倪瑛--明朝万历、崇祯人，生卒年不详。擅山山水学宋、元，颇具书卷气息。亦能花卉竹石。天启七年（一六二七）胡正言辑十竹斋竹谱，著有《十竹斋书画谱》。《归庵图》此图中树林繁茂，林间小道幽远，道旁杂草丛生。苍松之下，茅庵掩露，一士人倚栏而坐， 眺望远方，不禁令观者也随其遐思。这正是作者构思巧妙之处，也反映其超尘脱世之心态。全图笔墨松灵，意境清旷。
倪瑛--明朝万历、崇祯人，生卒年不详。擅山山水学宋、元，颇具书卷气息。亦能花卉竹石。天启七年（一六二七）胡正言辑十竹斋竹谱，著有《十竹斋书画谱》。《归庵图》此图中树林繁茂，林间小道幽远，道旁杂草丛生。苍松之下，茅庵掩露，一士人倚栏而坐， 眺望远方，不禁令观者也随其遐思。这正是作者构思巧妙之处，也反映其超尘脱世之心态。全图笔墨松灵，意境清旷。
English is introduced
The Birth and Death Years of Wanli and Chongzhen in Ming Dynasty. Good mountain landscape Song, Yuan, quite book breath. Also flower bamboo. Apocalypse seven years (1627) Hu Zhengyan series of ten bamboo bamboo, with the "ten Zhuzhai painting spectrum."
"Gui map" This figure in the lush forests, forest trails Youyuan, roadside weeds. Under the pines, Mao Temple cover Lu, a scholar leaning against the bar, overlooking the distance, do not ban the viewer also with its reveries. This is the author of the ingenious place, but also reflects the mentality of super dust off the world. The whole figure pen Song Song Ling, mood Qingkuang.
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