恽向（1568-1655），明代画家。原名本初，字道生，号香山。武进（今属江苏）人。擅长山水，早年学董源，巨然，以悬肘中锋用画，骨力圆劲，浓墨润湿，纵横淋漓，自成一派，晚年敛笔于倪瓒、黄公望的风格，惜墨如金，挥洒自如，妙合自然。由于他常往来于齐鲁之间，并登临泰山，故笔下册水自然雄浑之气。他曾为周亮公画山水，自题云：“逸品之画，笔似近而远愈甚，似元而有愈甚；其嫩处如金，秀处如铁，所以可贵，未易为俗人道也。”恽向以其精湛的画艺和众多在清初画坛上有重要的地位，对当时及后世山水画的创作产生了深远而广泛的影响，特别是他善于继承传统并能自辟蹊径的艺术实践，引导了一大批画家，恽寿平、王翚，各善盛扬。
《秋林平远图》轴，纸本墨笔，纵148.8、横 61.5厘米。上海博物馆藏。图绘一江两岸之景。近处有树一丛，摇曳生姿；对岸平坡人家寂无人声；远处为青山大岭，遥瞰山后江流。此图笔法清健生拙，山峦画法在巨然、黄公望画风之间，作披麻皴后几无渲染，别具一种高朗之气。款署：“戊寅十月望日，残菊下写的秋林平远之意本痴翁。道生。”戊寅为公元一六三八年，作者时年五十三岁。下钤“恽向父”朱文方印及“道生”白文方印。此图上端另有题于同年十一月廿日的长跋，亦涵论艺之意。下钤“字曙臣”、“恽本初印”二白文方印。
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恽向《超山越海之势》纸本立轴 现为金陵天渡楼收藏
恽向 《泉谷图》 纸本立轴，现为 金陵天渡楼收藏。
秋林平远图，现为上海博物馆收藏。
Yun to (1568-1655), the Ming Dynasty painter. Formerly known as the beginning of the word Dawson, No. Xiangshan. Wujin (this is a Jiangsu) people. Good at landscape, early school Dong Yuan, giant, to elbow center painting, bone strength round, thick ink wetting, vertical and horizontal dripping, since a school, old age in pencil NiZan, HuangKongWang style, pity, such as gold, Natural. As he often between Qilu, and boarded Taishan, so the water under the book of natural gas force. He had Zhou Lianggong painting landscapes, since the title of the cloud: "Yiping the painting, the pen seems to be far and far more, like Yuan and more; its tender place such as gold, show at the iron, so valuable, not easy for the laity "Yun to its superb painting and many in the early Qing Dynasty painting on an important position, at that time and later creation of landscape painting produced far-reaching and extensive influence, in particular, he is good at inheriting the tradition and can be self-invented The art of practice, to guide a large number of artists, Yun Shouping, Wang Hui, the good Shengyang.
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