​丁观鹏(1736-1795)清代画家，艺术活动于康熙末期至乾隆中期，北京人。胡敬《国朝院画录》谓:"观鹏克传家学。"工道释、人物、山水，亦能作肖像，尤擅仙佛、神像，以宋人为法，不尚奇诡，画风工整细致，受到欧洲绘画的影响，学明代的丁云鹏笔法，有出蓝之誉。雍正四年(1726)进入宫廷为画院处行走，是雍正、乾隆朝画院高手，与唐岱、郎世宁、张宗苍、金廷标齐名。造诣深湛，得乾隆帝赏识，曾为《圣制诗》初集、二集、三集之多幅画卷题诗。在宫廷画院五十年左右，作品近二百件。传世作品有完成于乾隆三十二年(1767)《法界源流图》卷，纵33厘米，横1635厘米，该卷场面宏大，人物众多，描金设色，精细绚丽，为中国佛教艺术瑰宝、世界佛教艺术明珠，现藏吉林省博物馆;乾隆十三年(1748)作《乞巧图》卷藏上海博物馆;二十六年(1761)作《无量寿佛图》轴、《宝相观音图》轴藏故宫博物院;三十五年(1770)八月作《说法图》轴藏西柏林民俗博物馆。弟丁观鹤，亦供奉内廷，工人物。

丁观鹏擅长画道释人物，也善画山水。曾与弟弟观鹤同供奉于南熏殿。他的画作清宫收藏很多。与陈枚等六家合作《庆丰图》卷，《太平春市图》卷，与陈枚、孙硝合作《丹台春晓图》卷等，均辑入《石渠宝笈》。传世作品有:《摹宋人雪渔图》和《仿韩 七子过关图》，均辑入《中国历代名画集》。
乾隆洗象图
纸本设色 纵132.5厘米 横62.6厘米 北京故宫博物院藏
这是一幅宗教题材绘画，但是画中的普贤菩萨，却分明是乾隆皇帝的形象。众人正在观看洗刷白象，而那头白象就是普贤菩萨的坐骑。画中除去乾隆皇帝外，另有数人带有肖像特点，当为郎世宁所绘;而人物的衣纹，线条拌动，很有特色，应出自丁观鹏之手笔。画上只署了丁观鹏一个人的名款，其实应当有欧洲画家参与其事。画幅左下角署款:"乾隆十五年六月臣丁观鹏恭绘"。
太平春市图
描绘新春农村热闹欢庆春节情景，爆竹、太平鼓、果品、鸟鱼挑摊，以及各种行业的耍猴货郎、算命、跑旱船、演傀儡戏的表演艺人。松树下文士席坐品茶闲聊，朱漆托盘内置有紫砂大壶与青花碗，盛装泉水则用绿地花卉大壶、茶铫。挑夫担子盛放糕点使用的是青花与描红龙纹碗、盘，均是乾隆时期宫廷用器，可知街上买卖艺人都是由宫中侍仆所装扮。

Ding Guanpeng (1736-1795) Qing Dynasty painter, artistic activities in the late Kangxi to Qianlong period, Beijing. Ding Guanpeng is good at drawing figures, but also good painting landscapes. And his brother with the view of the crane with the South dedicated to the temple. His paintings Qing Gong collection a lot.
Biography
Ding Guanpeng (1736-1795) Qing Dynasty painter, artistic activities in the late Kangxi to Qianlong period, Beijing. "Road Museum interpretation, figures, landscapes, can also be used for portraits, especially for fairy Buddha, statues, the Song for the law, not yet strange, Painting neat and meticulous, by the impact of European painting, the Ming Dynasty's Ding Yunpeng brushwork, a blue reputation. Yongzheng four years (1726) to enter the palace for the painting at the walk, is the Yongzheng, Qianlong Museum master, and Tang Dai, Lang Shining, Zhang Zongcang, Jin Tingbiao par. Achievement Shenzhan, was appreciated Emperor Qianlong, who was "St. poem" first set, two sets, three sets of the picture scroll poem. In the court of fifty years or so, nearly 200 works. The works are completed in the thirty-second years of Qianlong (1767), "Dharma source diagram" volume, 33 centimeters vertical, horizontal 1635 cm, the volume scenes ambitious, many characters, describe gold color, fine gorgeous for the Chinese Buddhist art treasures, the world (1761) as "Qi Qiao map" volume possession of the Shanghai Museum; twenty-six years (1761) as "Amitabha Buddha" axis, "Po Xiang Guanyin diagram" axis, the Buddha Museum of Art, Tibet National Palace Museum; thirty-five years (1770) in August as "view map" axis of West Berlin Museum of folklore. Ding Ding Guan He, also dedicated to the inner court, workers.