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李珊珊

李姗姗,生于1966年,云南省昆明,于1994年在无美学艺术的基础下,不受常规法则的约束,进入一种状态后下意识地随灵感而动,在气流的推动下提笔挥洒,整个作画过程轻松自在,随心所欲的自然表现,每幅画都有着特殊的神韵。于1996年进入终南山绘画班进修。

  • 中文名李珊珊
  • 性别
  • 国籍中国
  • 民族汉族
  • 居住地云南 大理
  • 出生日期1966-08-06
  • 职业美术家
  • 擅长油画,其他
艺术家李珊珊简介

李姗姗,生于1966年,云南省昆明,于1994年在无美学艺术的基础下,不受常规法则的约束,进入一种状态后下意识地随灵感而动,在气流的推动下提笔挥洒,整个作画过程轻松自在,随心所欲的自然表现,每幅画都有着特殊的神韵。于1996年进入终南山绘画班进修。1997年参加北京书画艺术联合展深受国内外禅画艺术同好赞许,纷纷提出收藏意愿。于1999年离开终南山回到昆明后专心於创作。于2003年参加云南省青年艺术家联合展。为了推广绘画艺术文化的宏愿,作者以十年磨一剑的精神苦心於创作直至2008年在云南省大理州正式成立雨田居艺术画廊。
“愿美好的绘画艺术和深邃的思考留给当代传给未来”
雨田居绘画艺术是一气呵成的绘画艺术与常规的绘画艺术有很大的不同,常规绘画创作要求作者在动笔前首先要经过严密思考和精心的设计,做到胸有成竹后再动笔,构思在其创作中具有致关重要的作用。
雨田居绘画创作中,作者可以不受常规构思法则的约束,进入一种无意识状态后,随心随意的进行自然表现,每幅画都有着特殊神韵,形成活灵活现的画面,任何一幅作品都不可能重复再现。
其作品可分为具象、抽象、玄象?三大类,它展示的线条、符号、内容都在形色交构与线条流动中,用不同的表现形式投射出灵动、潇洒、天真、纯朴的神韵。

教育经历

于1996年进入终南山绘画班进修。

于1997年参加北京禅画艺术联合展深受国内外绘画艺术同好赞许,纷纷提出收藏意愿。

于1999年离开终南山回到昆明后专心於创作。

于2003年参加云南省青年艺术家联合展。为了推广艺术文化的宏愿,作者以十年磨一剑的精神苦心於创作直至2008年在云南省大理州正式成立雨田居艺术空间。

Introduction to the artist

Author: Plum? Shan Shan? Be born 1966? Yunnan saves Kunming

Was 1994 below the foundation that does not have aesthetic art, do not accept the obligation of groovy law, inspiration is followed subliminally after entering a kind of state and move, in air current drive next brandish that carry a pen to asperse, the whole process that make a picture is relaxed and comfortable, follow one's inclinations nature is behaved, every picture is having special romantic charm.

Entered 1996 eventually south attend in a advanced studies of hill brushwork class.

Draw art to be the same as good praise at attending art of Beijing painting and calligraphy to be exhibited jointly 1997 by domestic and international buddhist, put forward to collect apiration in succession.

Left 1999 eventually south after hill returns Kunming, absorption Wu Chuang is made.

Exhibit jointly at attending Yunnan to save young artist 2003. To popularize the great aspirations of painterly and artistic culture, till Dali city was saved to establish pluvial cropland formally to reside artistic gallery in Yunnan 2008,Wu Chuang makes the mental pains that the author grinds one sword with 10 years.
"Wish to draw art and abstruse reflection leave goodly pass future now "
The painterly art that pluvial cropland house draws art is get sth done without any letup and groovy painterly art have very big different, author of requirement of groovy and painterly creation wants a course to rigor thinks and be designed meticulously above all before start writing, after achieving have a well-thought-out plan again start writing, conception is had in its creation cause the effect with close main.
In creation of brushwork of pluvial cropland house, the author need not suffer convention to conceive the tie of law, after entering a kind of involuntary state, have natural show at will along with the heart, every picture is having special romantic charm, form the picture of lifelike, an any work repeat emersion impossibly.
Can be its work divided for? Provide elephant, abstract, black elephant? 3 kinds big, the line that it shows, symbol, content pays compose and line flow in look look in, with different expression the form projects a clever, cheesy, innocent, honest verve.

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