《兰亭图并书序》卷，明，许光祚绘，绫本，设色，纵27cm，横136.1cm。

　　卷后有许光祚书《兰亭序》，落款曰：“辛亥暮春摹于长水之玉瑛堂。关西许光祚。”下钤“灵长氏”朱文印。辛亥为明万历三十九年（1611年）。画心无款， 有“永安沈氏藏书画印”朱文鉴藏印一方。许光祚，活跃于明代万历年间，字灵长，陕西人。与汤焕同郡，得其书法，时人号曰汤许。举于乡，知太平县，著有《许灵长集》。有书法作品传世，但文献没有记载他能绘画。

　　本卷以山水为背景，表现兰亭修禊故事。卷首山脚下二文士携三童子而来，往前溪水边有一亭，亭中间置一桌，一文士在桌上挥毫，一文士坐于侧，另有一文士坐长凳上倚栏观鹅。溪流两岸边绘众文士及童子，文士们分组而坐，或凝思或交谈，或观摩或挥毫，其中有一人袒胸盘坐，双手上举似为养气，另有两文士在喝交杯酒，形态生动。溪流间有荷叶托着酒杯顺流而下。该图虽然大体继承了宋元以来兰亭雅集图亭中观鹅、岸边赋诗的构图方式，但从图中人物的服饰、动态及人数等来看，画家表现的更像是明代文人模仿王羲之等兰亭雅集时的情形，而不是真实地再现当时的原貌。图中人物线条简洁严谨，设色淡雅，山石轮廓以侧笔皴擦，工整柔和。

"Lanting Tu Bian Shu Xu" Volume, Ming, Xu Guangzuo Painting, Quilt, Colour Setting, 27 cm in length and 136.1 cm in breadth.

After the volume, Xu Guangzuo wrote "Preface to the Lanting Pavilion". He wrote, "The late spring of 1911 is imitated in the Yuying Hall of Changshui. Kansai Xu Guangzuo." Xiajun "Primate" Zhu Wenyin. 1911 was the thirty-ninth year of Wanli in the Ming Dynasty (1611). There is no money in the heart of the painting. There is "Yongan Shen's Collection of Pictures and Seals" on the side of Zhu Wenjian's collection and seal. Xu Guangzuo was active in Wanli period of Ming Dynasty. He was born in Shaanxi Province. Tongjun with Tang Huan got his calligraphy, which was called Tang Xu at that time. Lifted in the township, Zhitaiping County, the author of The Collection of Xu Priests. Calligraphic works have been handed down, but the literature does not record that he can draw.

This volume takes the landscape as the background, expressing the story of Lanting Xiuyu. At the foot of the rolling head Hill, two scholars came with three boys. There was a pavilion near the front stream. There was a table in the middle of the pavilion. A scholar waved a milligram on the table. A scholar was sitting on the side. Another scholar was sitting on a bench, leaning against the fence to watch geese. On both sides of the stream, scholars and boys were painted. THey sat in groups, meditating or talking, watching or waving. One of them sat on his chest and raised his hands as if to nourish his spirits. Two other scholars were drinking and drinking a cup of wine. Between the streams there are lotus leaves holding wine cups down the stream. Although the picture inherits the composition of Goose View and Shore Fu Poems in Lanting Yaji Pavilion since Song and Yuan Dynasty, from the costume, dynamics and number of the characters in the picture, the painter's performance is more like that of the Ming Dynasty literati imitating Wang Xizhi's and other Lanting Yaji, rather than reappearing the original appearance at that time. The figure lines in the picture are concise and precise, with light and elegant colors. The outlines of rocks and mountains are rubbed with side pens, neat and soft.