郑文林活动时期约在嘉靖间（1522—1566）号颠仙，明代画家，闽侯（今属福建）人。生卒年不详。。工山水、人物，与汪肇、钟礼、张路等均为浙派后期名家。继蒋嵩之后，多用焦墨枯笔，点染粗豪，板重颓放，尤其是人物。《图绘宝鉴续纂》卷一以颠仙与袁尚统（字叔明，苏州人）并列一条目，谓两人“画人物俱野放”，并被吴派讥评为“狂邪”，其实颠仙所作有其独特风格。
       传世作品有《二仙图》轴、《女仙图》轴，现均藏中央美术学院；《群仙图》轴藏广州美术馆；《牧人瑞梦图》轴藏美国高居翰景元斋；《渔童吹笛图》轴、《柳荫人物图》轴均流入日本。右图以泼墨侧锋，拖泥带水，尽情挥写乱石老柳，以细碎之笔，密点柳叶，疾写杂草。人物造型，偏头斜目，举止怪诞，神情诙谐，更以颤笔写衣纹，颠狂之气，跃然画外。此幅图吸取牧溪、梁楷天然之趣，而舍浙派生硬之弊，构成此图动人的艺术特点。
English is introduced
Zheng Wenlin activity period in about Jiajing (1522-1566) of the immortal, the Ming Dynasty painter, Minhou (now Fujian) people. Birth and death years unknown. . Work landscape, figures, and Wang Zhao, Zhong Li, Zhang Road, Zhejiang late school are all famous. Following the Song Jiang, the use of more than dry coke ink pen, dyed rough ho, board heavy decadent release, especially the characters. "Figure painting Bao Jian continued compilation of" volume to a fairy and Yuan Shang Tong (word tert-Ming, Suzhou people) tied for an entry, that the two "painted characters are wild", and Wu School ridiculed as "mad evil" , In fact, has made its unique style.
       "Herdsman Ruimeng figure" axis of the United States ranks highest in the King of the King Yuan Zhai; "Sin Temple" axis of the Tibetan Art Museum; "Fisherman piped figure" axis, "willow figure figure" axis are flowing into Japan. The right to splash ink side front, dragging its feet, enjoy the writing of old stone willow, to crushing the pen, dense point willow, disease write weeds. Character modeling, migraine oblique head, behavior weird, look witty, but also to chatter pen writing pattern, the mad madness, vividly painted outside. This drawing draws animal husbandry Creek, Liang Kai natural interest, while the disadvantages of the hard-hing Zhejiang set to form the moving figure of the art characteristics.