job, with huge enthusiasm creation went out " cracker is beautiful " , " often come red " wait for classical sex work.
In Feburary 1985, this old person took his life trip eventually, die in Kunming, die at the age of is 77 years old.
Mr Jiang has inside information of profound tradition culture, musical instrument, chess, book, picture is not had one not beautiful; Poetic word song is endowed with, also be a strong point. The gentleman is good at enjoyable flowers especially, the work before Culture Revolution is exhibited in national beauty for many times in bear the palm. Its calligraphy or drawing is in make turn, carry by, on peak of disease of frustration, weight, Xu, Cang Feng, dew one 3 fold, see skeleton force and temperament quite; So protruding is shown old hot, dignified, vigorous and firm in relief Gang Zhimei.
Calligraphy of be used to of gentleman from a child, seal cutting, from Chinese, proceed with of post of tablet inscriptions of the Northern Dynasties, had faced the work of a lot of elder Great Masters, oneself style was formed again after, his painterly achievement and its calligraphy attainment are having affinity.
Mr Jiang lifetime loves plum, picture plum, his " wintersweet pursues " the change that generalizes configuration of truncal, branch through the rhythm of line, adorn the flower with differ colour on branch at the same time. Pen of very few number, like that lifelike, body spirit has both!
"Spruce also do not contend for spring, spring will declare; Wait for when pediment is brilliant, she laughs in the clump " . This Mei Ci that chant also is Mr Jiang bearing, art tasted portraiture.
" on mountain spring " the master piece that is plum of picture of gentleman old age. An abrupt megalith in the picture held major appearance, strange danger of it may be said; And right next horn are fluctuant chain of mountains, made the balance of the picture fitly; The lower part on megalith extends the wintersweet that exhibits an in full bloom each. This picture has the creditable concern of arboreous slope stone already, see the gentleman is old again the force of skeleton of carry Chinese ink of hot, dignified, gas charm is vivid, it is law of ability of traditional traditional Chinese painting and an excellent work that band of photograph of law of composition of a picture draws on the west.
" on mountain spring " make the person plaints from the heart " paintbrush since book pen come " , the book of Mr Jiang, picture, imprint already be unique in one's style, reached very high artistic level.
Loose crane graph is the theme with traditional common traditional Chinese painting, of Mr Jiang " Songhe postpones age plan " one unusual plan, concealed is truncal at aside, outstanding pester stagger branch and pine needle, line is mad wild, use a pen or be carried or press, or pause or defeat, or Xu Huo disease, all show the years vicissitudes of life of chiliad Gu Song; And the Jing Liyi on lush and green branch is only black end white crane, line is exquisite, formed sharp contrast with straightforward Gu Song.
"My call I, oneself I am in " . See Mr Jiang " Songhe postpones age plan " just realize this to be what freehand brushwork in traditional Chinese painting draws to want justice also.
Traditional Chinese painting comes by pictographic development in, all the time the development that line of continue to use makes ceaselessly. The Song Dynasty, yuan later bookman picture rises abruptly, the traditional Chinese painting in indicating creates the phase that entered a high level. The calligraphy work force that civil people depends on oneself and learn to raise, make public individual character, search ceaselessly, be brave in to innovate, leading a times the tide of painterly culture from beginning to end. because such, great Master of traditional Chinese painting Mr Pan Tianshou asks when didactics is unripe " 4 complete " , be opposite namely poem, book, picture, imprint have comprehensive accomplishment.
Mr Jiang Yibo takes a surname, yuan later the tradition that bookman draws, hold <> concurrently close ability way is painted on the west, formed oneself style. The gentleman is deceased go old, do not have any conduct propaganda at present, but the posthumous work that stores the home not less to pass all sorts of channel and gentleman of fragmentary data collect however and vestigial, work price is in the market, climb ceaselessly on Yunnan market especially litre. This again confirm a truth: Creation of traditional Chinese painting needs fibrous root establish the large tract at ethical tradition fertile soil, combine aesthetic times change to try to innovate next, such work just blossom likely join extremely big tree.